Nov20

Harlott – Detritus of the Final Age Review

Harlott – Detritus of the Final Age Review

“As I mentioned when I wrote 2017’s Extinction review, Harlott isn’t afraid to show love to their influences. Some might say Harlott isn’t afraid of reaching into that box of thrash classics and taking what they like, as well. At any given time, the riffs transition from Exodus to Slayer to Testament, and the vocals mimic Araya, Petrozza, and Dukes/Souza. The guitars can be acoustic at times but prefer to be heavy. The drums blast and fill with no regard for concrete floors, and the bass rattles hardware off the garage door. Harlott may not have a whole lot in the way of originality, but that doesn’t make their fourth album, Detritus of the Final Age, any less solid and nothing short of nostalgic.” Ramming speed.

Decembre Noir – The Renaissance of Hope Review

Decembre Noir – The Renaissance of Hope Review

“Has there ever been an album cover that seems to be more of a direct contradiction of the title than this one? A man drowning his wife is The Renaissance of Hope? Seems counter to the theme, until one examines the lyrics and subject matter of this, Decembre Noir’s fourth album. Hope is a very personal subject, especially when viewed through the lens of euthanasia. The hope of the person who is finally allowed to die versus the anguish of the person fulfilling the wish.” The fragility of hope.

Ysgaroth – Storm Over a Black Sea Review

Ysgaroth – Storm Over a Black Sea Review

Ysgaroth is a “progressive extreme metal” band from Vancouver, their self-released Storm Over a Black Sea being their debut. While I’ve never entirely understood the phrase “extreme metal,” these Canucks throw everything and the kitchen sink into their poutine platter: black metal shrieks and tremolo, thrashy riffs, hardcore drumming, technical noodling, and avant-garde post-metal/sludge strangeness for a multi-car pileup with multiple fatalities.” Frequent wind.

Dismal – Quinta Essentia Review

Dismal – Quinta Essentia Review

“It’s very satisfying that in a location where I’ve worked for over 6 years I can still enjoy new experiences. Italy’s Dismal and their new record called Quinta Essentia (Quintessence) represents a number of firsts for me. First time hearing this band; first dual review with a n00b; first album where different resources conflicted as to label; first album where different resources conflicted as to number of releases by the band; first album where my first listen resulted in 3 reviews’ worth of notes. It was all very intriguing to me, least of all the music produced here. The greatest challenge was narrowing my thoughts into a reasonable article. Where to begin?” First rodeos.

Pyramaze – Epitaph Review

Pyramaze – Epitaph Review

“There was a time when Pyramaze threatened to become my favorite prog-metal band. With their Melancholy Beast debut highly impressing, and follow up Legend of the Bone Carver completely blowing me away, I was very much on the Pyramaze war wagon and looking forward to more flawless victories. Sadly, vocalist Lance King departed, and third album Immortal was a step down despite heroic vocal efforts by Matt Barlow. Seven years went by before we got the next album, this one featuring the unknown Terje Harøy on the mic. Disciples of the Sun was a big comeback for Pyramaze, showcasing a new direction and an abundance of impossibly catchy songs. Two years later however, the band took another downturn on Contingent by trying to create a bigger-than-life concept album with a movie soundtrack sheen that ended up feeling more pretentious than interesting. This brings us to their sixth outing, Epitaph.” Grave new world.

Mitochondrial Sun – Sju Pulsarer Review

Mitochondrial Sun – Sju Pulsarer Review

“It has been a scant nine months since I reviewed Mitochondrial Sun’s debut. Under normal circumstances, I’d be wondering whether nine months is enough to generate a new album’s worth of material. However, 2020 has finally banished any remaining illusions I may have had about the linear flow of time, and calendars are now meaningless.” The genuine pulsar.

Of Feather and Bone – Sulfuric Disintegration Review

Of Feather and Bone – Sulfuric Disintegration Review

“I don’t know about the rest of you, but I am extremely ticklish. Even the void where my bloodpump is supposed to be can be tickled with the right stimulus. Death metal is usually the best option to that end, especially when it writhes like a thrashing pit of jacked snakes. After hearing tell of the badassery of Denver’s Of Feather and Bone, I knew that they would deliver that which tickles my most demanding fancy. With their third full-length, Sulfuric Disintegration, these nasty motherfuckers show no mercy. Believe me when I say I lose molecular cohesion every time I play it.” Funny bones.

Ecclesia – De Ecclesiæ Universalis Review

Ecclesia – De Ecclesiæ Universalis Review

“The good old Inquisition was not humanity’s finest hour. I guess it’s all well and good to take religion seriously, if that’s one’s thing but it’s a bit presumptuous, I would suggest – perhaps with the benefit of hindsight – to go about torturing and burning thousands of people at the stake for either being insufficiently religious, not the right kind of religious or, in many cases, simply a woman. Still, putting the very real horrors of this extended folly to one side, the Inquisition does make for bloody good source material for a metal concept album. And so say French six-piece Ecclesia.” No one expects the Doom Inquisition.