“Execration appears to be quite the popular name for death metal bands, so I’ll begin with a clarification: this review concerns the Norwegian death metal band Execration – not the Italian death metal band Execration or the Colorado death metal band Execration (who themselves are not to be confused with defunct Michigan death metal band Execration, nor with disbanded Arizona death metal band Execration).” Eh, what’s in a name anyway?
“If a masterwork of a doom metal album is made but no one is around to hear it, does it make a sound? Let’s go with yes, and allow me to prove it with Omit’s Repose. Horrible jokes aside, it was undeniably one of 2011’s most overlooked doom metal albums, an ambitious double album of orchestral, female-fronted doom metal mastery that nearly nobody listened to. Though their 2014 return is largely uncelebrated, allow me to tell you why you should change that.” Noctus found something obscure and wants to share it with you. We’re all about caring and sharing at AMG.
“Sphere fetishists of the world rejoice! We now present to you a band that not only has “sphere” in the moniker, but also offers a song called “The Sphere.” And yes, there’s a goddamn sphere on the cover too. Are you not entertained?! Ok, now that the sphere furbies left, we can get on with the review of what is a shockingly good album. Triosphere is a progressive power metal act hailing from Norway and though AMG and myself enjoyed their 2010 effort The Road Less Travelled a good deal, this tops it in every way.” Sphere’s to you, kid!
“Ever since I picked up my first copy of Darkthrone’s Transylvanian Hunger, I’ve been in love with old-school black metal (even though it wasn’t “old school” back then). I’m not sure if it’s the satanic themes, the atmospheric tapestry of nonstop trebly guitars, the vicious/desperate vox, or my craving for the frozen, isolated terrain that personifies the genre so well (“cold” isn’t a word used in the southwestern United States).” It’s old, but is it still bold?
“Originating as Taarenes Vaar in 1992 in a very different metal landscape, Sølve resolved to push his brand of Norwegian black metal further than previously. Composed of two demos from 1996 and 1997, plus additional material from the same period, the integration of black metal with avant garde here is raw and darkly perverse.” There are more mentions of sex in this review than any in AMG history, and this isn’t even cock rock! You just never know what to expect these days….
“Classic doom metal is wrought with tragedy. Whether it’s the loss of a loved one, the pain of watching one’s dreams turn to dust, or just lamenting something that was never there to begin with, great doom metal can be both depressingly cathartic and strangely uplifting in its dirges and sadness. In fact, a series of tragedies would befall a very young doom band from Norway rightfully named Funeral.” This is a sad tale, my friends.
“Since 1997, 1349 has evolved a lot. And I mean a lot. They’ve changed so much that their musical career can only be compared to driving down the freeway at 70 miles per hour and hitting black ice. First, you accelerate along the on-ramp (Liberation and Beyond the Apocalypse), until you achieve top speed (Hellfire). When you come upon the ice, it sends you into uncontrollable spins (Revelations of the Black Flame) that you miraculously manage to steer free from.” Winter is fast approaching so it’s time to check your snow tires and drive safely out there!
“I want to begin this review of Skyscraper’s début, Elevation, with a game of complete the lyrics, from sixth track “Walk Through Fire.” “I walk through fire…” (a) “while in ferocious combat with the dragon sent by the Elven armies,” (b) “in order to emulate the fiery depths of Hell for my unification with Lucifer,” or (c) “for you.” Done? If you chose (a) or (b) then I regret to inform you that neither option is correct, but if you liked either, I would suggest that this record may not align with your usual musical preferences (and that you should book an appointment with your local shrink and/or exorcist).” Well, I flunked that pop quiz bigtime. I hate pop quizzes.
“It pains me to say it, but the best American rock band hails from Norway. Their name is Audrey Horne and they’re mercy ruling the competition out of the game. This brilliant, idiot-manchild side project of Ice Dale (Enslaved) and Thomas Tofthagen (Sahg) has blazed a shockingly catchy trail of pure rock lunacy since 2005s Confessions and Alcohol. Their eponymous 2010 album was a positively brilliant amalgam of Faith No More and Stone Temple Pilots, surpassed only by 2013s Youngblood for skin snagging hooks and mega memorable rock anthems. This is the kind of band that serves up frothy, foamy good times music with so much swagger they can barely walk in a straight line. That’s right, it’s big pimpin, hard rocking, dirty rolling, greasy rock that sticks to the ribs and makes you cooler just by listening.” Resistance is futile, you will be converted to the Horde of Horne.
“Melodic black metal isn’t exactly a style that’s being extensively explored nor are its boundaries being pushed nowadays. Most of the bands that play this kind of music embrace their heritage and the stylistic elements that have been set in stone ages ago by the likes of Dissection and Naglfar. So where does the Norwegian quartet Vinterbris, formed in Bergen in 2010, stand with its second release Solace, and does it break any of the established patterns?” We’re late to the party on this one and it’s certainly jumped on the hype train, but does it really walk the walk? Probationary writer Roquentin opines.
