“After a hazy binge of balls-to-the-wall classic heavy metal, I was pleased to see the latest offering from St. Petersburg’s Epitimia land in my inbox. Allusion is my first exposure to the melancholic group and after browsing their past discography prior to spinning this latest outing, I was eager to hear where this next descent into the otherworldly realm of beautiful violence would take them.” Cold comforts.
“Violence is as American as cherry pie, or so the great MLK Jr. once said. The genesis of this hunger for bloodshed has many roots, but an obvious one is the Wild West. A perfect storm of technological force, an insatiable desire for expansion, a fondness for guns, and laws that were… flexible. It was a violent time, and black metal is violent music, so it seems curious that these have never really been combined before.” of gunsmoke and corpsepaint.
“I see you sitting there, sipping coffee all judgmentally or taking a condescending dump on your break. You’re expecting the ol’ standby, but you ain’t gonna get it. You’re expecting me to call out that name Toadeater. Trust me, I know, it’s like a Princess and the Frog situation gone horribly wrong. But if you think I’m gonna rant, you’re wrong, buckaroo. Metal band names may be the first line of defense to size up the fortitude of your next blackened opponent, but I have the upper hand here.” Toad the wheat croquette.
“One of the countless awful consequences of COVID-19 has been music from artists having their releases delayed. Icelanders Dynfari were one of many victims of this. Their fifth album, Myrkurs er þörf (Darkness is Needed), originally slated for an April release, is only seeing the light of day now. For the uninitiated, Dynfari plays an organic blend of black metal and post-metal in the vein of Sólstafir and Agalloch. Their last LP, The Four Doors of the Mind, was a concept album chronicling the various human responses to profound mental trauma.” Therapy delayed.
“Italian duo Morwinyon formed in 2019 as a side project of post-black group Falaise, offering three full tracks and an ambient outro for an atmosphere worthy of its debut’s namesake – Pristine. Utilizing a synth-heavy ambient black metal template of Golden Ashes or Midnight Odyssey, there’s little new to be found. However, it revels in its saccharine melodic qualities, liberally serving serene soundscapes for the blackened escapist, even if it might only offer cavities and headaches to the more discerning listener.” Bittersweet.
“Phantoms Made Permanent is the sophomore release from Maine’s Eave. It follows their 2016 debut, Purge, and 2018’s EP, Banners to the Moonswept, which I — inadvertently — smuggled into a 2019 EP post. Since Banners, Eave’s original three-piece line-up has acquired a fourth member, with the addition of guitarist Gabe Shara, and they have moved across to Bindrune Recordings. When I wrote up the excellent Banners, I said that if that EP was a foreshadowing of what we could expect from the next Eave full-length, that was pretty exciting.” The future is now!
“Silver Knife’s sound is driven by an “aggressive melancholy.” The scathing edge to their knife is laced with poison, ready to slice through the next layer, ready to inflict greater pain. A reinvigorating dose of melancholic black metal has been missing from 2020. This year needs a realistic soundtrack. The depressive duo of Silver Knife met before the world collapsed in 2008. Dutch multi-instrumentalist N. (most known for being one of the three masterminds behind weird black trio Laster) and Belgian S. (most known for wielding the axe for Hypothermia, Trancelike Void and Monads) have painted a collaborative picture of melancholic dread with Unyielding/Unseeing, their first release.” Knife life.
“Pinpointing the core sound Eye of Nix conjures proved difficult this last week and change. On one hand, I recognize the elements that compose the content within Ligeia—black metal, doom metal, opera, post-metal, a twist of psychedelia—but I struggle to come to a concrete solution as to what this record is.” The naming game.
“The more wizened experienced writers on staff say it’s best never to go back and read your early reviews. This is the first occasion I have had to really ponder the wisdom in these words. Unreqvited’s Mosaic I: Mosaic I: L’amour et l’ardeur was just the third n00b review I penned for these venerable pages and it is the first band I am reviewing here for a second time.” Shark teeth and time.
“The bleak and harsh Canadian Winter has drawn us into her icy bosom. Days are short, temperatures are lower than the last run of scores I’ve given, and rain and snow abound. It’s the perfect weather for the frosty kiss of good atmospheric black metal, and yet there has been a relative dearth recently. The English trio of Fen aim to change all that with their sixth release, The Dead Light.” Fen is coming.
