“Wearing down, chafing, scraping, being eaten away and flaying; none of these situations sound particularly pleasant truth be told. But when you apply these same conditions across eight blasphemous anthems of pure black rage, you could very well say that suddenly the tables are turned. What wore you down before now pulls you like a magnet and taunts you to dig deeper into a bands discography.” Do you like the feel of chafing? Do you enjoy abrasive things? if so, Nidsang might be just your rub.
“Alright, so unless you live under a rock, by now you MUST have an inkling that Watain have carved another notch to their bullet belts with their fifth studio release — The Wild Hunt. This attractively adorned album (depicting the spoils of a lengthy musical journey) hit the shelves a few days back with all the usual hype and aggrandizement one would expect of a Watain album, released through their own label His Master’s Noise (under the umbrella of Century Media Records). Following on from their well received opus of 2010 (check out how Angry Metal Guy weighed in on Lawless Darkness here), The Wild Hunt sees Watain beefing up their orthodox brand of black metal, showing the middle finger to the dictators of the world and borrowing from a feast of decidedly odd influences. So what of it, have these gents from Sweden’s Uppsala, who cite the influence of Bathory and Dissection among others, delivered the goods.” Madam X breaks down the new Watain record The Wild Hunt. What does she think? The world may never know!
