Nov22

Crypt Rot – An Ancient Summoning Review

By Dolphin Whisperer on November 26, 2022 in Reviews, Death Metal, Deathcore, Slam, 11 comments

“Not all bands have lofty goals—such is the case for many in the slam zone. At the very least, though, slam bands attempt to humor their audience with band and album names that snag the eyes and knot the gut in the slow-moving sump of the “bring the riff back but slower” crowd. I myself have gawked at such names like Goresoaked Collection Of Slam Killed Craniums or Indomitable Worldwide Slamdemic (Invirulent) this year hoping to get a hit of that sweet, sweet slam crank. Unfortunately, great names do not always deliver. And even more unfortunately, Crypt Rot has a name generated by two death metal naming dice.” One time, at Slam Camp…

High Command – Eclipse of the Dual Moons Review

By Holdeneye on November 25, 2022 in Reviews, Heavy Metal, Speed Metal, 96 comments

“For me, 2022 has been chock-full of highly anticipated albums from returning favorites, so it’s only fitting that my last review of the year should be more of the same. Three years ago, I told you not to miss Beyond the Wall of Desolation, the debut full-length from Massachusetts band High Command and late addition to my year-end list. When I first heard that record, I immediately fell in love with the band’s epic, fantasy-themed crossover thrash and was impressed by the way they were able to take a bunch of old-school, typically aggro styles and mash them together into something oozing with grandeur.” Command to highly overrate.

In the Woods… – Diversum Review

By Ferox on November 25, 2022 in Reviews, Progressive Metal, Progressive Rock, 28 comments

“The average age of all the cells in an adult human is somewhere between seven and ten years old. We constantly replace parts of ourselves, so that you are mostly a different person every decade or so. That means if you really, like, think about it, no band that lasts longer than ten years has any of its original lineup left. This is how I explain In the Woods… to myself. The outfit is in its fourth decade of shuffling through lineups and genres, with drummer Anders Kobro and the ellipsis in their name the only constants.” Lost among the trees.

MMXX – Sacred Cargo Review

By Twelve on November 23, 2022 in Reviews, Doom Metal, 21 comments

“MMXX is a very short name for a band, but it still says a lot about its story. During periods of isolation and lockdown in the titular year, Andrea Chiodetti (ex-The Foreshadowing), Jesse Haff (Daylight Dies), and Egan O’Rourke (Daylight Dies) formed something of a doom metal supergroup, based in the United States and Italy, and began writing music inspired by the events happening around them. From there, the project has grown ambitiously—now signed with Candlelight Records, the band brought on guest musician after guest musician to form something of a dark Avantasia-like project.” Sacred cargo or suspicious package?

He Is Legend – Endless Hallway Review

By Dolphin Whisperer on November 23, 2022 in Reviews, Groove Metal, Hard Rock, Metalcore, Post-Hardcore, 22 comments

“In their post-reunion era He Is Legend has displayed plenty of music on the sonically heavy side. Endless Hallway carves new levels of emotional vitriol in their catalog. If you’ve followed any news surrounding this band, particularly surrounding vocalist Schuylar Croom’s health, you know that there’s a reality out there where this record never happened. Particularly in the time surrounding the recording of this album.” The Legend goes on.

Judicator – The Majesty of Decay Review

By Holdeneye on November 22, 2022 in Reviews, Heavy Metal, Power Metal, Progressive Metal, 92 comments

“When we last saw Judicator grace these hallowed pages, ‘consistent’ was a word that could have been aptly used to describe the band’s situation. For the second time in as many years, they were releasing a historically themed opus of quality power metal tunes with the exact same lineup, and Let There Be Nothing nearly matched The Last Emperor’s brilliance. It seemed as if Judicator had found a winning formula that placed them at the front of the modern US power metal pack, but little did we know that change was coming.” Revisionist history.

Sword – III Review

By Itchymenace on November 22, 2022 in Reviews, Heavy Metal, 25 comments

“For you angry metal toddlers out there who have never heard of them, Sword (not to be confused with Austin doom stoners The Sword) is a Canadian band that swung hard with their 1986 debut, Metalized. The album generated a decent amount of attention and even landed them opening slots for Motorhead, Alice Cooper and Metallica. Their 1989 follow up, Sweet Dreams, was another energized plate of trad metal but the band’s edge never penetrated very far beyond their Canadian homeland. It’s not clear why they broke up in the early 90s but according to their website, they’ve been happily playing in cover bands, raising families and working their 9-5 jobs. III seemingly picks up where the band left off 30 years ago.” Reforging the steel.

Dysgnostic – Scar Echoes Review

By Dear Hollow on November 21, 2022 in Reviews, Death Metal, Technical Death Metal, 29 comments

“Under the moniker Defilementory, this Danish four-piece offers a debut that feels like a continuation of its last outing, The Dismal Ascension, but dispenses with the brutal death obsession with dismemberment and excess entirely. Dysgnostic, as a result, sets forth on its own path – a descent, if you will.” De-evolution.

Sarcator – Alkahest Review

By Maddog on November 20, 2022 in Reviews, Black Metal, Hard Rock, Heavy Metal, Thrash Metal, 14 comments

“I was hoping that Sarcator would be short for something cool like “Sarcastic Alligator” or “Sarcophagus Emasculator.” Sadly, it’s just an unforgivable portmanteau of Sarcófago and Kreator. I trudged on undeterred, enticed by the description of Sarcator’s Alkahest. These Swedes bill themselves as blackened thrashers inspired by ’80s German thrash, a shortcut to my listening queue. And it’s exciting to review albums by teenagers; they may be hit-or-miss, but nothing warms my shriveled heart like hearing youngsters trying to drive metal onward.” Young, dumb, full of Sodom.

Casket Robbery – Rituals of Death Review

By Felagund on November 19, 2022 in Reviews, Death Metal, Slam, 6 comments

“Why are we here on a site called “Angry Metal Guy” if we’re not game to bury pointed sticks in our amygdalas, set our limbic systems on fire and throw rocks at the sun like good old fashioned Neanderthals? It was for that frontal lobe-atomizing experience that I picked up Rituals of Death, the second full-length from Wisconsin’s own Casket Robbery. Combining a brutish name and fitting song titles with a growing desire to jump aboard the slam wagon, I was more than eager to dive head first into this record and get my casket well and truly robbed.” Casket cases.