post-punk

Gloop – Crayon Sun Review

Gloop – Crayon Sun Review

Gloop is a trio from West Virginia but currently based in Baltimore, having released two full-lengths since 2017. A truly disconcerting brew of noise rock by way of no-wave with a healthy dose of bluesy rock and upbeat punk, Crayon Sun takes Gloop to darker depths with in-your-face dissonance, angular riffs, and a defiant punk attitude. A shapeshifting beast both apathetic, frenetic, and abrasive.” The Glooper.

Nadja – Luminous Rot Review

Nadja – Luminous Rot Review

“I was surprised how unknown Nadja is around AMG Headquarters. I was parading around the new promo like a goddamn peacock, like “WAOW NADJA‘S GOT A NEW ONE GUISE” and was met by a chorus of “uh, who?” The Canucks’ offerings like debut Touched, Radiance of Shadows, and The Bungled & The Botched made regular appearances on my playlist before I lost touch with 2013’s dolphin-themed Flipper. Since, the duo has released five albums, culminating in 2021’s Luminous Rot, which attempts to bring “post-punk, cold-wave, shoegaze, and industrial” influences into the limelight alongside their trademark “dreamsludge” approach.” Dreamsludge on a sunny day.

The Exploding Boy – Alarms! [Things You Might Have Missed 2018]

The Exploding Boy – Alarms! [Things You Might Have Missed 2018]

“As we approach the Days of Lists, you can expect to hear writers complain and/or praise the year in metal for what it gave us. I lean toward the camp that thinks 2018 wasn’t a banner year for the genre, and as partial proof of that, I spent more time spinning a non-metal album than almost anything else I came across. That album is Alarms! by the Swedish post-punk, Goth-rock act, The Exploding Boy.” Sound the Alarms!

Cursed Moon – Rite of Darkness Review

Cursed Moon – Rite of Darkness Review

“I’m often a little cautious when introduced to new bands who seem to be born aloft on a draught of novelty furore. I feel the same familiar shiver when I see the “retro” tag scratching around in the promo bin, but even I can admit that, sometimes, retro does not negate relevancy. Enter Cursed Moon. This one man entity hailing from L.A, combines the 80’s melodrama of darkwave (new wave and post punk combined with gothic rock) with the feral nature of early black metal to spawn debut album Rite of Darkness.” A blaze in the L.A. sky.

Killing Joke – Pylon Review

Killing Joke – Pylon Review

“Many older bands, once established, will eventually coast by just on their name alone. Sure, they’ll cut a new album every few years, but it never lives up to their influential works of yesteryear. It’s often an excuse to go out on the road, play nothing but the classics, and bring home the money while also hocking wares that have nothing to do with the band’s original intent. England’s Killing Joke, however, are a unique beast.” The Joke is on you!