“I wrote four years ago that “doom” metal is best when it is onomatopoeic. It should not just be a four-letter descriptor for a genre and should instead invoke feelings of cataclysm which match those four letters which can be as long as you want them to be. Doom. Doooom. Doooooom. Oceanwake arose from their Finnish lake with an understanding for this quality but have progressively widened the lens through which they viewed their craft, absorbing post-metal and progressive influences such that their sound is no longer so easily pigeon-holeable.” Pigeonhole we must.
Post-Metal
Spotlights – Love & Decay Review
“The songs on Love & Decay are post-metal in structure with moments of sludge/doom heft, but damn it if Spotlights don’t frequently sound like My Bloody Valentine started down tuning their guitars and forgot to stop. Or like a much heavier Starflyer 59 back when they were accused of being a My Bloody Valentine knock-off. If you’re not following, take a break and go listen to Loveless. We’ll still be here when you get back.” Up in lights.
Violet Cold – kOsmik Review
“It has been described as the world’s most succinct word: “Mamihlapinatapai.” From the near-extinct Yaghan language, it means, “A look shared by two people, each wishing that the other would initiate something that they both desire, but which neither wants to begin.” It also happens to be the name of one of the songs on Violet Cold’s new album, kOsmik. If you look at the philosophy of Violet Cold, the one-man post-black metal project of the prodigiously talented, and prolific Emin Guliyev from Azerbaijan, this word seems to sum it up perfectly.”
Latitudes – Part Island Review
“I have historically shown more than a little apprehension towards the post-metal tag. At first, I felt it screamed pretension, a trait that tends to break my enjoyment of music if not kept in check. Lately, though, I’ve reassessed my opinion after finding deep enjoyment of bands often placed within the post-metal spectrum—Astronoid, Downfall of Gaia, and more recently, Latitudes.” No man is Part Island.
Inter Arma – Sulphur English Review
“Inter Arma will not be pigeonholed. They’ve repeated this statement with each subsequent release, evolving subtly across a range of styles, but always sounding unmistakably like themselves. When a new album was announced for 2019, I quickly contacted resident man cat Grymm, who glowingly reviewed 2016’s Paradise Gallows, and pathetically begged confidently informed him that I would be handling this one. He pitied me respected my assertiveness and relinquished review duties.” Burning expectations.
Falaise – A Place I Don’t Belong To Review
“Stagnation is an ugly thing. Waters, once teeming with life, become rancid without a flow of movement. It’s also been said that once we stop learning, we should effectively be dead. If we retread familiar soundscapes, eat the same damn foods all the time, and generally never leave that comfortable, insular bubble that we willingly trap ourselves in on a day-to-day basis, are we really growing? Have we gotten so used to where we are, as individuals and as a society, that eventual growth is not only impossible, but also not desirable?” Glazed with shoegaze.
Déhà – Cruel Words Review
“Déhà’s use of music as a means to channel bipolar depression is something that frequently resonates in my heart holes as well as my ear holes. My point: I knew there was no way I’d be objectively qualified to handle reviewing such a surefire goldmine of top-tier tearful tunes. I concede this point, but riddle me this: since when am I qualified to review anything, yo?” Lord ov Feelz.
Drawn into Descent – The Endless Endeavour Review
“With their debut, they rather awkwardly tried to shoe-horn the patient, meandering post-metal aesthetic with the fury and immediacy of black metal, to mixed results. Now they’re back with a new concoction: think of a base consisting of the atmosphere of Agalloch, topped with some post-metal Pelican, drizzled with the tortured vocals of Grift or Sivyj Yar, sprinkled with a dash of Deafheaven. The question is, have they created something palatable? Do we have a winner (like chocolate and salt) or an inedible monstrosity (like pineapple and pizza)?” Buffet of melancholy.
Angry Metal Album Art Neural Networks
“Observant readers will have noticed that we here at Angry Metal Guy are a bunch of complete nerds. As the sysadmin, I am definitely one of the worst offenders. I’m also, like a suspicious number of the other staff, a trained research scientist (though in my case, I left academia and work in tech). On a completely unrelated note, I’ve been meaning to play with neural networks for a while, and a few months ago the idea of running some of the current generation of rather impressive image classification neural networks against album art occurred to me.” Art vs. technology.
Degraey – Reveries Review
“One of my greatest musical regrets is missing an opportunity to see Isis perform shortly before they disbanded. They were the band that got me into the heavier, harsher-vocalled side of metal, and remain one of my all-time favorite bands. Fortunately, given their position as genre-definers for post-metal, there are no shortage of imitators out there to scratch the itch. Degraey are an independent Spanish band, here with their second album following 2016’s Chrysalis, and the briefest of listens to Reveries reveals they’re card-carrying members of the “We Miss Isis” club.” Gone but not forgotten.