“As we’ve established, Silent Tiger are a band that excels at album cover artwork. Their 2020 debut, Ready for Attack, saw their feline mascot stealthily emerging from the chilled, blue haze of a Bob Ross painting. Not to rest on the laurels of that bar-setting accomplishment, Silent Tiger crushed all other comers with the artwork to Twist of Fate.” Crouching tiger, hidden schmaltz.
“I was an active metal listener for a good part of the NWoBHM era, but it seems for every Saxon and Raven there were countless smaller UK acts that never reached the ears of folks on my side of the pond. Weapon (or Weapon UK) were one of those “could have been” tales of a band in the early 80s that wasn’t able to launch that defining debut album in time. They had a single and a demo floating around in 80-81 and had some buzz but ultimately called it a day, not to pick up the sword again until 2011.” Ancient weapons in modern times.
“Why do these retro 80’s pop/metal knockoff records keep clogging the promo sump? And why am I the only one here willing to pry them out? And why do bands think it’s a good idea to keep making this schlock in the first place? Autumn’s Child is one of Swedish vocalist/muti-instrumentalist Mikael Erlandsson’s many projects. While not familiar with Mr. Erlasndsson before I dislodged Starflower from a tar-like mass of solo black metal projects,” Flowers in the 80s attic.
“Bad Baron pay tribute to the B and C list artists who littered 80s movie soundtracks with vapid rock anthems and forgettable saccharine power ballads. It was a strange and wonderous time for those of us who lived through it. While artists like Peter Cetera, Phil Collins and Kenny Loggins found renewed popularity on the silver screen, countless unknown artists tested their metal on the soundtracks to the endless VHS atrocities that littered the local mini mart’s back corner. What attracted Finnish masochists Bad Baron to the bottom of the barrel in one of music’s most terrible eras? Who knows?” Baron of the 80s Wastelands.
