“The state of deathcore in 2016 isn’t an enviable one. It’s not quite old enough yet to spur on needlessly salty debates about the best MySpace pages, and it’s not fashionable or ubiquitous enough anymore to act as a gateway to further extremity as it once did for so many. Suicide Silence was never that good to begin with, but their records have noticeably declined in quality since their debut. Job for a Cowboy has been a boring modern death metal band since Genesis. All Shall Perish hasn’t released an album since 2011, let alone a good one since 2008; the list goes on. Enter the best-known Canadian deathcore band that’s not Cryptopsy in 2008: Despised Icon.” Deathcore in da house!
Nuclear Blast Records
Nails – You Will Never Be One of Us Review
“There’s a lot of hype building up to You Will Never Be One of Us, the third full-length by Southern Californian powerviolence trio Nails. Known for being unrelenting in their seething anger, both 2010’s Unsilent Death and 2013’s cataclysmic Abandon All Life garnered the trio an army of loyal followers, and rightfully so. There’s no fluff, no compromise, and no bullshit when it comes to their militaristic approach.” Powerviolence is a real thing.
Fallujah – Dreamless Review
“Let’s get this out of the way; Fallujah and Angry Metal Guy have a complicated relationship. Angry Metal Guy’s reaction to The Harvest Wombs signaled the beginning of a beautiful friendship; a friendship which, upon the release of The Flesh Prevails in 2014, some asshat proceeded to destroy.” Here we go again.
Mantar – Ode to the Flame Review
“German duo Mantar stormed the underground, cracking skulls and galloping to glory with their scorching debut album, Death by Burning in 2014. Fusing raucous black metal with spiteful sludge and doomy slogs, Mantar’s punked-up energy, fuck-the-world attitude and an abundance of primal riffs and gnarly hooks kept me gripped and hungry for more. On the back of the album Mantar deservedly scored a deal with Nuclear Blast for the anticipated release of the all important sophomore album. So with the big wigs behind them, can Mantar deliver on the considerable promise they displayed first time round?” So much buzz!
Yer Metal Is Olde – Dissection – Storm of the Light’s Bane
A loving retrospective on Dissection’s classic opus is long overdue, and here it is, with love and fanboyism galore. One of those special albums that needs no introduction…. is olde.
Soilwork – The Ride Majestic Review
““You never get a second chance to make a first impression.” – Conventional wisdom or Will Rogers, no clear date. “We play melodic death metal with metalcore elements and tons of hooky choruses!” – Soilwork via Stabbing the Drama, 2005. Combining these two quotes explains the position from which I’ll tackle Soilwork’s tenth full-length The Ride Majestic.” When we start quoting Will Rogers, the poo usually hits the oscillation device.
Symphony X – Underworld Review
“Symphony X is New Jersey’s answer to Yngwie Malmsteen. That’s not just a funny blurb: the more I think about it the more I realize that that’s actually a surprisingly good description of the band. My relationship with the band started in 2000 with the release of the band’s absolutely perfect V: The New Mythology Suite. At the time, I described them to friends as being “Malmsteen—if he could write songs and had a good vocalist.” Since then the band has released some excellent records, but they’ve also taken a turn for the heavier, and edgier, moving further away from the traditional progressive/power wheelhouse and straight-up neocassical stylings. The orchestral approach on V never quite disappeared—they’re a ‘neoclassical’ progressive/power band ffs—but from Paradise Lost on the band’s heavier attitude has continued to develop; embodied by Allen’s full-throated Jersey rasp.” Angry Metal Guy weighs in on Symphony X’s newest release.
Cradle of Filth – Hammer of the Witches Review
“British goth-metal mainstays Cradle of Filth have had a bumpy ride since the new millennium came about. I’ll admit to checking out after 2000’s Midian, and from what I’ve seen, between members jumping ship en masse, half-inspired songwriting, and bad dance covers, I didn’t really miss much. Sure, I’ll check out the occasional song here and there, but for the most part, Cradle of Filth seemed to lack the ferocity that made the period between 1996’s Vempire EP through Midian such incredible albums.” Is there any real filth left in the olde nursery these days?
Unleashed – Dawn Of The Nine Review
“Unleashed finally perfected their sound on 2012’s Odalheim, but can they continue on this upwards path with Dawn Of The Nine or do they fall back down in the seemingly Sisyphean task of trying to remain relevant after 25 years in the game?” Midvinterbrutes!
Melechesh – Enki Review
“I am absolutely aware that many of you readers have been waiting with overflowing anticipation for a review of Melechesh’s 6th opus, Enki. And who can blame you? 2010’s The Epigenesis was a solid, heavy, and above all enjoyable slab of Sumerian blackened thrash goodness that not only impressed The Big Boss himself, but also got yours truly to go searching through their back catalog to investigate their music further. So when Angry Metal Guy himself handed Enki off to me last week for review, I was frothing at the bit to deliver the goods to you.” The sandy wind, comes blowing in, across the dunes….