Pa Vesh En

Pa Vesh En – Maniac Manifest Review

Pa Vesh En – Maniac Manifest Review

“Another day, another raw black metal act. I was gonna go into the obligatory rant about how it’s the aural form of licorice, but suffice it to say: you either hate it or you love tolerate it. If you’re a masochist who likes to have your ears bleeding on the reg, dive in. If you prefer your music tasteful and somewhat reasonable, stay away. Unless it’s Pa Vesh En, who, along with acts like Black Cilice or Lamp of Murmuur, regularly provide tasteful interpretations of barbed wire tones.” Angry cargo.

Dkharmakhaoz – Proclamation ov the Black Suns Review

Dkharmakhaoz – Proclamation ov the Black Suns Review

“Industrial black metal has not boded well in 2020, with groups like American snoozers T.O.M.B. and Dutch painmongers Ulveblod earning some of the lowest ratings I’ve awarded during my tenure. Dkharmakhaoz‘s Proclamation ov the Black Suns, blessedly, is extremely well-written and densely punishing second-wave foray into atmospherics that never neglects its highlights.” Black sunshine.

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

“For those of you acquainted with the Dutch black metal scene, this is another project from Maurice “Mories” de Jong, whose sadistic tendrils puppeteer acts like Gnaw Their Tongues, De Magia Veterum, and Obscuring Veil, to name only a few. He and an anonymous member released three demos and an EP in 2019 under the moniker Dodenbezweerder, which attempts to fuse the sprawl and evocation of ambient black with the edge and claustrophobia of raw black.” Noise as a weapon.

Pa Vesh En – Pyrefication Review

Pa Vesh En – Pyrefication Review

Pa Vesh En’s Pyrefication begins as many black metal records begin, with a foggy sequence of sustained riffs and electronic noises that draw an atmospheric veil. It takes a moment to adjust to this tenebrosity. The music appears monolithic at first, until silhouettes of individual ideas start revealing themselves. Like a symphonic orchestra attuning their instruments in preparation of a concert, the Belarusian one-man project uses the opening “…In the Ghostly Haze” to timidly set the stage of its second full-length release, exploring and expanding into sound spaces.” Purity through fire.