Primitive Man

Wake – Devouring Ruin Review

By Cherd on April 4, 2020 in Canadian Metal, Death Metal, Doom Metal, Grind, Reviews, Translation Loss, Death Metal, Grind, 56 comments

“Finding catharsis in the midst of chaos is the name of the game these days. It’s why every tenth article in your COVID co-opted news avalanche feed is about a bunny who adopted stray kittens. It’s why last Saturday I watched a live stream of a drag queen disinfecting every surface in her kitchen while performing Queen’s “I Want to Break Free.” As the world around us is brought to its knees by the weight of uncertainty, we instinctively seek out and appreciate these small pressure release valves. Bands who ply their trade in chaotic styles should pay attention. Chaos plus time equals background noise, but there are two options to keep an audience engaged. The first is brevity. This is why hardcore punk albums are traditionally 25-30 mins long. The second is the thoughtful placement of sonic perches to rest upon.” Choose wisely.

Mastiff – Plague Review

By Cherd on February 24, 2019 in 2019, APF Records, British Metal, Doom Metal, Grind, Hardcore, Sludge, Doom Metal, Hardcore, Sludge, 34 comments

“My first review under my own moniker here at AMG LLC Sole Proprietorship & Sons was for an unholy mix of plodding sludge doom and breakneck hardcore. If you can remember lo those many weeks ago, I concluded that however much you enjoyed each individual component, the combination never truly gelled. Well, if there’s one thing I’ve learned about metal, it’s that if a hybrid style exists at all, someone out there is doing that shit right. I submit to you now Plague, the second full length from misery making monsters Mastiff (Muppet, meet thy match) who play just such a mix.” Dog bites metal.

Abstracter – Cinereous Incarnate Review

By Mark Z. on June 18, 2018 in 2018, American Metal, Black Metal, Doom Metal, I Voidhanger Records, Reviews, Black Metal, Doom Metal, 46 comments

“I was once pretty optimistic about the future, but in recent years my outlook has grown progressively more dismal. Humanity has continued to ravage the planet while conveniently ignoring the fact that perpetual growth is impossible, and the result will be a future more nightmarish than a thousand blackened sludge bands could ever conjure. Of course, that doesn’t stop them from trying, and few succeed at evoking these apocalyptic images as well as Abstracter.” Dismal cool.

Wake – Misery Rites Review

By Kronos on February 25, 2018 in 2018, Canadian Metal, Death Metal, Grind, Reviews, Translation Loss, Death Metal, 0 comments

“Pop quiz: off the top of your head, name five Canadian bands. If you’re a geezer of some sort, Rush will take top billing, whereas the more brutal among us will have rattled off a litany of Quebecios tech death acts. Few metalheads will think to include a grind act in their list, let alone one from the flyover provinces. And yet, here Wake are, poised to release their fourth LP of brutal grindcore from their hideout in Calgary.” Wake off, you hoser!

Weltesser – Crestfallen Review

By Dr. Wvrm on February 4, 2017 in 2017, American Metal, Doom Metal, Prosthetic Records, Reviews, Sludge, 14 comments

“I listen to fast music; the rage-inflicted murder beast that lurks in my soul is never fussier than when stuck behind some jamoke doing 25 mph. Consequently, picking up Weltesser was a bit of a gamble, as doom has never been my speed. The right groove can rev my engine, but idle too long and I’ll go right to Sleep.” Doom to improve.

Deuil – Shock/Deny Review

By Jean-Luc Ricard on June 8, 2015 in 2015, Belgian Metal, Black Metal, ConSouling Sounds, Doom Metal, Reviews, Black Metal, Doom Metal, 6 comments

“It’s early in June, and last night we had the heating on. The wind was howling through the trees, rain battered against the window, and I sat shivering under my duvet, mourning for the summer. Few bands could provide such a suitable soundtrack as Deuil.” Ha ha, he has a duvet. That’s not metal!

Primitive Man – Home Is Where the Hatred Is Review

By Jean-Luc Ricard on February 11, 2015 in 2015, American Metal, Doom Metal, Relapse, Reviews, Sludge, Black Metal, Doom Metal, Noise, Sludge, 3 comments

“Loud, heavy, dense, raging, lacking any sort of subtlety or nuance – rarely has a band been so aptly named as Primitive Man. Self-releasing their debut to critical acclaim both here and across the metalogosphere, they followed it up with a series of splits before being snapped up by Relapse for their latest outburst of hatred. Their approach has remained pretty consistent across these releases: crank everything up until it feeds back, then hammer out the most repulsive blackened sludge they can conjure.” Better call your local Department of Sludge Control.

Record(s) o’ the Month – August 2013

By Angry Metal Guy on September 1, 2013 in Blog Posts, Record o' the Month, 21 comments

After July’s lull, it’s important to remember that there are some big releases that hit in August (though, it seems like the big hit is coming in September: Haken, Týr, Carcass, Ulcerate, etc.). This wasn’t the worst month ever, that’s for sure. There was some really amazing stuff going on here, actually. Still, there really was no serious competition for the top spot this month. Nej, indeed, it was pretty obvious all along that Swanö was going for the win with his new project Witherscape.

Primitive Man – Scorn Review

By Alex Franquelli on August 24, 2013 in 2013, 4.0, Death Metal, Doom Metal, Hardcore, Relapse, Reviews, Sludge, Hardcore, 3 comments

Oh the pleasure of punishment without guilt, of terror without a motive, of sadistic pain with too much uncontrolled joy and salty drops of unrequited love. Primitive Man call the bluff we all know as life by showing the vulgar side of our existences. Our bodies reek when in fear because the matter doesn’t lie; we do; it doesn’t. If less than 40 minutes of raw, filthy music played without compromises may sound like a sonic déjà-vu, don’t worry: you may be right. Primitive Man’s music is, in fact, an end to itself: an epic journey through punishing dissonances mostly played at an excruciatingly slow tempo. Eyehategod? Maybe. But more than 20 years after an album like In the Name of Suffering graced our ears, the demise of black metal, the growth of drone-based trends and the evolution of what some term ‘extreme music’ all give us an updated version of that masterpiece. It hurt then as it does now and the bleak landscape remains the same. Hate doesn’t evolve; it just gets bigger.” Alex is here to discuss life’s ugliness and pain, glorious pain. Apparantly this album makes him go on like Pinhead in a bondage bar.