Post Rock

Deathwhite – For a Black Tomorrow Review

By Steel Druhm on February 19, 2018 in 2017, American Metal, Gothic Metal, Post-Rock, Reviews, Season of Mist, Gothic Metal, 5 comments

“Let’s turn our attention to the other great mystery of our time – the identity of the members of Deathwhite. With two slobberknocker EPs of excellent goth-doom under their invisible belts, we still have nary a clue who they are or what they’re trying to hide. All we know is that the band features members from better known acts and likely hails from the Massachusetts/Pennsylvania region. Given this light evidentiary trail and their carefully cultivated enigma status, I wasn’t even surprised when their first full-length appeared out of nowhere, only to be pulled back a week later and held from release for almost a year. Now that For a Black Tomorrow has finally re-appeared, it raises more questions than answers.” Spook-core is suspiciously good.

Long Distance Calling – Boundless Review

By Mark Z. on February 5, 2018 in 2018, German Metal, InsideOut, Instrumental Metal, Post-metal, Post-Rock, Reviews, Instrumental Metal, Post-Metal, 46 comments

“Long Distance Calling is the best instrumental metal band you’ve never heard of. Formed in 2006, this German quartet first came to my attention when I discovered 2007 debut Satellite Bay last year, an album that went perfectly with my lonely drives along the sparkling New England coastline.” Accept the charges.

Perihelion – Örvény Review

By Huck N Roll on November 20, 2017 in 2017, Apathia Records, Hungarian Metal, Post-metal, Post-Rock, Reviews, Post-Metal, 51 comments

“After four long months, the moratorium on Huck N Roll reviewing albums with non-English singing has come to an end. And as luck would have it, this venerable reviewer managed to snag something from Hungary, AKA the Old Country. Perihelion isn’t a very Hungarian word, but the band makes up for that with a plethora of umlauts, accents, double acute accents, and other glyphs throughout their song titles. That automatically makes the band trve and is worth 0.5 bonus marks ” Umlat what your country can do for you.

The Living – The Living Review

By GardensTale on September 25, 2017 in 2017, American Metal, Not Metal, Progressive Rock, Reviews, Rock, Self-released, Post-Metal, Progressive Rock, 29 comments

“I know some of you, dear readers, feel a pang of annoyance every time we review an album that is barely metal or not at all. “Why are you reviewing this?” you ask. “This is Angry Metal Guy, not Perturbed Rock Person!” And you’re right, of course, but there’s several good reasons to review these cases anyway.” Are The Living out to rustle your jimmies?

Magma Waves – …And Who Will Take Care of You Now Review

By Kronos on September 14, 2017 in 2017, Instrumental Metal, Narshardaa Records, Post-Rock, Reviews, Instrumental Metal, 24 comments

“Not all who wander are lost. In fact, many wanderers know exactly where they are – in the first two-thirds of a post-rock song. Love or hate it, the “crescendo-core” formula has been a successful one, and Magma Waves are not out to challenge it with their debut …And Who Will Take Care of You Now, a record that finds its groove somewhere in roads well-trodden by the likes of If these Trees Could Talk and God Is an Astronaut.” Building it up to tear it down.

The Soundbyte – Solitary IV Review

By GardensTale on July 4, 2017 in 2017, Ambient Metal, Post-Rock, Progressive Rock, Reviews, Swedish Metal, Temple of Torturous Records, Ambient Metal, Progressive Rock, 21 comments

“Norway’s The Soundbyte, a project of The 3rd and the Mortal guitarist Trond Engum, seeks to improve the reputation of scene-setting noisescapes with its 4th experimental platter, Solitary IV. Full disclaimer, it’s only tangentially in the camp of metal, but few experimental albums are and the material on display here is not something we want to keep from you. Let’s get to it.” We’re givers.

Les Discrets – Prédateurs Review

By Mark Z. on April 21, 2017 in 2017, French Metal, Post-Rock, Prophecy Productions, Reviews, Shoegaze, Shoegaze, 24 comments

“Prepare to enter the realm of the Non-Metal. Formed in 2003, Les Discrets are a French project started by illustrator Fursy Teyssier as a way of musically expressing the concepts in his visual art. Post-black connoisseurs may recognize Teyssier as having played alongside Alcest’s Neige in depressive rock collective Amesoeurs, in addition to producing artwork for Empyrium, Wood of Ypres, and Alcest themselves.” Be less discreet, dammit!

Of the Sun – Before a Human Path Review

By Saunders on April 12, 2017 in 2017, American Metal, Groove Metal, Nu-metal, Progressive Metal, Reviews, Southern Metal, Unsigned Bands, Groove Metal, Mathcore, Nu Metal, Progressive Metal, 16 comments

“Self-proclaiming their music as ‘southern progressive metal’ sounds interesting on paper, bringing up imaginative scenarios, such as combining a dose of burly Down-styled metal with the adventure and bombast of prog. A number of similar scenarios whipped through my brain before settling in to jam Before a Human Path.” When prog-metal goes south.

Schammasch – Triangle [Things You Might Have Missed 2016]

By Roquentin on December 18, 2016 in 2016, Ambient Metal, Avante Garde, Black Metal, Doom Metal, Post-metal, Prosthetic Records, Reviews, Swiss Metal, Things You Might Have Missed 2016, Ambient, Black Metal, Post-Metal, 31 comments

“Based on vocalist and guitarist Chris S.R.’s amalgamation of a number of religions and philosophies, Triangle is a sprawling, grandiose effort that bridges progressive black metal, progressive rock, post-rock, and ambient music, while hinting towards a deeply personal struggle.” A triple album again? Why do we do this to AMG?

Esben and the Witch – Older Terrors Review

By Steel Druhm on November 4, 2016 in 2016, English Metal, Gothic Metal, Non-Metal Metal Things, Reviews, Season of Mist, 31 comments

“I’m not alone among the AMG staff in having fallen hard for The Gathering’s career defining Mandylion release back in 95. That platter combined elements of doom and goth rock in a way that had never been done before and created something haunting, sad and achingly beautiful. The band quickly drifted toward more commercial waters, and many (myself included) were left hungering for more of what Mandylion delivered. Perhaps that’s why my ears pricked up when I heard a snippet of the Older Terrors promo from hitherto unknown by me English three-piece, Esben and the Witch.” Oh, Mandy, you came and you found me an Esben….