Pat Benatar

TerrifianT – Terrifiant Review

TerrifianT – Terrifiant Review

“Nothing lasts forever. Despite having a very sweet opening run to 2020, I knew that I’d come back down to earth. Three ‘very good’ albums in a row, featuring strong songwriting, production, and vocals, was honestly more than I could have hoped for. Eventually, the system will reset itself, and something mundane will drip down the basement pipes to my desk. Enter TerrifianT, who, yes, capitalize that last ‘T.'” Terror with a capital T.

Licence – N.2.O.2.R Review

Licence – N.2.O.2.R Review

“I love complex music as much as the next metalhead. The potential for progressive structures and technical wizardry are some of the elements that set rock and metal apart from most other forms of contemporary music. But sometimes, I just want to kick back with something that’s catchy and dumb, and if there had not been plenty of people who agree with me, we’d never have had glam metal.” Expired.

Lyken21 – Cyclical Insight Review

Lyken21 – Cyclical Insight Review

“Bands who churn up a variety of styles within their sound present some challenges to music consumers and the journalists who cover them. On the one hand they provide a host of talking points in a single review, while on the other they make it difficult to categorize and pigeonhole. And there is nothing wrong with that, per se. One glance at where heavy metal music has drifted from its 1970s roots is all it takes to affirm that these mash-ups of styles can and often do enrich the genre.” Genre pile-up ahead.

Burning Gloom – Amygdala Review

Burning Gloom – Amygdala Review

“I used to dislike female vocalists in general. As I’d mostly been exposed to them through either shitty pop music or shitty Nightwishcore, I simply never felt any emotional connection regardless of their technical skill. The turnaround came from outside of metal with Florence + The Machine, and since then I’ve found a new appreciation for womanly voices, particularly in male-dominated sub-genres, with bands like Madder Mortem and Messa featuring high on my Best Ever lists. Burning Gloom (formerly named My House On Trees) are a doom-sludge band from Milan, and they have female vocals as well, something that may be rarer in sludge than in any other sub-genre sans perhaps thrash.” Women to the front!