Obsequiae

Véhémence – Par le Sang Versé [Things You Might Have Missed 2019]

Véhémence – Par le Sang Versé [Things You Might Have Missed 2019]

“Medieval black metal. I barely know what the phrase means, but the concept is absolutely drenched in potential, and not the kind I can easily resist. For today’s thing you may (or may not) have missed, the conceptual and instrumental depth of Apocalypse Orchestra meets the sweeping, majestic anger wielded by Obsequiae, with bits of extra influence here and there from the French black metal scene. Joining said scene, Véhémence’s sophomore effort, Par le Sang Versé seeks to bring the past to vivid life in a powerful display of⁠—what was it again?⁠—Medieval. Black. Metal.” Ye olde blackness.

Obsequiae – The Palms of Sorrowed Kings Review

Obsequiae – The Palms of Sorrowed Kings Review

“Back in 2015 I was taken off guard and enchanted by the superb sophomore album from Obsequiae, entitled Aria of Vernal Tombs, which marked a strong improvement over their impressive debut. Despite operating a bit outside my regular wheelhouse, the album’s raw blend of folky and medieval melodic black metal struck a chord that left me gobsmacked, gushing over the album’s elegant melodies, accomplished song-writing and earthy tones. Well finally the band have awoken from their slumber, returning to the ye olden days with another taut yet epic collection of melodic black metal tunes on their long awaited third album, The Palms of Sorrowed Kings.” Royal tidings.

Ungfell – Mythen, Mären, Pestilenz Review

Ungfell – Mythen, Mären, Pestilenz Review

“2017 saw the release of the début full-length by Switzerland’s unusual, folksy black metal band called Ungfell. I was introduced by the ever-insightful Alex at Metal-Fi who held it up as one of his best of the year. While Tôtbringære was only just shy of real greatness and probably deserved a nice write-up, I never put pen to paper. Scarcely a year later and I’ve resolved to rectify this deficiency by reviewing their sophomore album called Mythen, Mären, Pestilenz. Does it stack up?” Swiss misery.

Marsh Dweller – The Weight of Sunlight Review

Marsh Dweller – The Weight of Sunlight Review

“Having recently relocated from South Carolina (a.k.a. The Land of Eternal Swampass), the name Marsh Dweller immediately piqued my interest when I saw it on our promo list. I always seem to find myself applying band and album names in stupidly personal ways, and a moniker like that reminded me of the long nighttime walks I used to take through a nearby salt marsh while listening to Baroness and picking my underwear out of my asscrack.” This too, shall ass.

Helleborus – The Carnal Sabbath Review

Helleborus – The Carnal Sabbath Review

“Named after the gorgeous but poisonous winter flower of the same name, Helleborus’ debut full-length The Carnal Sabbath is a proper manifestation of both the gorgeous and the poisonous. Coloradan brothers Wyatt and Jerred Houseman have created a peculiar cosmic world anchored by a standard modern-day black metal sound: part Deathspell Omega and part Behemoth.” Flowers are way more metal than you know.

The AMG Staff Picks the Top Ten Records o’ 2015: There’s No Accounting for Anything Anymore

The AMG Staff Picks the Top Ten Records o’ 2015: There’s No Accounting for Anything Anymore

“We’ve reached the end of 2015 and this year I’m personally editing these Top Ten lists. For the first time (ever) I am reading the production of the different writers we’ve assembled over the last few years. I am shocked. I am dismayed. I feel angry, offended, galled. But I am not surprised. Under Steel Druhm and Madam X‘s indulgent care and averted gaze the young Angry Metal Staffers have run amok. Alas, after having actually consumed of the words these gentlemen produce, I’m firing them all. It’s back to the drawing board: me, Steel Druhm, and as much metalcore as you can eat!”

Nechochwen – Heart of Akamon Review

Nechochwen – Heart of Akamon Review

“I’ll freely admit to having thrown up my hands and walked away from the majority of black metal over the past five years. Whatever drew me to the style in its infancy with Bathory and onward through Emperor and Darkthrone has all but died. I’ll still pay attention to releases by the big names, but for the most part I’ve given up the ghost. One of the rare bands that still holds a special place in my nonblack heart is West Virginia’s quirky and obscure Nechochwen.” It’s time to get your ass into the Spirit World!

Jason W. Walton – Mara Review

Jason W. Walton – Mara Review

“It’s exciting when you discover that a member of one of your favorite bands has a side project. It gets weird though when you realise the project’s been around and producing for going on twenty years. Between considering the merits of becoming an Agalloch roadie/fangirl back when Steel Druhm reviewed Marrow of the Spirit and later writing up my own reviews of Agalloch‘s The Serpent and the Sphere and Nothing‘s Guilty of Everything, I can’t help thinking I should have come across some utterance of Agalloch bassist, Jason W. Walton’s side-project, also branded Nothing.” Prepare for nightmares made audible.

Obsequiae – Aria of Vernal Tombs Review

Obsequiae – Aria of Vernal Tombs Review

“Minnesota’s medieval enthusiasts Obsequiae emerged from the ashes of Autumnal Winds and created an immediate impact in the underground metal scene with their exhilarating debut Suspended in the Brume of Eos. Now nearly four years following the debut, the trio of Tanner Anderson (guitars, bass, vocals), drummer Andrew Della Cagna and Spanish musician Vicente La Camera Mariño have written a monumental follow-up that takes their musical vision to its next logical progression.” Is this the black metal Album of the Year? The metal Album of the Year? Time will tell.