Portuguese Metal

Fustilarian – All This Promiscuous Decadence Review

Fustilarian – All This Promiscuous Decadence Review

“While many a reviewer despises grabbing black metal promos stuck in the ’90s, I love it. For nothing else, it gives me an itch for my favorites. Sometimes I won’t even finish the new promo before I abandon it for the road down memory lane. I always start with Darkthrone—sometimes Transylvanian Hunger, other times it’s Hate Them. Then it’s Mayhem‘s De Mysterii Dom Sathanas and Wolf’s Lair Abyss. From there, it’s Gorgoroth, Immortal, Funeral Mist, and Horna. Before I know it, the review is past due and the album is already on the shelves.” Lateness and decadence.

Never End – The Cold and the Craving Review

Never End – The Cold and the Craving Review

“I know promo sheets are all about hyping up the band. Hyperbole is basically in the job description, and I and my esteemed colleagues are largely immune to the declarations of paradigm shifts and best things since sliced bread. But every now and then, something so ridiculous comes along that I can’t keep it from you all. If I am to believe the sheet for Never End’s The Cold and the Craving, “…they’re brutal, melodic and technical all at once without ever being too much of one thing, which is impressive. The grind remains godhead, obviously, but the entwined emanations flowing from it –thrash, match [sic] rock, prog, hardcore, metal, grunge—never felt more potently distilled, dynamic or organic. [It] weakens the boundaries between Rock, Metal, Grunge, Hardcore, Metalcore, Doom, Stoner.”” All things for all people.

Inhuman Architects – Paradoxus Review

Inhuman Architects – Paradoxus Review

“You know when you’re struggling to write a meaningful introduction? When you can’t generate anything amusing out of a band’s name (Inhuman Architects) or anything insightful from their album title (Paradoxus), or anything significant from their home country which features a few bands of note but isn’t noted for its metal pedigree (Portugal)? When the artwork is the generic pink/purple/blue collage of death metal’s derivative genres? Or even comment on the fact that such album is their debut release, save for a solitary single? And you don’t even feel excited enough to tease (whether misleadingly or… leadingly?) that there’s something unique or exciting to describe? Yeah. I hate when that happens.” Brutalists.

Irae – Dangerovs Magick Zpells from the Mesziah of Death Review

Irae – Dangerovs Magick Zpells from the Mesziah of Death Review

“Getting dibs on albums is pretty rad when there’s a cool band with a new release I forgot about: a mini-Christmas in the otherwise lifeless dregs of the promo bin. That was my initial thought when I saw Portugal’s Irae new release. Last year’s Lurking in the Depths, while not terribly original, was a jolly fun batch o’ blackened tunes. It blended raw-ish tendencies with a healthy dose of groove for a subtle and consistent listen that perhaps held more promise than delivered but was good enough for my heart to leap at the newest installment. Does Dangerovs Magick Zpells from the Mesziah of Death deliver?” Dangerovs toyvs.

Sullen – Nodus Tollens – Act 1: Oblivion Review

Sullen – Nodus Tollens – Act 1: Oblivion Review

“You never forget your first 4.0. Oh, I don’t mean the first 4.0 you listen to, I mean the first 4.0 you review for Angry Metal Guy. Honestly, this statement will probably not breed a great deal of recognition with the majority of you. But my first 4.0 was this album by Disperse. It was light, modern prog metal with a djenty undertone that everybody hated except for me and like 3 people, but I stand by my score for that record. So when the first notes of Sullen’s Nodus Tollens – Act 1: Oblivion reached my ear and I caught a Disperse-y scent in the air, I grinned and readied myself to write another loving review reviled by the masses. 4 is a crowd.

Sepulcros – Vazio Review

Sepulcros – Vazio Review

“Over the last almost-eight years of writing reviews here, I’ve become quite aware of the challenge of selling bands and albums to most readers. Try as I might, though, I’ll admit that funeral doom as a whole is an especially tough sell. Those who know… well, know. But the genre’s nigh-impenetrable lack of speed, lack of riff variety, and gargantuan lengths make it difficult for most people to break into such a sullen, powerful sub-genre. Being a new act makes it even more so, as you’re also competing against the greats of the genre. So what does Portugal’s Sepulcros do to try to separate themselves from the pack with their debut, Vazio?” Selling graves in bulk.

Moonspell – Hermitage Review

Moonspell – Hermitage Review

“In these times of isolation, the band has come to the realization that their time is coming to an end. A statement that saddens me to read. But Moonspell feels they still have a little more juice left in them. This retrospection has resulted in a new focus—a focus to buckle down and use their remaining time as a band to pump out the best songs possible. Along with that, they”ve cut the fat off Hermitage. The keys, the sad vocals, the gothic melodicness still intact, it’s the orchestrations that are gone. Like the band’s good ole days. But, stripped to barebones, is the band even capable of recreating their greatest moments?” Waning crescent.

Satanize – Baphomet Altar Worship Review

Satanize – Baphomet Altar Worship Review

Satanize. Now there’s a verb I can get behind. Satanize my music, satanize my wardrobe, satanize my life. For the past few months I’ve been on a metal reviewing hiatus and “satanizing” does a pretty good job capturing what I’ve been doing in my free time. I’ve been spelunking deeper than ever in the infernal netherworld of bestial blackened death metal, listening to every act I can find that worships at the altar of goats and blast beats. Thus, when I saw a band called Satanize in the promo bin, I knew it was time to stir from my reviewing slumber.” Satan stole my legal briefs.

Miss Lava – Doom Machine Review

Miss Lava – Doom Machine Review

“I feel I should start this review off with a disclaimer: stoner rock is not my usual jam. Traditional heavy metal, sure. Doom metal, absolutely. Psychedelic rock, not so much. So when you mesh the three together, I can go either way with the results. Still, I was compelled to check out Doom Machine, the fourth full-length release from Portuguese rockers Miss Lava.” Why would anyone build a doom machine?