Sabaton’s music is large and bombastic, so we had to put one large and one bombastic staffer on it for proper coverage of The War to End All Wars. WAR ARTS!
Nuclear Blast Records
Immolation – Acts of God Review
“As any fan of death metal will attest, Immolation need no introduction. Their contorted take on riff and rhythm has informed the extreme pursuits of an entire generation. To call them influential would be to willfully undermine, not only their legacy, but the fact that their discography is almost spotless. Indeed, back in 2017 I reviewed Immolation’s tenth album, Atonement, and awarded my first ever 4.5. The record captured my attention with its assured sense of self and continues to impress to this day. Now, five years later, I am once more tasked with a brutal burden as eleventh album Acts of God prepares to dip its hand right back into that everlasting fire.” No God, one Master.
Celeste – Assassine(s) Review
“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.
Blood Red Throne – Imperial Congregation [Things You Might Have Missed 2021]
“If you’ve ever trusted me, trust me now. Punch yourself in the face. Punch yourself in the fucking face! Do it! Do it, goddamn you! Good, now you’re ready for Blood Red Throne’s 2021 release, Imperial Congregation.” Punch drunk, blood hungry.
Hypocrisy – Worship Review
“Like Angry Metal Guy said in his review for Hypocrisy’s A Taste of Extreme Divinity, there aren’t enough people who know of Hypocrisy. I’ll add to that by saying if you don’t know the brainchild of Peter Tägtgren, you’re an idiot, your mom hates you, and all your friends think you’re ridiculous. Look in the mirror and repeat after me: ‘I’m a nobody.'” Tough love and flagrant Hyprcrisy.
Exodus – Persona Non Grata Review
“Let’s face it, Exodus is more metal than you. They’ve been at the thrash thing for a zillion years and helped write the book on the genre (both the good and bad chapters). Some may even think they belong in the Big Four more than some of the Big Four, but that’s a bar fight for another time. Their 11th album is upon us, the first since 2014s Blood In, Blood Out, and it’s about freaking time! Persona Non Grata finds Exodus pretty much exactly where we left them 7 years ago. The same lineup, the same approach, the same refusal to bend the knee to trends. This is Exodus in all their hairy, wart-covered glory and you either love them or hate them.” Hugs for thugs.
Khemmis – Deceiver Review
“Khemmis, along with Pallbearer, Crypt Sermon, and Spirit Adrift, were once at the vanguard of an exciting new wave of American doom metal. Between 2012 and 2016 these acts burst onto what appeared to be a promising and burgeoning scene, each offering an exciting mixture of old and new sounds. 2021 finds most of these once-promising acts on a bit of a downward trend.” Deceive or reprieve?
Massacre – Resurgence Review
“Massacre is a death metal band I’ve always rooted for and got very little in return for my efforts. Though one of the creators of the entire genre, they were unable to get their long-delayed From Beyond debut out until 1991. By then they’d been scooped by a ton of acts and demoted from innovators to also-rans. Though their tardy debut was awesome, the band utterly failed to follow up on its potential.” The return of the return of the death progenitors.
Fear Factory – Aggression Continuum Review
“I didn’t expect to see another Fear Factory album after Genexus. I was okay with that too, as the band went out on a decent note. Yet here we are with album number eleven Aggression Continuum seeing its release overshadowed by vocalist Burton C. Bell’s announcement that he’s leaving the band. Factory wages, man…” Anger management.
Devil Sold His Soul – Loss Review
“I have history with Devil Sold His Soul, but not all of it good, especially when we parted on poor terms: I got fed up with Empire of Light’s excessive vocals and didn’t give EP Belong ╪ Betray a fair chance. Loss, the first release in seven years, hits differently: it chronicles seven years of grief and personal loss from its creators. Is it the labor of love it was intended to be?” Devil in the details.