“It doesn’t mean a thing if it ain’t got that musical, rhythmic, melodic swing, baby. So with that in mind, I grabbed Radiation, the sixth full-length from Swiss post-metallers Impure Wilhelmina on a blind whim, having never heard a note from them prior. Only bad things can happen, right?” Take the impurity test.
“Every so often, an album comes out of nowhere and truck sticks you into next Tuesday. Elder’s 2015 opus Lore did that for me. Their complex brand of New England stoner metal featured the right amount of proggy psych stylings to land in my personal Top Ten. Lore has been a constant friend these last two years, and I expected that topping it would be tough, given its lofty heights and incredible riffcraft. Leave it to Reflections of a Floating World to prove me so incredibly wrong.” Respect your Elder.
“Samples in music have been a controversial point throughout its history. Their use ranges from the occasional embellishment to set the mood, to incorporating it into the lifeblood of the music, which was part of the origins of hip-hop. Detractors claim it to lack creativity by definition, because it means using someone else’s work. Defenders argue that the application of existing work in a different context is what makes it creative. No matter what your position, the fact is that plenty of metal bands have made use of them, from political voices in Megadeth to horror movie samples in Mortician.” A sampling of doom.
“Californian doomers Beastmaker take a familiar approach worshiping at the altar of classic Sabbath and Pentagram, grinding these well worn influences through a hazy stoner rock filter, complete with loose garage-y vibe. Already the band has a couple of releases under their belts despite their relatively short existence, but do these drugged-out heathens have what it takes to compete with the big guns?” Not to be confused with the Beastmaster, nor the Beastmilker.
“Every year, something special takes place in my hometown of Tilburg, The Netherlands: the festival of Roadburn. Roadburn isn’t like your average festival. There’s no marquees, no fields of green devolving into mud, and no crowds the size of small towns worshiping the biggest bands. Instead, thousands of people dressed in black gather from every corner of the continent, and some from other continents, to see over 100 doom, stoner and other kinds of acts whose success lies almost entirely in the underground.” Welcome to the dope show.
“We aren’t going to discuss the timing of this post, nor who delayed it. We won’t be speculating when the April Record(s) o’ the Month will appear. Instead we’re going to live in the moment and bask in the warming glow of quality metal and good will among metal fans. Just sit back, relax and let the music do the talking.” March for AMG!
“Few genres resonate with as much sincerity as doom metal. Although naturally predisposed towards the melodramatic, it conveys a range of emotions that other metal genres simply never will. Every now and then, I come across an act that manages to elucidate, with stark candour, some of the most primal of our instincts. In this instance, grief.” A tribute to a fallen brother in metal, and an enormous one at that.
“Pallbearer’s last album, the stellar Foundations of Burden, not only provided the soundtrack for the memories of broken promises and lost friendships, but also became my favorite album of this past decade. So needless to say, a lot is riding on Heartless, the third full-length from the Arkansas doom kings.” When expectations and fanboyism meet reality.
“While I (im)patiently wait for Pallbearer to drop their next tour de force upon us, I find myself digging through the promo bins looking for other angst-ridden doom to whittle away the days. Thus I stumbled upon the first full-length effort from Boston’s Rozamov.” Hold over doom is now a thing.
![EP Edition [Things You Might Have Missed 2016]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/Cuervo-2.jpg)
“Another year, another influx of new readers and writers at this mighty blog. Yet compared to those previously, this year has seen a significant growth in the consistency of our posts. A sad consequence of this is that EPs have increasingly fallen by the wayside as reviews of shitty full-length albums are summarily assigned to the probationary writers with reckless abandon.” We fixed the glitch.
