Petrichor Records

Grief Collector – En Delirium Review

Grief Collector – En Delirium Review

“I don’t consider myself to be a serious fan of doom metal because my love of the genre is fairly limited. So you may be surprised to see that I picked up En Delirium, the debut full-length from Minneapolis, Minnesota’s Grief Collector. Well, I’m a sucker for doom metal of the epic variety, so when I saw that former Candlemass and Solitude Aeturnus, vocalist Rob Lowe was fronting this relatively new project, I snatched it up without hesitation, marveling that the release had passed through the Steel filter on its way into the promo bin as I did so. Add to that the satisfaction of knowing that I’d stolen some Minneapolis doom right out from under Cherd of Doom‘s nose, and I simply couldn’t wipe the dumb smile off my dumb face.” Where’s the grief?!

Black Moon Mother – Illusions Under the Sun Review

Black Moon Mother – Illusions Under the Sun Review

“Enter Nashville’s Black Moon Mother, a group that you can imagine listening to in a smoky bar with a whiskey, rather than a dingy club with a moshpit. Playing a combination of dense doom, shoegaze, indie rock and even trip-hop, Illusions Under the Sun is their debut album. While certainly not everyone’s cup of tea, this is a notable debut, forged on the back of a compelling live show and a willingness to bend some of metal’s sacred rules.” Doom mother sex magik.

Utbyrd – Varskrik Review

Utbyrd – Varskrik Review

“Here at AMG.com we have instituted a firm “no re-release policy” which precludes new reviews of old albums. The typical use case is a physical release by a label of an album previously self-released digitally by a small band. We do this a) for consistency, b) to narrow the almost-unlimited range of music we could review, and c) so that our reviews remain relevant to what’s buzzing in the scene. It’s important we take this step. So anyway, here’s a review of a 2017 re-release.” Protocol havoc.

Bloodletter – Funeral Hymns Review

Bloodletter – Funeral Hymns Review

“This is year two of Covid and we’re still discovering new ways in which the pandemic is altering the way we live. For instance, we’ve received multiple 2021 promos for Funeral Hymns, the sophomore release from Chicago thrash metal band Bloodletter, but Metal Archives and Bandcamp say it was released in September of 2020. I’m sure we will have more situations like this in the next couple of months. In fact, my review for next week is in the exact same boat. Not knowing who to trust, I’ve decided to trust the only person that I can trust: yours truly.” Blood can’t be dated.