“Draconian Times is an album that never should have worked. By now Paradise Lost’s career trajectory has been discussed ad nauseam – from rotten doom-death to Depeche Mode-inspired dance rock to their current gothic metal resurgence – and Times was essentially that early transition album, a puberty-stricken adolescent with a new slicked-up hairdo and a European leather jacket that still fit a little too big.” It shouldn’t have worked, but it did. And now it’s olde.
“Apostate are one of the Ukraine’s oldest doom bands, but have only released one full-length prior to Time of Terror. Forming in 1993, they suffered a series of splits before eventually reforming this millennium to release 2010’s Trapped in a Sleep.” Old band, new lineup, no producer?
“Caïna certainly aren’t your typical black metal band, they’re not Norwegian, Swedish, American or French as you would expect. In fact, Caïna is the labor of heartache by Englishman Andrew Curtis-Brignell and his band’s discography is all over the map.” Constantly changing and mutating, this act is very hard to pin down. But Madam X has many pins and a will to win.
“Honestly, I haven’t been excited for a new release from The Crown in a long time. For one, the quality of their releases has slowly declined since their epic Hell Is Here debut back in 1999.” These cats have an uneven history with more than their share of lineup issues, but they’re back and we have opinions (and some of them are silly).
“As 2015 makes her grand and stately entrance, bear with and support me as I try to hunt down even more new blackened death metal albums that sound exactly like Septicflesh.” Madam X has her foibles, but she also has plenty of quirks. Join her as she unveils a Top Ten(ish) list sure to bumfuzzle and befuddle.
“The death metal super group of all death metal super groups is finally back from the grave after six long years moldering in the soil. Bloodbath needs little introduction, as the preeminent standard bearer of all things retro Swedish death this collective composed of members of Opeth, Katatonia and Witchery once included the likes of Dan Swanö and Mikael Akerfeldt, but both have fled to other pursuits, leaving the band’s new era in the hands of Nick Holmes (Paradise Lost) who now handles vocals.” Can Mr. Holmes shed his rave club past and bring his share of gore to the bathtub?
“Ah, the dreaded Second Album. It’s the infamous make-or-break moment that either legitimizes a young act as The Real Deal, or the one record that calls a band on its bullshit. Case in point: 2012’s Sorrow and Extinction put Little Rock, Arkansas’s Pallbearer into the ears and hearts of many doom aficionados, rightfully earning its place on many end-of-year playlists. A minor line-up shuffle and a few high-profile tours later, they’ve returned with the much-anticipated Foundations of Burden.” With several AMG staff members anxiously hoping for a big win from these doomsters, can they deliver?
“Of all the bands skulking around the doom/death catacombs, none manage to trigger more raw emotion in me than Novembers Doom. They aren’t necessarily the best band in the genre, but when they lock everything in, the melancholy pours like rain off a tin roof in Seattle. They’re the authors of one of the most depressing songs of all time (“What Could have Been”) and there’s something unique about their fusion of Paradise Lost and Type O Negative with vaguely Opeth-esque style death metal that really drills deep down into the heart of darkness within.” If you’re staring into the heart of darkness, it must be November!
“The driving force behind any band is their desire to create, to share the inner workings of their collective minds and to leave behind a part of themselves when they cease to exist. Some artists within only a few years manage to fill pages and pages on Encyclopaedia Metallum with thick, extensive and mightily impressive discographies. Décembre Noir wandered a different path and although being around for a fair few years, they’re only now releasing A Discouraged Believer, launching the bands death-doom approach and setting you on a journey that feels oddly spiritual in its lament.” Not the most prolific act out there, but better late than never, eh?
“We haven’t reviewed any Swedish retro death for a spell, so here’s a big chunk of it to fill our crust quota. But Vallenfyre isn’t your average Swedish retro death band, mind you. They hail from the U.K. and are a super group of sorts, helmed by Gregor Mackintosh, longtime guitarist for goth/doom troupe Paradise Lost. Joining him in these brootal endeavors is Hamish Hamilton Glencross of My Dying Bride and Adrian Erlandsson of At the Gates.” Quite the pedigree of death, eh? It’s all in the breeding.
