“Another year, another glut of SoCal tech death coming my way. Being the world’s sole arbiter of brutality, I have to say that I’m a bit disappointed with the more traditional technical death metal scene as of late.” Because The Arbiter is disappoint, there will be much punishment.
“In recent years I’ve shied away from tech death. Sure I loved Origin back in their Antithesis era, but these days if I want noodles I’ll just make some fucking pasta. That said, a band name as cool as Infinite Earths was tough to ignore, particularly in how it invoked notions of parallel universes and promises of sweet purple cover art with a cosmic beast devouring a planet or some shit.” Take all you can eat, but eat all you take.
“God is dead, but what can be done once the corpse is buried? Just to the left of nihilism, HP Lovecraft staked out a territory where divinity was absent and mankind insignificant, battered by forces beyond time and comprehension. Anti-christian, nihilistic, and cosmicist themes have all long been staples of metal, both lyrically and musically – but after decades the fear is gone; the well dry and the water stagnant. To reach ever greater extremes, these tropes must be transcended. Ulcerate did so.” Look busy, the abyss is watching.
“Advice is a tricky thing, really. I try to give only when asked and take only what’s given freely, but the general advice economy moves much faster than I like to. So instead of giving advice, I prefer to just point out issues and have people come up with their own solutions. This works well when you’re reviewing music since most of the job is explaining why that music isn’t as good as it could be. A case in point would be the last album from Inanimate Existence, A Never-Ending Cycle of Atonement, an album about which I had many complaints.” Is this an atonement?
“Most people can’t, for one reason or another, split their talents and passions into two separate wholes. The pizza place near my home in Ontario makes good wings, but they’re not great enough to start up a separate wing business and succeed, so they just do both at once. Some folks are terrible salespeople, so they invite you over to their place to eat some pizza and have a “party” while they try to pitch you an energy drink-based pyramid scheme; the free pizza is supposed to make up for the fact that they couldn’t sell icewater in the Sahara Desert, I guess. Germany’s Defeated Sanity are not most people. They happen to like ultra-brutal death metal and the old Florida proggy death scene, so instead of just combining the two they up and did a split with themselves.” Schizoids are never alone.
“From a band that’s as much of an institution as any group this century could be, any new release is going to be big news, but it’s extra special for old Kronos, since Revocation albums are de facto milestones in my tenure at AMG. Three albums down, and I’m happy to say that my opinion of the band has yet to take a hit. 2014’s Deathless has stood the test of time despit.” Fanboys be fanning.
“After three years plagued by seemingly perpetual setbacks, The Schoenberg Automaton’s second full-length Apus has finally made the journey from a studio in Australia to my speakers in Chicago. The Brisbane-cum-Vancouver-based technical death metal outfit caught my eye with their first EP and took off in 2013 with Vela, which built on their progressive and extreme roots, expanding their unique and abstract sound quite successfully. Yet early-release tracks from Apus had me worried that the band had abandoned just what made their previous releases so interesting and vital. Had the sophomore slump stymied their songs?” Is The Schoenberg Automaton on autopilot already?
“Let’s get this out of the way; Fallujah and Angry Metal Guy have a complicated relationship. Angry Metal Guy’s reaction to The Harvest Wombs signaled the beginning of a beautiful friendship; a friendship which, upon the release of The Flesh Prevails in 2014, some asshat proceeded to destroy.” Here we go again.
“I’m not particularly invested in movies, but Danny Boyle’s Sunshine is one I recommend; an unlikely but enticing story of a handful of astronauts on a mission to restart our dying star. It has a compelling atmosphere, a beautiful minimalist score, and portrays scientists, for the most part, as real and diverse people – something that films rarely accomplish. Zealotry seem to like it as well.” Progressive death is always a ray of sunshine.
“I love getting debut records to review, partially because debuts are usually where bands try to bring something new to the table, and partially because it means I have a lot less contextualization to do before I write about the album. But then there are sometimes cases in which I’m actually familiar with a band prior to their release, and in this instance I have The Zenith Passage covered.” Hey Kronos, you gonna pick up all those names you just dropped?
