“If much of post-black metal maintains a chilly distance from its listeners, Ellende has always—for better or worse—worn its emotions on its sleeve. And these emotions are some of the most mournful in all of black metal. The problem in the past was that the execution was lacking, which dulled the impact. Shifts on previous albums were inelegant and clunky, sapping momentum; the interludes were intrusive; the fuzzy production obscured rather than highlighted. But with every new release, Ellende have been honing and improving their craft, and Ellenbogengesellschaft finds the band finally cracking the code.” Pearls before swine.
Post-Black Metal
Auriferous Flame – The Great Mist Within Review
“Before listening to The Great Mist Within, I thought I knew a thing or two about Ayloss, the prolific mastermind of Spectral Lore and Mystras. Ever since Spectral Lore’s III swept me off my feet in 2014, I’ve been an avid follower of his work. Ayloss has described his new project Auriferous Flame as a 90s black metal act, a “continuation of many of the ideas and music styles in Mystras” minus the folk influences. This description made me suspect that The Great Mist Within would be digestible but unimaginative,” Mist predictions.
White Ward – False Light Review
“This story — inspired by the incredibly cinematic and excellently composed third full length by Ukrainian black metal band White Ward, entitled False Light — begins where the preceding chapter concluded:
GUNSHOT, ABRUPT CUT IN:” False and Tricksy: The Movie
Ophe – Somnium Nocte Mendaciis Review
“Latin—language of ancient history’s classiest empire, known only by nerds with and without PhDs, and vernacular of choice for many a metal act. Somnium Nocte Mendaciis (Night’s Dreams of Lies) continues Ophe’s foray into the world of incomprehensible titles, and nearly as incomprehensible music. In the time since 2018’s Litteras Ad Tristia Maestrum Solitude, sole member Bargnatt XIX has only doubled-down on the weird. Now forgoing clean vocals entirely, as well as almost all things approaching a melody, the album is the exact opposite of easy listening.” Dead tongues and harsh language.
Tómarúm – Ash in Realms of Stone Icons Review
“We as a community speak often of defining and categorizing genres, but sometimes a promo comes along that legitimately challenges those definitions. Atlanta, Georgia’s Tómarúm received a generic “black metal” tag from Prosthetic Records’ PR team, and it falls short as a descriptor for what Tómarúm play. As you’ll surely deduce after giving debut album Ash in Realms of Stone Icons even just one spin, this nascent two-piece perform forbidden alchemy with myriad metallic ores, smelting a writhing, metamorphic amalgamation. It’s that very transmogrification that not only makes this album difficult to categorize but also exciting and satisfying to experience.” Pigeon holes don’t come easy.
Celeste – Assassine(s) Review
“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.
Oar – The Blood You Crave Review
“In the multiform sea of interpretations permitted by the tag ‘post-black metal,’ Oar direct their course towards singularly grimy, doom-laden waters. The band borrows from the likes of Amenra and Vous Autres in sinister and savage feeling, though eschewing smooth, reverb-laden tones in favor of a more suffocating vibe.” The real question is whether we can make it through a post-black metal review without a reference to Deafheaven.
Agrypnie – Metamorphosis Review
“Agrypnie is a German black metal band from Hesse, and no newcomer to the scene, having released five full-lengths, a split, an EP, and a compilation since 2005. Perhaps “avant garde” is a tag given to bands that are just difficult to pinpoint, as these guys employ a kitchen sink of influences and guest vocalists in their aural assault in sixth full-length Metamorphosis.” Kafkanated.
Sundrowned – Become Ethereal Review
“Promising despondent black metal from the rainy coasts of Norway (and perhaps deriving their name from Møl?), Sundrowned and their badass name caught my eye in the promo pool. Influences including Alcest and Deafheaven indicated that this was to be Norwegian black metal of a type you may not expect, and the album’s title Become Ethereal accentuated my post-rock suspicions.” Lost in the ether.
AMG’s Unsigned Band Rodeö: Grabesfurcht – Wachkoma
“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Grabesfurcht in the morning.