Power Trip

Rot Away – Nothing is Good Review

Rot Away – Nothing is Good Review

“It’s not controversial to say I miss shows. And while it seems there was a brief window where venues were opening back up, it looks like the next opportunity to catch an honest-to-god show won’t be until 2036, when each ticket comes with a complimentary hazmat suit. One thing that has increased my yearning for concerts over the past year and a half isn’t just the pandemic-induced down-tuned drought; it’s also reviewing bands that I know would be an absolute blast to catch live. Even if the score wasn’t particularly high, I can concede just how fun it would be to see that same band tear things up in person. Such is the case with Nothing is Good, the first album from Denmark-based metallic hardcore heathens Rot Away.” Aggressively rotting in a sick world.

Crawling Manifest – Radical Absolution Review

Crawling Manifest – Radical Absolution Review

“I hate to admit it, but I laughed when I first saw the name Crawling Manifest. I immediately had images of babies presenting documentation of the dangerous cargo held within their diapers as they crawl from one location to another pop into my head, and once I saw those images, they were impossible to unsee. My apologies to the band for this, but the strange mind does what the strange mind will do. Radical Absolution is the sophomore record from these Maryland thrashers, coming by way of self-release.” The Manifest is destiny.

Enforced – Kill Grid Review

Enforced – Kill Grid Review

“Oh man, have I been excited to get my hands on this one. In 2019, I happened upon the promo for At the Walls, the debut record from Richmond, Virginia crossover thrash act Enforced. The album was a combination of previously-released demo and EP tracks with some newer material, and while this may have resulted in some minor consistency issues, that thing riffed hard, riffed often, and barely missed my 2019 year-end list. The thought of a follow-up record written in one, cohesive go was tantalizing, and my excitement only grew when I heard that Enforced was picked up by Century Media last year. But at the same time, when a raw, passionate band moves to a bigger label, I always get a bit nervous.” Dying on the grid.

Plague Years – Circle of Darkness Review

Plague Years – Circle of Darkness Review

Plague Years dole out Slayer grooves with hardcore vocals just like every other modern crossover band, but the beef levels have been turned up to 11 by down-tuning the guitars and adding some death metal elements. If Power Trip is the classic, lean and mean Greek god physique of crossover, Plague Years is the modern-day, steroid-saturated Mr. Olympia.” Circle of power.

Psychosomatic – The Invisible Prison Review

Psychosomatic – The Invisible Prison Review

“It feels like only yesterday when you all hated me for giving such high praise to Crisix‘s 2018 release, Against the Odds. I understand that everyone thinks Power Trip is god and everyone is getting tired of the Havok/Warbringer sound, so thrash is getting more and more difficult to get into these days. Thrash, with a modern touch, is even harder as it all seems to sound rehashed and repetitive. I’m not sorry I love the fun and upbeat character of Crisix. I’m not sorry ‘Perseverance’ and ‘Xenomorph Blood’ make me lose my shit. I’m not sorry Against the Odds made my list that year. I’m not sorry for my love of thrash. I’m not sorry for having such an exquisite taste. I’m not sorry for anything. OK… I am sorry you’re so dead inside that you can’t enjoy fun things. I’m also sorry for this: thrash veterans Psychosomatic and their newest release, The Invisible Prison.” No regrats.

Dead Carnage – From Hell for Hate Review

Dead Carnage – From Hell for Hate Review

“Some things seem to be just one tweak away from being great. Dead Carnage is an okay band name, but it seems a bit redundant. Isn’t most carnage dead? Better, I think, would be Live Carnage. The image of butchered and bloody bodies, moaning and clinging to their last vestiges of life, seems a lot more brutal to me than any imagery evoked by “Dead Carnage.” But hey, I’m a guy that listens to Goatpenis—a band’s moniker has never stopped me from checking out an album before.” Live undead.

Paralysis – Mob Justice Review

Paralysis – Mob Justice Review

“Crossover thrash certainly seems to be making an honest effort to have its day in the sun lately. While it has existed since the early 80s and has had its loyal adherents ever since, the genre is suddenly teeming with new life. Bands like Power Trip, High Command, Enforced, and Red Death are capitalizing on the resurgence of interest in the style, and the results have been quite glorious.” Mob violence.

Warbringer – Weapons of Tomorrow Review

Warbringer – Weapons of Tomorrow Review

Warbringer has been bringing the war to thrash since 2006, breathing life back into the classic 80s sound with a powerhouse blend of Bay Area legends like Exodus, Death Angel and Testament. On 2017’s Woe to the Vanquished they expanded their sound outward, incorporating black metal influences into their thrash template with interesting if not always completely successful results.” Has Weapons of Tomorrow upped the ante once again and armed them for revolution?

High Command – Beyond the Wall of Desolation [Things You Might Have Missed 2019]

High Command – Beyond the Wall of Desolation [Things You Might Have Missed 2019]

“I soon began to hear rumblings about Beyond the Wall of Desolation both in the comments here and in the metal community abroad, so I finally forced myself to taste of the fruit that the record has to offer. It’s a good thing that this fruit comes pre-pulverized in smoothie form, because High Command‘s brand of thrash lands like a swift punch to the mouth and I found myself sans teeth in short order.” Teeth are for closers.

Enforced – At the Walls Review

Enforced – At the Walls Review

“In 2017, a little Texas band named Power Trip released their sophomore album Nightmare Logic and subsequently blew the metal world’s collective mind. Their brand of crossover thrash made them darlings of the underground and mainstream metal media alike, and that record was a part of several year end lists here at AMG. Todays offering At the Walls finds relative newcomers Virginia’s Enforced laying siege to the throne with their debut set of crossover tunes, but do they even riff?” Riff the walls down.