Oct21

Gràb – Zeitlang Review

Gràb – Zeitlang Review

“A hefty chunk of metal has to do with reckonings. Whether about the absence of God, the rejection of the superficially “beautiful,” or the fact that we will all be worm-food one day, bands use the medium to highlight the darker side of a showdown we all must face. If pop is about how we’d like things to be, metal is about how things are. Part of reckoning is looking back honestly at our lives as we get older. Zeitlang (Yearning), the debut album by Gràb—a German black metal trio created by former Dark Fortress front-man, Grant—centers on an old man who retreats to a cottage deep in the mountains to reflect on his life.” Gràb life!

Ministry – Moral Hygiene Review

Ministry – Moral Hygiene Review

“I had an acquaintance once that said industrial metal is ‘sex music.’ That’s one of the reasons I don’t talk to this person anymore. That and it’s difficult to communicate when you’re bricked up in a wall. But, seriously, I must be doing something wrong if I don’t get an erection to Rammstein’s ‘Bück Dich.’ Babe, it’s not you. It’s me. The same goes for Ministry. There’s nothing about imagining Al Jourgensen gut and crucify the entire Bush family that pricks my pecker.” Good hygiene and bad manners.

Fear Connection – Progeny of a Social Disease Review

Fear Connection – Progeny of a Social Disease Review

Fear Connection traffic in a very familiar, very comfortable style of death metal. You get what you pay for with these gents from Bremen, and that’s to their credit: guttural growls interspersed with higher-pitched snarls, crunchy riffs, neck-breaking grooves, and plenty of fretboard brutality, with a dash of thrash for good measure. Fear Connection haven’t reinvented the wheel on Progeny of a Social Disease. If you’ve ever taken a dive into the classic death metal deep end, you’ve definitely heard much of this before.” Fear is the beerkiller.

Kryptos – Force of Danger Review

Kryptos – Force of Danger Review

Kryptos have made quite the successful little niche for themselves over their 20-something year career. Hailing from India, they’ve slowly but surely made a name for themselves internationally by crafting faithfully retro heavy metal material reeking of the 80s but with slightly more extreme vocals in place of the expected balls-in-a-vice wailing. Albums like 2016s Burn Up the Night and 2019s Afterburner were solid slabs of hook-tastic 80s metal loaded with more killer riffs than a 70,000-ton cruiser could safely take out to sea.” Danger in the Krypt.