Nevermore

Witherfall – Curse of Autumn Review

By Steel Druhm on March 3, 2021 in Reviews, Heavy Metal, Progressive Metal, 47 comments

“In the grand talent lottery, Witherfall hit bigly and muchly. They possess such a vast wealth of ability that it could be redistributed among any 10 lesser acts with copious chops leftover. On third album, Curse of Autumn all this talent is on vivid display as the band rips through wild, adventurous prog-power anthems tailor-made for fans of Symphony X and Nevermore. At every turn you’re regaled by the stunning shreddery of Jake Dreyer (ex-Iced Earth, ex-White Wizzard), the soaring vocal heroics of Joseph Michael (Sanctuary, ex-White Wizzard), the powerhouse technical drumming of Marco Minnemann (Steve Wilson, ex-Necrophagist), and the slick bass-work of Anthony Crawford. The sheer magnitude of what the band is capable of hangs heavy in the air every second the album plays. With so much raw potential and mega-competence however, comes a higher base level of expectation.” Curse of potential.

Yer Metal Is Olde: Nevermore – Dead Heart in a Dead World

By Holdeneye on December 11, 2020 in Yer Metal Is Olde, Groove Metal, Heavy Metal, Power Metal, Progressive Metal, Thrash Metal, 94 comments

A look back at Nevermore’s Dead Heart in a Dead World, which is now freaking olde.

Communic – Hiding from the World Review

By Steel Druhm on November 19, 2020 in Reviews, Heavy Metal, Progressive Metal, 26 comments

“Communic has become a bit of an enigma for me over the past 9 years. Though exceptionally talented and creative, this prog-power trio seem to find ways to undercut themselves and guarantee that they remain an underappreciated act. Early albums like Conspiracy in Mind and Waves of Visual Decay were amazing doses of progressive metal in the vein of Nevermore and it looked like they were going to be the next big thing. Since then they’ve been much more irregular, though they’ve yet to release a truly bad album.” Hiding potential.

Tomorrow’s Rain – Hollow Review

By Grymm on September 8, 2020 in Reviews, Gothic Metal, 16 comments

“With all the tech-death, funeral doom, and post-whateverthefuck being hurled our way over the last couple of years, it’s paradoxically refreshing when certain sounds of yesteryear make an unexpected, yet somewhat welcome, return. In today’s case, it’s in the form of mid-90s-flavored gothic metal that would have Century Media doing a violent double-take as to what decade it is.” Blame it on the rain.

Runescarred – The Distant Infinite Review

By Kenstrosity on February 18, 2020 in 2020, Ambient Metal, Heavy Metal, Progressive Metal, Reviews, Self-released, Thrash Metal, Heavy Metal, Progressive Metal, Thrash Metal, 20 comments

“Runescarred blend thrash, heavy and progressive metal together into an amalgam that is simultaneously all of those things and its own thing entirely. Immediately upon completing a preliminary spin of The Distant Infinite, bands which first came to mind included The Offering, Nevermore, and Havok.” Prog may be closer than it appears.

Nachtterror – Judgement [Things You Might Have Missed 2019]

By Carcharodon on January 8, 2020 in 2019, Black Metal, Canadian Metal, Hypnotic Dirge Records, Melodic Black Metal, Symphonic Metal, Things You Might Have Missed, Things You Might Have Missed 2019, Black Metal, Melodic Black Metal, 61 comments

“Earlier this year, I channeled all the might that my status as an exalted AMG writer imbues me with and demanded the promo Maeskyyrn’s Interlude from Hypnotic Dirge (read: I sent a politely-worded email). They obliged and sent not only Maeskyyrn but also Nachtterror. Reviewing schedules being what they are, we couldn’t get to symphonic black metal six-piece Nachtterror’s record in time for its release. And that is a damn shame because Judgement is a seriously good and incredibly varied slab of metal.” Metal cup runeth over.

Eternity’s End – Unyielding [Things You Might Have Missed 2019]

By Holdeneye on December 5, 2019 in Reviews, Power Metal, Progressive Metal, Speed Metal, 61 comments

“I discovered Eternity’s End with the release of their debut The Fire Within back in 2016, and I was completely blown away by their thrashy brand of neoclassical progressive power metal. That record is certainly in my top 10 of the 2010s, and I was ecstatic when I heard a follow-up was imminent.” Eternity is now!

The Offering – Home Review

By Holdeneye on August 1, 2019 in Reviews, Death Metal, Deathcore, Groove Metal, Hard Rock, Heavy Metal, Metalcore, Nu Metal, Power Metal, Progressive Metal, Thrash Metal, 109 comments

“In 2017, Boston band The Offering dropped a self-titled—and killer—EP that got them noticed by Century Media. Well, it’s time to check out their debut full-length Home, so grab something olde, something nü, something growled, and something blues, because today we’ll be haunting the chapel to see if the band can successfully marry an unhealthy number of musical influences into a cohesive whole.” Holy headlock!

Yer Metal Is Olde: Nevermore – Dreaming Neon Black

By Holdeneye on July 10, 2019 in Yer Metal Is Olde, Groove Metal, Power Metal, Progressive Metal, Thrash Metal, 100 comments

“If a wise old man were to ask me Conan-style “What is best in metal?” I would without hesitation respond by glorifying the work of my favorite band of all time, Seattle’s Nevermore. While often lumped into the prog/power bin, their music reaches far beyond the boundaries of such a tag. By downtuning, adding elements of groove, thrash, and death metal, and coloring the whole affair with an intensely hopeless and bleak outlook, the band created a nearly unclassifiable sound that encapsulates nearly every great thing that metal has to offer.”

Parallel Minds – Every Hour Wounds… The Last One Kills Review

By Holdeneye on April 2, 2019 in 2019, French Metal, Groove Metal, Pitch Black Records, Power Metal, Progressive Metal, Reviews, Groove Metal, Power Metal, Progressive Metal, 86 comments

A quick glance at my bio will reveal that besides large helpings of bourbon, red meat, and snuggling, the quickest way to the Hol where my heart should reside is groove and thrash infused heavy/power metal. If asked to pack my metal suitcase for an involuntary extended stay upon a remote desert island, I would probably just quickly raid the discographies of Nevermore, Iced Earth, Theocracy, and Symphony X and call it good. So, anytime a band gets compared to any of these genre heavyweights I must take notice. Needless to say, such comparisons mandated that I pick up Every Hour Wounds… The Last One Kills, the sophomore album from French band Parallel Minds.” The mind is a terrible thing to waste.