“Over the course of their career, Aeternus have taken me on a sonic ride full of dizzying highs, crushing lows and Milquetoast middles. Their highly acclaimed Beyond the Wandering Moon opus is a truly special album with an atmosphere and mood all its own and I find myself going back to it regularly over time. Their unusual blend of Norwegian black metal and symphonic death came to be known as “dark metal” and that summed up their original sound rather nicely.” But like all true love…one day it withered on the vine. Steel Druhm is bitter, but he’s still going to detail the trials and tribulation of the typical Aeternus fan. Give him your support and beers.
Nile
Wormed – Exodromos Review
“It is brutal, rather technical and it has its roots in death metal. But is Exodromos a pure brutal technical death metal album? A lazy, complacent answer would be: yes. A more elaborate response – and one you would expect to read on these respected pages – is: not quite.” Alex Franquelli reviews the new Wormed record, in all its brutal, technical glory and asks “What next?”
Kamikabe – Aberration of Man Review
Tech death is a fickle mistress. Madam X is our less fickle mistress of evil, debasement and death. Join her as she examines the techy, deathy strew cooked up by Kamikabe. It doesn’t sound all that appetizing, does it?
Sophicide – Perdition of the Sublime Review
Technical death metal was the darling of the death metal scene about 5 or 6 years ago, but since the ever-growing retro-death craze has begun to take over the number of quality technical death metal releases that I’ve gotten my hands on has dramatically decreased. Still, that didn’t stop the now 22 year-old Adam Sazslo from writing a bunch of pretty fucking sweet techy songs and getting himself a worldwide deal with Willowtip. Perdition of the Sublime is Sophicide’s debut record and one can see why this record – produced by someone who can’t tour to support it – is being released by a label of this quality: because it’s a truly elite technical death metal experience.
Angry Metal Guy’s Best Records o’ the Year 2012 – Halfway Point
We’re now into July! Impressive as it is, this year has been one hell of a year: like the year 2011 was supposed to have been but really, really wasn’t. On a personal note, I can say that I wasn’t expecting 2012 to be good at all. However, there haven’t even really been any major […]
Degial – Death’s Striking Wings Review
Morbid Angel, Nile, Sweden, AMG and Motorhead. Now THAT’S a party!
Nile – At the Gate of Sethu Review
What happens when Karl Sanders tries to appease Hitler? Click the title to find out!
Vindicator – United We Fall Review
You know that a trend is reaching “carrying capacity” when you’re working on your fourth review of that genre in a single week, but I thought I’d take time out of my busy avoiding-writing-a-review-of-the-new-Nile record schedule to let you know that the thrash band with the best logo since Kreator is back with a new record.
Angry Metal Guy’s Best Heavy Metal Songs of All Time 20-11
Wow, it’s been a long time and you’ve all been waiting patiently. So here’s my 20-11 of the best heavy metal songs of all time. If you’re in desperate need of an update as to what else we’ve posted, here are some links: Mine: 50-41, 40-31, 31-20 and Steel Druhm’s: 50-41, 40-31, 30-21, 20-11.
Raven Woods – Enfeebling the Throne Review
Middle-eastern tinged metal has become a slight trend. Since Nile really took off with the sound and influences, slowly but surely the metal scene has followed with. Behemoth played the Nile card and won big with it and Melechesh has grown to great popularity, releasing great records left and right. However, that bands from the middle-eastern or north African region are actually put out records influenced by their own culture, that’s pretty new. Sure, Orphaned Land has been around a long time, but they didn’t really catch the popular metal imagination until 2006. Myrath still hasn’t caught on and now we have Raven Woods of Turkish extraction.