Neptunian Maximalism

R.A Sánchez – L’Ottava Sfera Review

R.A Sánchez – L’Ottava Sfera Review

“The trouble with genre-bending avant-garde artists is the line between utter brilliance and foolhardy amateurishness. Like a sleeping bear of sonic putridity, artists poke it with their toes of jazz and ambiance and drone, and it largely is a matter of time before they’re greeted with the teeth, and consequently, our ears are bathed in confusion. R.A Sánchez, proprietor of the ambient weirdness of Black Baptist, offers this odd concoction in solo debut L’Ottava Sfera.” Creativity is madness by another name.

Bunsenburner – Rituals

Bunsenburner – Rituals

“After the ruthless shellacking I gave to Bunsenburner’s debut Poise, I didn’t expect to hear from the German revolving-door collective so soon. My critiques of the debut were called out by mastermind Ben Krahl, but a followup determined that “any publicity is good publicity” and he sent in 2023’s Rituals for another round. Stoner doom to the core, with a crystalline ambiance and jazzy overtures to effectively cover its lack of vocals, Poise was ultimately overlong and directionless. Regardless of my feelings of the debut, the show goes on!” Flame on!

Onkos – Vascular Labyrinth Review

Onkos – Vascular Labyrinth Review

“A project of San Francisco-based musician Robert Woods-LaDue and Bay-area session jazz musicians, Onkos is definitely metal, but like, what? Most akin to Barcelona flute/double bass bastards Inhumankind, Vascular Labyrinth can be best described as a chamber jazz act covering death metal.” In the veins of weirdness.

Zaäar – Magická Džungl’a Review

Zaäar – Magická Džungl’a Review

“It’s no secret that I love Neptunian Maximalism. Since the Belgian collective’s 2020 debut, magnum opus Éons, I’ve been craving more. For better or worse, its disciples and side projects have since attempted to fill that whack-ass void. With the likes of Sol Kia, Ôros Kaù, Wolvennest, and even NNMM themselves making metal-adjacent free jazz, however, I’ve met nothing but vague disappointment. As such, the NNMM offshoot Zaäar fell across my lap.” Zaäar she blows!

Neptunian Maximalism – Solar Drone Ceremony Review

Neptunian Maximalism – Solar Drone Ceremony Review

Neptunian Maximalism took the metal world by storm last year. Éons was an absolute monument of an album, fusing drone, jazz, and psychedelia into one of the most evocative listens in recent memory. It spoke to something primal, something ancient that lived at the bottom of a listener’s subconscious, and snuck its way into my year-end list at number 2. Conjuring the likes of Sunn O))), Sun Ra, Swans, and Miles Davis, it was a concept album regarding the fate of Earth and its inhabitants, resulting in mass extinction and planetary destruction. Only nine months later, we’re treated with a new offering; can Solar Drone Ceremony continue where its predecessor left off?” Maximal effort.

Wolvennest – Temple Review

Wolvennest – Temple Review

“Belgium is a weird place. Maybe it’s the chocolate or waffles, but any country that offers groups like Neptunian Maximalism, Emptiness, or Amenra & Co. needs to have its cholesterol checked. Spewing out bizarre organic atmosphere with haunting repetition, artists like these have strangely minimalist tendencies that end up feeling bigger than the individual parts suggest. While spanning a broad range of metallic subgenres, it comes across as otherworldly, surreal, and fiercely dark. To add their two cents to these Belgian shenanigans is Wolvennest.” Temple of Weird.

Neptunian Maximalism – Éons [Things You Might Have Missed 2020]

Neptunian Maximalism – Éons [Things You Might Have Missed 2020]

“Consisting of core members Guillaume Cazalet, Jean Jacques Duerinckx, Sebastien Schmidt, and Pierre Arese, alongside a massive entourage of musicians, Neptunian Maximalism (or NNMM) utilize a range of influences, genres, and instruments both traditional and contemporary, to create their second full-length and crowning achievement Éons. While it’s unclear if it is indeed metal, that matters little. It’s an immensely sprawling release, a two-hour-plus release over three discs, and its content is just as challenging.” MOAR to score.