Obscura

Alkaloid – The Malkuth Grimoire Review

Alkaloid – The Malkuth Grimoire Review

“When guitarist Christian Muenzner (Spawn of Possession, ex-Necrophagist) and drummer Hannes Grossman (Blotted Science, ex-Necrophagist) departed Obscura last year, needless to say I was pretty bummed. The duo was an integral part of the band’s sparkling technical and progressive death metal formula that yielded back-to-back masterworks in Cosmogenesis and Omnivium. So while Obscura’s future looks uncertain, the gifted pair have forged ahead with a brand spankin’ new outfit called Alkaloid featuring an all-star line-up….” Dudes from the big names in tech-death coming together in a new super project? Are your slide rulers in a tangled knot of anticipation yet?

Things You Might Have Missed 2014: Hannes Grossmann – The Radial Covenant

Things You Might Have Missed 2014: Hannes Grossmann – The Radial Covenant

For those who don’t know Hannes Grossmann, you probably do know the bands he’s been involved in. He’s got Obscura, Necrophagist, and Blotted Science on his “list of things that make me cooler than you,” and one can only guess that The Radical Covenant is the Obscura record we would have gotten if Grossmann hadn’t decided to quit. And while I’m a fan of Obscura, I felt the band nailed it with Cosmogenesis and I’m not a huge fan of 2011’s Omnivium (anymore). Ironically, Grossmann said in his parting message from the band that the musical difference between he and founder Steffen Kummerer was the reason that he left the band. Apparently Kummerer was more invested in a Cosmogenesis sound, which could leave one expecting, then, I shouldn’t like this record as much…

Abysmal Dawn – Obsolesence Review

Abysmal Dawn – Obsolesence Review

“Those readers familiar with my reviews may have guessed that I have a bone to pick with modern death metal. In reality, it’s more like a small skeleton. I love death metal, and I’m no retro-fanatic, but the vast majority of death metal that’s been made this decade is about as inventive and impactful as a marshmallow gun. The genre has always risked stagnation through competition, but as of late it’s a pissing contest between dozens of bands trying to be more technical, more brutal, and louder than everyone else, and none of them succeed.” The wrath of Kronos is terrible to behold when it comes to sub par death. Can Abysmal Dawn sooth the savage beast that dwells in his jaded heart?

Wretched – Cannibal Review

Wretched – Cannibal Review

Wretched’s thrash-influenced yet unmistakably modern take on death metal puts them in an interesting position between extremity and accessibility. By mixing thrashy riffing with top-notch melodic death metal in the vein of Black Dahlia Murder and Arsis and paying tribute to, though never falling victim to, metalcore tropes, their last three albums have been of a consistently high quality and the band has never failed to impress.” Tech-death with some interesting bells and whistles? Could be worth reading about….

Retro-Spective Review: The Autumn Offering – Embrace the Gutter

Retro-Spective Review: The Autumn Offering – Embrace the Gutter

“The name “The Autumn Offering” evokes the mental image of a hooded cultist bent down on his knees, holding up a platter of orange, rotting leaves as a leafy sacrifice of some sort to some leaf-munchin’ goat demon. But as a band that was once signed to Jamey Jasta’s Stillborn Records, The Autumn Offering is hardly obsessed with the environment or the occult.” Happy Metal Guy goes back to 2006 to regale us with tales of quality metalcore. Fairy tales maybe? You make the call.

Gorguts – Colored Sands Review

Gorguts – Colored Sands Review

“Let me know if you can find a metal band that utilizes dissonance and technicality to a large degree that doesn’t cite Gorgut’s masterful work as an influence. I’ll probably be waiting a long time so I’ll bring a good book – it’s called “The Band That Pioneered Dissonance and Technicality in Death Metal” and it has the word ‘Gorguts’ repeated over and over. But it’s that huge sense of respect for the band and the enormous anticipation for this release that made it such a tricky one for the legendary act. 12 years is not only a long time for hype to build around a record, but it also gives newcomers and pretenders a chance to overtake the legends should they prove unable to live up to their own mammoth legacy. After all, a lot of bands are remembered for their creative peak, even when they can’t maintain that level indefinitely. So perhaps Obscura and From Wisdom to Hate era was their peak and all they’ll really conjure up this time is a solid record, right?” And here is the other neglected gem we wanted to get to, but didn’t until now. You’re welcome!

Serocs – The Next Review

Serocs – The Next Review

Serocs began back in 2009 as a one-man operation, founded by Mexico-based guitarist Antonio Freyre. After a couple of EP releases, their debut full-length Oneirology finally surfaced a year ago. In the short time since then, Serocs has become a multi-national death metal conglomerate, with Freyre recruiting members of Vile, Monstrosity and Lecherous Nocturne (not to mention a whole shitload of guest appearances). For all the tech-death credentials of this group, the result is heavy on the “death” and short on “tech.” Mexican death metal is a special beast and Mr. Fisting knows his Mexican death!

Sophicide – Perdition of the Sublime Review

Sophicide – Perdition of the Sublime Review

Technical death metal was the darling of the death metal scene about 5 or 6 years ago, but since the ever-growing retro-death craze has begun to take over the number of quality technical death metal releases that I’ve gotten my hands on has dramatically decreased. Still, that didn’t stop the now 22 year-old Adam Sazslo from writing a bunch of pretty fucking sweet techy songs and getting himself a worldwide deal with Willowtip. Perdition of the Sublime is Sophicide’s debut record and one can see why this record – produced by someone who can’t tour to support it – is being released by a label of this quality: because it’s a truly elite technical death metal experience.