“The first thing that interested me about Nuclear Winter is that they’re from Zimbabwe. I don’t know much about Zimbabwe, and I’ve never reviewed or even listened to a record from Zimbabwe, but I thought that maybe metal produced there would have some unique sounds and textures. I quickly found that not to be the case. Seagrave sounds like a thousand other European symphonic power metal-type records.” Uranium graves and winter burials.
“Symphonic metal is an overstuffed genre with precious few top-tier acts. Success depends on compelling vocal performances, ear-worm choruses, apocalyptic orchestral arrangements, and diligent production to meld it all together. Not even a year old and recently signed to Scarlet Records (alongside last year’s power metal standouts Fellowship) Greece’s Mystfall has wasted no time in bringing forth their debut album Celestial Vision.” Bombast in the myst.
“At first glance, All for Metal seems to be a near perfect facsimile of Brothers of Metal—sans the incredibly talented Ylva Eriksson—so much so, in fact, that when I first heard them, I was convinced they were a Brothers of Metal side project. But further research, and further listens, reveal that while All for Metal may peddle the same chonky, bordering on goofy heavy/power as BoM, they are certainly their own beast.” All for spray cheese.
“It’s been a mere two years since I relieved Steel of his blood-bond to review Bloodbound, and the Swedes are already back with a follow-up to 2021’s Creatures of the Dark Realm. I enjoyed Creatures enough to feature it on my Honorable Mentions list for that year, and I stand by that, as my return listens have found the album to be as strong as ever.” Blood Eagley.
“A supergroup of sorts—featuring members of Temperance, Serenity, and Even Flow, among many many others—Wonders play a triumphant, uplifting, adventure-bound sort of heavy/power metal. That means belted cleans, big stadium-crushing choruses, sparkling synths, speedy guitar chugs and noodles, double bass runs out the ass, and ten thousand metric tons of shredded cheddar.” If Wonder Bread was cheese.
“2021 is one of those years that should have an asterisk attached for one reason or another, not the least of which is that our dear Kronos went and reviewed power metal favorably. Yes, it was Red Cain’s 2021 effort Kindred: Act II that solidified his inner weenie]—power metal of the most synth-entangled and anthemic variety.” Power to the people!
“It seems I was just waxing longingly about the power/thrash-shaped hole in my heart left by Iced Earth, and here I am again with a potential filler. Back in 2021, one of our lovely commenters recommended the then-new record Edge of Saturn by Project: Roenwolfe, and its Iced Earth-meets-Cage vibe was exactly what the doctor had ordered for me. Featuring the phenomenal guitar work of Alicia Cordisco (Transgressive, ex-Judicator), Project: Roenwolfe seemed tailor-made to quench my Iced Earth thirst with powerful, story-filled anthems saturated by thrashy guitar work and insane, high-pitched vocals.” Roenwolfe in the Iced Room.
“I love Mystic Prophecy. What do I love about them? Everything. I love the excessive machismo of their aesthetic, the over-the-top badassery of their album artwork, their delightful ESL lyrics, and the way the band shoehorns the words “hell,” “devil,” “demons,” “Lucifer,” and any number of similarly sinister subjects (not to mention album titles from their own past and classic album titles from other greats) into said lyrics. But most of all, I love that Mystic Prophecy is hell-bent on keeping heavy metal fucking heavy.” Wicked Mystic.
“I remember the excitement of hearing that Into Eternity’s Stu Block was joining Iced Earth after Matt Barlow’s second departure from the band, but while the Block era provided a few good moments, I always felt that it was capable of so much more. And after spending time with Finality, I’ve been proven correct.” Block and tackle.
“I probably picked this promo because the band name is so similar to my favorite band of all time; you can’t spell Nevermore without Evermore! But before I tumble down a tearful slope of despondency over the loss of the great Warrel Dane, let’s talk about Nevermore sans the “N.” Sweden’s Evermore is a relatively fresh face in the European power metal game, having released an extremely promising debut in the form of 2021’s Court of the Tyrant King.” Never, ever, MOAR.
