Post-Black Metal

Tómarúm – Ash in Realms of Stone Icons Review

Tómarúm – Ash in Realms of Stone Icons Review

“We as a community speak often of defining and categorizing genres, but sometimes a promo comes along that legitimately challenges those definitions. Atlanta, Georgia’s Tómarúm received a generic “black metal” tag from Prosthetic Records’ PR team, and it falls short as a descriptor for what Tómarúm play. As you’ll surely deduce after giving debut album Ash in Realms of Stone Icons even just one spin, this nascent two-piece perform forbidden alchemy with myriad metallic ores, smelting a writhing, metamorphic amalgamation. It’s that very transmogrification that not only makes this album difficult to categorize but also exciting and satisfying to experience.” Pigeon holes don’t come easy.

Oar – The Blood You Crave Review

Oar – The Blood You Crave Review

“In the multiform sea of interpretations permitted by the tag ‘post-black metal,’ Oar direct their course towards singularly grimy, doom-laden waters. The band borrows from the likes of Amenra and Vous Autres in sinister and savage feeling, though eschewing smooth, reverb-laden tones in favor of a more suffocating vibe.” The real question is whether we can make it through a post-black metal review without a reference to Deafheaven.

Agrypnie – Metamorphosis Review

Agrypnie – Metamorphosis Review

Agrypnie is a German black metal band from Hesse, and no newcomer to the scene, having released five full-lengths, a split, an EP, and a compilation since 2005. Perhaps “avant garde” is a tag given to bands that are just difficult to pinpoint, as these guys employ a kitchen sink of influences and guest vocalists in their aural assault in sixth full-length Metamorphosis.” Kafkanated.

Sundrowned – Become Ethereal Review

Sundrowned – Become Ethereal Review

“Promising despondent black metal from the rainy coasts of Norway (and perhaps deriving their name from Møl?), Sundrowned and their badass name caught my eye in the promo pool. Influences including Alcest and Deafheaven indicated that this was to be Norwegian black metal of a type you may not expect, and the album’s title Become Ethereal accentuated my post-rock suspicions.” Lost in the ether.

AMG’s Unsigned Band Rodeö: Grabesfurcht – Wachkoma

AMG’s Unsigned Band Rodeö: Grabesfurcht – Wachkoma

“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Grabesfurcht in the morning.

Ellende – Triebe Review

Ellende – Triebe Review

“Can art be updated? Once released, is a piece of art fixed forever, like chiseled stone? Or fluid, like the hobo wine in the AMG office dispenser? If an artist or musician takes an existing work, and makes changes, have they created an entirely separate piece, or merely created their preferred version? Austrian black metal band, Ellende, raises these questions with its latest (shhhhh) EP, Triebe.” Disastrous moments in filtration.

Déluge – Ægo Templo Review

Déluge – Ægo Templo Review

Déluge is a French black metal/post-hardcore quintet, a demo and debut full-length Æther under their belt since their 2013 formation. Perhaps most similar to acts Downfall of Gaia or Celeste, Déluge‘s sophomore effort Ægo Templo is content channeling the worship of hyper-melodic post-rock-influenced post-hardcore or screamo acts like Envy, So Hideous, or Suffocate for Fuck Sake.” After France comes the flood.