Power Metal

Wolf – Devil Seed Review

Wolf – Devil Seed Review

Wolf has been running at the forefront of the retro metal pack for a while now, surpassing even the vainglorious cheese meisters of Hammerfall. They’ve done so with slick, memorable song writing and a healthy respect for their elders like Judas Priest, Iron Maiden and Mercyful Fate. Although they’re utterly devoid of originality or new influences, they’ve been uncannily skilled at aping and raping the past for golden metal moments of steel. 2011s Legions of Bastards had a strong Painkiller vibe, but Devil Seed slows things down and adopts a darker,more restive, simmering mood, like a filthy mob of commoners perpetually on the verge of rioting against the haughty upper crust.” Honey, the Wolf is at the door again!

Steel Prophet – Omniscient Review

Steel Prophet – Omniscient Review

“If you were following the American metal scene from 1995 through 2001, you know there was a point in time where Steel Prophet seemed poised to conquer the metal world. With their prodigious productivity and an excellent run of releases including classics like The Goddess Principle, Messiah and Book of the Dead, they were often mentioned in the same breath as Iced Earth as the pinnacle of American power/traditional metal and everything was coming up black roses. Then came fractious internal struggles, revolving door line ups and a series of uninspired albums and just like that, they dropped out of the public consciousness, all their hard work seemingly undone. Now, ten years after their last album, they’re back to try to regain some of what they lost with Omniscient.” Steel Druhm wasn’t expecting this and didn’t expect much of it, but can it impress a bitter, jilted fanboy?

Nightmare – The Aftermath Review

Nightmare – The Aftermath Review

“Let’s face it, power metal is the drama club of the metal world. Members of said club tend to be overdramatic, artsy fartsy and prone to big gestures and frilly shirts. Needless to say, that makes them the target for the rest of metaldom and inevitably, lunch money gets stolen and nipples get twisted. However, none of that shit is going to fly with French power meisters Nightmare. You try to give them a wedgie or rear admiral and you may lose a tooth or six. Yep, these cats pack a lot of muscle and menace in their music and between the crunching guitars and rough and raucous vocals, you’ll forget all about the need to snicker.” But I thought drama club was cool!

Sabaton – Heroes Review

Sabaton – Heroes Review

“We here at AMG (mainly AMG and myself) pretty much lost our collective shit over the last Sabaton album, Carolus Rex. The combination of an interesting historical concept and inspired song writing really made that platter explode and we showered it with praise, adoration and fanboy kisses (of iron). This all came as a big surprise to me, because I always found the band to be average and despite a unique style and sound, they seemed incapable of producing consistent albums.” So which Sabaton takes the battlefield this time? The old or the new? Steel Druhm reports from the front.

Edguy – Space Police: Defenders of the Crown Review

Edguy – Space Police: Defenders of the Crown Review

Edguy and I have an abusive relationship. I loved their early stuff so much that I allowed myself to be taken advantage of and settled for subpar albums like Rocket Ride, though it made me feel dirty and shameful. Making it all the worse, at times it seems Edguy deliberately sets out to troll their fanbase, offering equal doses of quality power metal infused with hard rock alongside mega-cheesy, sleazy cock rock that would make Larry Flynt blush.” Is this the good Edguy or the other…Edguy?

Elvenking – The Pagan Manifesto Review

Elvenking – The Pagan Manifesto Review

Elvenking is another one of Italy’s most famous cheese-metal establishments and they’ve been pumping out folk/medieval influenced power metal since 2001’s extraordinary Heathenreel. Unfortunately, since their debut record the band hasn’t produced an album worth all the hope invested in them because of their debut work. In terms of Angry Metal Guy’s Law of Diminishing Recordingsā„¢, Elvenking is possibly one of the fastest drop-offs in recent memory. I’ve checked in from time to time over the years, as I want to like them, but I genuinely haven’t ever been able to get into their stuff. The last one I spent any longer amount of time with was 2010’s Red Silent Tides which left me cold and bored, and Era wasn’t great from a songwriting perspective, but the record was genuinely killed by its mastering job.” All has not been well with Elvenking, can The Pagan Manifesto right the ship? Or will they continue to produce flat, disappointing crap?

Anubis Gate – Horizons Review

Anubis Gate – Horizons Review

“Prog metal can be an off-putting proposition for some folks. With all the odd time signatures, tempo shifts and efforts to show how talented the band is, sometimes the songs themselves are abandoned along the highway of wankery. Power-prog has always been a bit easier to stomach for yours truly, taking the basics of power metal and jazzing it up some, but not too much. In this sub sub-genre of music, Denmark’s Anubis Gate have long been my favorite due to their ability to craft mesmerizing, impossibly catchy melodies and emotional songs that resonate from the very first listen.” Do these great Danes continue to enthrall the jaded Steel Druhm, or has that love died on the vine?

Sonata Arctica – Pariah’s Child Review

Sonata Arctica – Pariah’s Child Review

“A strange thing happened somewhere between Sonata Arctica’s 2012 release Stones Grow Her Name and 2014’s Pariah’s Child: Tony Kakko found his wolf shirt and his copy of Ecliptica. Neither of these things were to be expected. Since 2007’s much-maligned Unia, these Finnish masters o’ cheesemetal have been popping out records that are hard to tie back to the band’s original incarnation.” Ain’t nothing as good as record with a great picture of a wolf on it.

Sinbreed – Shadows Review

Sinbreed – Shadows Review

“What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines.” More power metal at AMG? What is this, a pirate-shirted coup?

Gamma Ray – Empire of the Undead Review

Gamma Ray – Empire of the Undead Review

“Wow, these guys have been around forever! Empire of the Undead is Gamma Ray’s eleventh freaking album, and we get it despite the fact their recording studio burned down and everything was lost, except the masters for this baby. So what do you get from a band so beloved and long in the tooth?” After so many albums, what are you expecting? Steel Druhm expects you to read this.