“I’m gonna sound like an absolute madman when I say this, but Blood Exaltation is what I wanted Ad Nauseam’s Imperative Imperceptible Impulse to be. Poland’s Throat is neither dissonant nor death metal, and their aesthetic resides in tired and trve approaches of blackened occultism and evil in the shadow of religious alienation. However, there is a distinct and tantalizing array of clattering and creaking, a dusty and organic quality that settles like hard night on an old church, the tension of ancient voices crackling through haunted halls.” Breath control.
Polish Metal
Cursebinder – Drifting [Things You Might Have Missed 2023]
“Perhaps some of you will recall that heady moment in 2021 when we reviewed the third record, The Grand Scheme of Things, by Kraków, Poland death metal outfit Dormant Ordeal, not once, but twice. In a week. For reasons. Still, it scored an indulgent 4.0 and a deserved 3.5, so at least it was worth it. Well, DO vocalist Maciej Proficz has another band, Cursebinder. And back in April, to little acclaim (at least that I saw), Cursebinder dropped its debut LP, Drifting.” Curses!
Amalekim – Avodah Zarah Review
“2023 hasn’t been the best year for black metal. With some scattered, notable exceptions—DHG and Manbryne among them—most new releases have been underwhelming, or at least disappointing. Undeterred, I continue to pick promos bearing the ‘black metal’ tag, because I believe the genre, at its best, is captivating in a way others aren’t, and offers a flavor of expression unique to itself. As we approach the sunset of the year, my persistence has paid off with the arrival of Avodah Zarah, the sophomore record from Polish/Italian outfit Amalekim.” Blackened treasures uncovered.
Mānbryne – Interregnum: O Próbie Wiary i Jarzmie Zwątpienia Review
“For those who missed my tongue-bathing in 2021, Mānbryne is an enigmatic black metal band from Poland consisting of members from a bunch of groups, most notably Blaze of Perdition. The musical template is straightforward black metal, but the execution of their debut set it apart. Most impressive was the balance between old and new. The fresh songwriting of Renz combined with the experienced hands behind the other instruments to give us the best of both worlds.” No man is a bryneland.
Weird Tales – Second Coming, Second Crucifixion Review
“It’s become a cliché around the halls of AMG that stoner doom is difficult to do badly, but even more difficult to do well. As a result, it tends to hang in the “difficult to review” window of 2.5-3.5. There’s also not a whole lot of energy from readers. Whether stoner-selection bias is responsible (munchies trump comments), or the genre itself fails to excite ordinary metal fans, the fact remains that anticipation around these releases is generally low.” Sleepytime tales.
UKĆ – Coming Out Review
“UKĆ is the brainchild of Łukasz ‘Icanraz’ Sarnacki, a Polish artist who has knocked around the local scene for a while. Billed as “black-prog from the heart,” I was impressed by some of the early singles, and the promo pit wasn’t exactly overflowing with goodness, so I grabbed Coming Out.” Out in the cold.
Eternal Rot – Moribound Review
“Eternal Rot are new to me but they’ve been slowly honing a truly repulsive death-doom sounds since way back in 2013. With two albums (that are really more like EPs) to their credit, this English/Polish collective took great pains to create some of the wettest, more caustic sewage spew out there. Third platter Moribound keeps the putrid times going with grisly, grotesque sub-sub-basement level filth suitable for a mass grave or Super Fund site.” Stepping in a rotpile.
AMG’s Unsigned Band Rodeö: Cisza – She Yearns for Other Worlds
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Poland invades YOU!
Pandrador – Seiðr Review
“I’d hazard a guess that few cultures are represented so completely across metal’s myriad sub-genres as Norse mythology. Even bands flung far from Scandinavia write on the subject, including in this instance the less distant Poland. While Midgards and world serpents more typically feature in black metal and its derivatives, Pandrador have returned in 2023 with a release steeped in Norse mythology but channeled through death metal.” Death and bravery (and glory).
Entropia – Total Review
“By my own admission, post-metal – especially where it crosses into sludge – is not my typical jam. So much is it not my jam that CERTAIN INDIVIDUALS on staff receive much hate for their love of sludge. But a favorable, if not effusive, word from the elusive but expressive Kronos is all I need to take a band seriously, and so it was with Poland’s Entropia.” Filthy recommendations.