“As a dedicated teenage metalhead in the 80s, I lustily sought every new act I could get my greasy ape paws on. Few bands escaped my iron sights and I was willing to try pretty much anything out there to see what struck a nerve. Somehow, someway, Greek speed/thrash act Flames evaded my metal detector then and in all the years thereafter up until this last month. Formed in 1984, Flames spewed out a series of platters that transitioned over time from classic speed metal to technical thrash with slight death elements, culminating in 1996s In Agony Rise. This means they’ve been in some kind of deep cryonic state for 25 years, but they’re out now and seem very pissed off, so we get their seventh album Resurgence.” Greek fire burns forever.
No Remorse Records
Achelous – The Icewind Chronicles Review
“Achelous play fantasy-inspired power metal. While many of their contemporaries keep their tattered volumes of J.R.R. Tolkein close to their breastplates, Achelous use their second full-length album to create a soundtrack for R.A. Salvatore’s Icewind Dale trilogy. I’ve never read Salvatore’s work, but The Icewind Chronicles gives me a pretty good sense of the epic battles that take place within its pages. The record contains their characteristic folk, power, and operatic metal leanings and like Blind Guardian or Manowar, Achelous packs a lot of high adventure into a five-minute song. They’ve been sharpening their axes, but is the battlefield too crowded for another album of dwarves, crystals, and flaming warfare?” Roll the ice dice.
Memory Garden – 1349 Review
“Well, this is a yuletide surprise. A new Memory Garden album was not on my bingo card for Covid-ravaged 2021. To set the stage, Memory Garden emerged out of the 90s Swedish power/doom scene that birthed such acts as Tad Morose, Morgana Lefay and Sorcerer. Like these somewhat better-known brethren, their sound was regal, polished, classy, and bedecked in the finery of both doom and heavy power metal. Since their last release was way back in 2013, I’d assumed they were in the garden themselves.” A pox on 2021.
Morgul Blade – Fell Sorcery Abounds Review
“For the roughly eight months that I’ve been an official AMG toilet cleaner reviewer, several things have become clear to my fellow writers: I rate low, my coffee consumption is high, and I love Lord of the Rings. This latter piece of information comes in handy when I want to get my grubby paws on any LotR-themed album that flows down the mighty Anduin and into our flea-infested promo bog. Knowing my penchant for Baggins n’ Balrogs, the kind souls who inhabit these halls will often give me a heads up when something Ring-adjacent arrives. Such was the case with Morgul Blade.” Orc and black bean pudding.
Lynx – Watcher of Skies Review
“Boy have we gotten lucky with some sweet traditional metal fare this month. Recent releases from both Black Soul Horde and Tower are sure to worm their way onto a few year-end lists—at least for the olde at heart. Upstart band Lynx aim to join this exalted group with their debut, Watcher of Skies.” Cat scratch fever?
Blacksword – Alive Again Review
“With a tagline of “heavy metal from Siberia” and an eye-catchingly awful cover, Blacksword caught this primate’s primal attention. This is the sophomore outing by a group that last released something way back in 2010, so I wasn’t expecting a whole heck of a lot from these cold weather warriors. What you get on Alive Again however is a surprisingly spry and enjoyable dose of epic flavored traditional metal borrowing from the American power metal sound of the 80s as well as modern acts like Iced Earth and Diviner.” From Russia with iron glove.
Servants to the Tide – Servants to the Tide Review
“As a trve, epic sort of gentleman, I feel there’s a disturbing lack of quality epic doom in today’s metal scene. Atlantean Kodex can’t release a monstrous magnum opus every year, and with While Heaven Wept out of action, the scene is screaming in the night for wengeance and a love bite that almost never arrives. Attempting to fill this epic gap comes Germanic tribe, Servants of the Tide with their self-titled debut platter. Proudly name dropping both the aforementioned acts as major inspirations, the band dives into the deep end of the trve pool, also borrowing from Candlemass and Sorcerer as they labor to spin grand tales of great deeds.” Something to Tide you over.
Eternal Champion – Ravening Iron Review
“There are more swords hanging over our heads than usual lately in the Skull Pit of Unsafe Hanging Cutlery. With Megaton Sword fresh in our collective mindsheaths, here comes the might and majesty of Austin, Texas natives Eternal Champion. Ravening Iron is the band’s sophomore opus and it’s an improvement over 2016s entertainingly olde school The Armor of Ire.” Sword hoarders.
Sacred Outcry – Damned for All Time Review
“Sacred Outcry formed in 1998, and are now releasing their debut album, Damned for All Time in—pardon? Yes, this is their debut album, twenty-two years later. You’ve got to hand it to these guys, that is some dedication to the dream.” Time capsule ov steel.
Hittman – Destroy All Humans Review
“There’s a secret art to writing a good song. It’s an art that cannot easily be taught and ultimately everyone must seek this riddle of steel alone. ‘Tis foretold that those who find it will come to wield great power. To ride as mighty warriors across the meadows of metal upon majestic steeds. Enter New York’s Hittman who have been honing their particular brand of US Power Metal since the early ’80s and it’s after years of testing their mettle on this fabled quest that they deliver unto us their latest offering: the strangely titled Destroy All Humans.” Out of witness protection.