Bloodbath’s ginormous debut full-length is one for the ages. It’s also really olde now. Is the blood still wet? You bet!
Nightingale
MMXX – Sacred Cargo Review
“MMXX is a very short name for a band, but it still says a lot about its story. During periods of isolation and lockdown in the titular year, Andrea Chiodetti (ex-The Foreshadowing), Jesse Haff (Daylight Dies), and Egan O’Rourke (Daylight Dies) formed something of a doom metal supergroup, based in the United States and Italy, and began writing music inspired by the events happening around them. From there, the project has grown ambitiously—now signed with Candlelight Records, the band brought on guest musician after guest musician to form something of a dark Avantasia-like project.” Sacred cargo or suspicious package?
Yer Metal is Olde: Edge of Sanity – Crimson
“Dan Swanö. The name won’t mean much to the public at large. “Sounds Swedish,” some might say. “Is he an IKEA designer?” You facepalm, shake your head and move on. But sometimes, every now and then, you find yourself opposite another discerning metal listener. You drop the name, and a knowing smile spreads on their face. Because they know. They know that Dan is The Man.” When The Man comes around.
Deathwhite – Solitary Martyr EP Review
“Ah, Deathwhite is back to antagonize music reviewers who expect to know things like: who’s in the band, what do they play, where are they from, who is their daddy and what does he do? Yes, Deathwhite scoffs at such outdated formalities, opting to exist in complete secrecy like goth-metal’s answer to those masked marauders in Ghost.” Straight from the Witness Protection Ensemble, more intrigue and confusion.
Angry Metal-Fi: The Best and Worst Sounding Albums of 2014
“Angry Metal-Fi is a series of articles that are cross posted on Angry Metal Guy and Metal-Fi as a collaborative effort to evangelize dynamics in metal.” Tis the season for lists, so let us start off 2015 with a look back at the very best and worst sounding albums of 2014 with the help of those audio gnomes at Metal-Fi.
Crow Black Sky – Pantheion Review
One of the things that people have been lamenting about the dawn of the Internet and how it will affect the future of music is that localized scenes no longer get localized sounds, and Crow Black Sky is definitely an example of this. Or more specifically, the South African metal scene seems to be a great example of this. See, Crow Black Sky is a melodic death metal band, whereas the other two bands that I’ve heard from South Africa (Heathens and A Walk with the Wicked) are black metal/black n’ roll and old school death metal. Due to access to music and information worldwide, it sorta kills that homogenization effect that gigging together, hanging out together and shopping at the same record store seemed to cause. Is it possible that the black metal scene from Oregon is the last cohesive scene we’re going to ever see? Well, that’s not actually relevant to this review. What is relevant to this review is that despite (or because of) the lack of homogeneity in the South African scene every single one of these bands that I’ve heard has been really very good. Crow Black Sky being no exception.
