Nevermore

Communic – Hiding from the World Review

Communic – Hiding from the World Review

Communic has become a bit of an enigma  for me over the past 9 years. Though exceptionally talented and creative, this prog-power trio seem to find ways to undercut themselves and guarantee that they remain an underappreciated act. Early albums like Conspiracy in Mind and Waves of Visual Decay were amazing doses of progressive metal in the vein of Nevermore and it looked like they were going to be the next big thing. Since then they’ve been much more irregular, though they’ve yet to release a truly bad album.” Hiding potential.

Tomorrow’s Rain – Hollow Review

Tomorrow’s Rain – Hollow Review

“With all the tech-death, funeral doom, and post-whateverthefuck being hurled our way over the last couple of years, it’s paradoxically refreshing when certain sounds of yesteryear make an unexpected, yet somewhat welcome, return. In today’s case, it’s in the form of mid-90s-flavored gothic metal that would have Century Media doing a violent double-take as to what decade it is.” Blame it on the rain.

Runescarred – The Distant Infinite Review

Runescarred – The Distant Infinite Review

Runescarred blend thrash, heavy and progressive metal together into an amalgam that is simultaneously all of those things and its own thing entirely. Immediately upon completing a preliminary spin of The Distant Infinite, bands which first came to mind included The Offering, Nevermore, and Havok.” Prog may be closer than it appears.

Nachtterror – Judgement [Things You Might Have Missed 2019]

Nachtterror – Judgement [Things You Might Have Missed 2019]

“Earlier this year, I channeled all the might that my status as an exalted AMG writer imbues me with and demanded the promo Maeskyyrn’s Interlude from Hypnotic Dirge (read: I sent a politely-worded email). They obliged and sent not only Maeskyyrn but also Nachtterror. Reviewing schedules being what they are, we couldn’t get to symphonic black metal six-piece Nachtterror‘s record in time for its release. And that is a damn shame because Judgement is a seriously good and incredibly varied slab of metal.” Metal cup runeth over.

Eternity’s End – Unyielding [Things You Might Have Missed 2019]

Eternity’s End – Unyielding [Things You Might Have Missed 2019]

“I discovered Eternity’s End with the release of their debut The Fire Within back in 2016, and I was completely blown away by their thrashy brand of neoclassical progressive power metal. That record is certainly in my top 10 of the 2010s, and I was ecstatic when I heard a follow-up was imminent.” Eternity is now!

The Offering – Home Review

The Offering – Home Review

“In 2017, Boston band The Offering dropped a self-titled—and killer—EP that got them noticed by Century Media. Well, it’s time to check out their debut full-length Home, so grab something olde, something nü, something growled, and something blues, because today we’ll be haunting the chapel to see if the band can successfully marry an unhealthy number of musical influences into a cohesive whole.” Holy headlock!

Yer Metal Is Olde: Nevermore – Dreaming Neon Black

Yer Metal Is Olde: Nevermore – Dreaming Neon Black

“If a wise old man were to ask me Conan-style “What is best in metal?” I would without hesitation respond by glorifying the work of my favorite band of all time, Seattle’s Nevermore. While often lumped into the prog/power bin, their music reaches far beyond the boundaries of such a tag. By downtuning, adding elements of groove, thrash, and death metal, and coloring the whole affair with an intensely hopeless and bleak outlook, the band created a nearly unclassifiable sound that encapsulates nearly every great thing that metal has to offer.”

Parallel Minds – Every Hour Wounds… The Last One Kills Review

Parallel Minds – Every Hour Wounds… The Last One Kills Review

A quick glance at my bio will reveal that besides large helpings of bourbon, red meat, and snuggling, the quickest way to the Hol where my heart should reside is groove and thrash infused heavy/power metal. If asked to pack my metal suitcase for an involuntary extended stay upon a remote desert island, I would probably just quickly raid the discographies of Nevermore, Iced Earth, Theocracy, and Symphony X and call it good. So, anytime a band gets compared to any of these genre heavyweights I must take notice. Needless to say, such comparisons mandated that I pick up Every Hour Wounds… The Last One Kills, the sophomore album from French band Parallel Minds.” The mind is a terrible thing to waste.

Witherfall – A Prelude to Sorrow Review

Witherfall – A Prelude to Sorrow Review

Witherfall was one of the biggest surprises of 2017. They came out of left field and blew my doors off with a hyperactive, highly technical take on power-prog rivaling Symphony X and Nevermore. Formed by several White Wizzard ex-pats including guitar titan, Jake Dreyer (Iced Earth), their Nocturnes and Requiems debut was bigger-than-life, over-the-top and spared no wankery or noodling for a rainy day. Luckily, their songwriting was stout enough to stand up to the onslaught of more is MOWWRRR musical showboatery. Just over a year later and they’re back with a new drummer and backing guitarist, and poised to drop their sophomore outing A Prelude to Sorrow.” Draining the wank bank.

Green Death – Hallowmass Review

Green Death – Hallowmass Review

“Let it never be said I’m not game for unconventional genre hybrids. Gothic speed metal? Hand me the scalpel. Power death metal? Probably just melodic death metal in disguise, but I’ll don my bib all the same. Thrash doom metal? Now we’re talking! Green Death from Des Moines, Iowa, claim they managed to inject doom, melodic death, and other scraps of genres into thrash metal. The biting speed and fury of thrash seem antithetical to the heavy-handed lethargy of doom, rousing the suspicion that the genre description is full of crap, or as they say on that side of the pond, fake news.” It an’t easy being green and dead.