Progressive Metal

Ayreon – The Source Review

Ayreon – The Source Review

“Look, I know I’m late with this. I can hardly swing reviews these days and Arjen didn’t pull any punches with The Source. In fact, our Poofy-Haired Dutchman™ didn’t even do me a solid by making The Source a sequel to The Theory of Everything, an album I adored. Rather, he made it a prequel to 2004’s 01011001 (that’s “Y” for those of you who aren’t computers), an album that I’d spent precious little time with. What’s weird about that, is that 01011001 is probably his least popular album aside from Into the Electric Castle. When I went back to listen to it, I have to admit that I agree. So I was perplexed by the choice to write a prequel to it. But Arjen’s mind works in mysterious ways, which is why I have come to love his music so much. So, despite a history of prequels being horrible pieces of shit that not even a mother can love, Arjen gets better with age and I needed to give it a chance.” Chances are, Arjen wears a silly grin.

The Thirteenth Sun – Stardust Review

The Thirteenth Sun – Stardust Review

“What do you get when you take equal parts O(ld)peth, Rush and Devin Townsend, chuck it all in a cosmic blender and turn it on? The correct reply is ‘a throbbing erection,’ but second place goes to upstarts The Thirteenth Sun, set to release their debut full-length 5 years in the making.” Take a cold shower, you perv.

Echotime – Side Review

Echotime – Side Review

“First, a bit about these theatrical Italian progsters. who dare compare themselves to the likes of Dream Theater and Pain of Salvation. Side is the quintet’s second album, a concept album featuring a number of songs tied together via a series of narratives. The concept itself is a bit difficult to understand, but seems to be a series of stories about characters that some woman named Lily knows.” When prog goes Side-ways.

Voyager – Ghost Mile Review

Voyager – Ghost Mile Review

“In the realm of intelligent prog-metal, Voyager has been one of my favorites since 2009s I Am the Revolution. Their ability to blend traditional metal ideas with extraneous elements from death, power and djent always impressed me, but their ear for catchy, tight writing really made them stand out. Nowhere was this more apparent than on 2011s The Meaning of I, which earned a very rare 5.0 rating from yours truly. I still spin that album regularly and marvel at how diverse and addicting it remains 6 years later. I was somewhat let down by followup V, but it was still a solid album in its own right with some remarkable songs. I hoped the band would rebound and release another classic platter of thoughtfully oddball material.” Miles of creativity.

Slagduster – Deadweight Review

Slagduster – Deadweight Review

“In the big and scary world of progressive music, fusion jazz is definitely among the most divisive. The heady complexity of the riffs, the drums that jerk back and forth with different tempos and measures and the structural integrity of a house of cards constructed by a madman often invite words like showing off, musical masturbation, or simply wanking.” Jazz hands be wanking.

Earth Electric – Vol I: Solar Review

Earth Electric – Vol I: Solar Review

“Rune Eriksen is a well-traveled gentleman of metal. He was an important part of Mayhem’s second creative wave and continues to be a foundational part of Aura Noir. He’s also known for his gothic doom vehicle Ava Inferi, which released one of the most enduring albums in the genre with 2011s Onyx. Now he’s launching another project with long-time Ava Inferi collaborator Carmen Susana Simoes. Earth Electric could be called experimental goth rock, and rocking it is, taking an enormous 70s rock influence and shoehorning it into Ava Inferi’s ethereal goth style.” Rock in a soft place.

MindMaze – Resolve Review

MindMaze – Resolve Review

“I’m a big fan of MindMaze’s Back From the Edge. Similar to Pyramaze’s excellent Disciples of the Sun, it’s a true grower of a progressive power metal album that I’ve really warmed to over the years. It strikes an admirable balance between prog and power styles, carrying plenty of memorable hooks bolstered by proper prog songwriting in its longest tracks.” Power-prog and problems.

April Releases You Might Overlook But Shouldn’t: Fates Warning / Steve Grimmett

April Releases You Might Overlook But Shouldn’t: Fates Warning / Steve Grimmett

“Every now and then a release comes along that deserves attention but for various reasons, a full blown review isn’t in the cards. Since two April releases fit that bill, we’re doing this rare and unusual music alert for the more discerning metal mavens (i.e. people with the good taste to share our tastes).” Things you haven’t missed …yet!

Pyramaze – Contingent Review

Pyramaze – Contingent Review

Pyramaze has made a career out of defying expectations and being impossible to anticipate. With constantly shifting styles and revolving door vocalists, each new album promises something totally different. Enigmas that they are, it still seemed they’d found a near-perfect sound and a killer front man on 2015s excellent Disciples of the Sun, and since it was such a compelling, addicting album, I hoped they would tinker sparingly with their approach when it came time for a sequel. Alas, it was clear early on the band wanted to take what they did on Disciples and expand on it ten-fold for Contingent, going for a kind of post-apocalyptic conceptual piece with cinematic soundtrack elements and a greater symphonic presence.” Every contingent has a contingency fee.

Ninjaspy – Spüken Review

Ninjaspy – Spüken Review

“It is a little-known fact that Canadians are patriotic. Most people think we just apologize a lot (I’m sorry, but it’s true), but just because most of our flags are pinned up in basement windows where we’ve run out of aluminum foil doesn’t mean we don’t love our country. So, when I get promos that might be interesting, often the fact that a band hails from my home country will be enough to tip the scales and get them into my speakers. Thus is the case for Vancouver’s Ninjaspy.” For those aboot to rock, we’re so sorry.