Portuguese Metal

Sullen – Nodus Tollens – Act 1: Oblivion Review

Sullen – Nodus Tollens – Act 1: Oblivion Review

“You never forget your first 4.0. Oh, I don’t mean the first 4.0 you listen to, I mean the first 4.0 you review for Angry Metal Guy. Honestly, this statement will probably not breed a great deal of recognition with the majority of you. But my first 4.0 was this album by Disperse. It was light, modern prog metal with a djenty undertone that everybody hated except for me and like 3 people, but I stand by my score for that record. So when the first notes of Sullen’s Nodus Tollens – Act 1: Oblivion reached my ear and I caught a Disperse-y scent in the air, I grinned and readied myself to write another loving review reviled by the masses. 4 is a crowd.

Sepulcros – Vazio Review

Sepulcros – Vazio Review

“Over the last almost-eight years of writing reviews here, I’ve become quite aware of the challenge of selling bands and albums to most readers. Try as I might, though, I’ll admit that funeral doom as a whole is an especially tough sell. Those who know… well, know. But the genre’s nigh-impenetrable lack of speed, lack of riff variety, and gargantuan lengths make it difficult for most people to break into such a sullen, powerful sub-genre. Being a new act makes it even more so, as you’re also competing against the greats of the genre. So what does Portugal’s Sepulcros do to try to separate themselves from the pack with their debut, Vazio?” Selling graves in bulk.

Moonspell – Hermitage Review

Moonspell – Hermitage Review

“In these times of isolation, the band has come to the realization that their time is coming to an end. A statement that saddens me to read. But Moonspell feels they still have a little more juice left in them. This retrospection has resulted in a new focus—a focus to buckle down and use their remaining time as a band to pump out the best songs possible. Along with that, they”ve cut the fat off Hermitage. The keys, the sad vocals, the gothic melodicness still intact, it’s the orchestrations that are gone. Like the band’s good ole days. But, stripped to barebones, is the band even capable of recreating their greatest moments?” Waning crescent.

Satanize – Baphomet Altar Worship Review

Satanize – Baphomet Altar Worship Review

Satanize. Now there’s a verb I can get behind. Satanize my music, satanize my wardrobe, satanize my life. For the past few months I’ve been on a metal reviewing hiatus and “satanizing” does a pretty good job capturing what I’ve been doing in my free time. I’ve been spelunking deeper than ever in the infernal netherworld of bestial blackened death metal, listening to every act I can find that worships at the altar of goats and blast beats. Thus, when I saw a band called Satanize in the promo bin, I knew it was time to stir from my reviewing slumber.” Satan stole my legal briefs.

Miss Lava – Doom Machine Review

Miss Lava – Doom Machine Review

“I feel I should start this review off with a disclaimer: stoner rock is not my usual jam. Traditional heavy metal, sure. Doom metal, absolutely. Psychedelic rock, not so much. So when you mesh the three together, I can go either way with the results. Still, I was compelled to check out Doom Machine, the fourth full-length release from Portuguese rockers Miss Lava.” Why would anyone build a doom machine?

Wanderer – Awakening Force [Things You Might Have Missed 2020]

Wanderer – Awakening Force [Things You Might Have Missed 2020]

“For the second year in a row, a metal band from Portugal floored me with something I had no idea that I wanted to hear until I heard it. Last year it was Midnight Priest, and this year it’s Wanderer with their debut record Awakening Force. It’s not that either band are doing something extremely novel, but it’s their execution and emphasis on specific parts of their influences that make them both special.” All that wander and not lame.

Onirik – The Fire Cult Beyond Eternity Review

Onirik – The Fire Cult Beyond Eternity Review

“In 2015, I had the opportunity to review Casket Dream Veneration; an album I had much love for. But something happened. As I revisit it again, I find myself in love with it even more. It’s a unique experience—spinning an album loved and forgotten, only to cherish it more than ever. As one would expect, this had me excited for follow-up The Fire Cult Beyond Eternity. Not only does G. Rex remain the mastermind behind Onirik but he invited Dirge Rep (drums; The Konsortium, ex-Orcustus, ex-Emperor, ex-Gehenna, and the list goes on forever) and Semjaza (mixing, mastering, and ambient vox; Thy Darkened Shade) to contribute. This is a dream team of underground black metal proportions!” Burning cults.

Gaerea – Limbo Review

Gaerea – Limbo Review

“Is black metal good? The answer is no. Or at least, I would have said no when I started writing here. Flippantly, sure, but I was a different man and back in 2013 black metal was a different beast. Most of the mass clogging the drain of the promo sump was of the two-waves-one-man variety, and with the exception of luminary avant-garde acts like Sigh and Dodecahedron, it seemed like the only alternative to reliving the early Norwegian days was playing blast beats over Slowdive.” Time changes a man.

Irae – Lurking in the Depths Review

Irae – Lurking in the Depths Review

“Black metal has a weird reputation. If you ask anybody walking down the street about it, given its nuances of church burning and Satanism, they’ll shudder and tell you “that stuff is scary, man.” However, if you ask a person who regularly listens to it, it becomes a different beast entirely: using Burzum’s self-titled as an example, you’ll hear an angsty Ewok grumbling about his mom taking away his Satanic Bible while abusing a Walmart guitar.” Fear and loathing in Portugal.