Progressive Rock

3 – The Ghost You Gave to Me Review

3 – The Ghost You Gave to Me Review

3 was one of my favorite discoveries of the year 2007. The End Is Begun ripped me out of my progressive complacency and reminded me that well-written, well-performed progressive rock or heavy metal, can be some of the most interesting and effective music. In a world dominated by polyrhythms and breakdowns, 3 was a refreshing blast of melody, piccolo toms and some of the most creative and unique guitar playing and song writing that I’d heard in a very long time. So I guess it’s fair to say that I have been anticipating their follow up, The Ghost You Gave to Me with no small amount of anticipation.

Pain of Salvation – Road Salt Two [Ebony] Review

Pain of Salvation – Road Salt Two [Ebony] Review

In 2010 Pain of Salvation, best known for their progressive stylings and vocalist who wishes he could talk rhythmically like Mike Patton, released a record that blew me away and shook their fanbase: Road Salt One. It was shocking mainly because it was a largely not tech-geek-progressive and it was very 70s rock influenced. This left some long-time fans peeved, at best. They wanted something different. Well, Road Salt Two is definitely not that something different. It is stubbornly more of the same and it may have lost a bit of its luster with a year to sit on it.

Opeth – Heritage Review

Opeth – Heritage Review

Disclaimer: Knowing how to review this record has been very difficult for me because I’m a big fan of the band and I have no desire to try make my opinion seem bigger than the band’s work. I understand my subjective position as a reviewer very well. But this record suffers from pretty major issues that it make it very difficult for me to enjoy and that show off the weakness of the band in its current incarnation. I am aware that there will be a good amount of whining and gnashing of teeth over this review, and you’re welcome to it. Just remember that I 1) am not invested in Opeth playing death metal; 2) like plenty of bands that have changed their sounds; and 3) enjoy progressive and abstract music of all stripes very much.

Kebnekajse – Idioten Review

Kebnekajse – Idioten Review

The 1970s were a fascinating period for Sweden. There was a ton of experimentation, it was the 1970s, but just like many other phenomena, much of what was happening in the outside world was mirrored in the funhouse mirror that is Sweden’s culture. So while Americans of the time, for example, flirted with Marxism, drugs and experimental music, all of that stuff got taken in different directions in Sweden. Reading about the so-called “Red Wave” (red as in communist) of the 1970s is actually really interesting, and seeing how that was showed up and was interpreted in other parts of the culture is a fascinating endeavor. It follows, then, that one of the most interesting things that came out of the era was called “progg” (that might look familiar to you), and it is not the same as what we think of progressive or symphonic rock that changed the face of rock in the US or UK. Instead, much of the scene was caught up in ideologies and were far more concerned with political thought than with music at all. (Rumor has it that one of the bands let everyone play every instrument because it would be unfair otherwise.)

Spiritual Beggars – Return to Zero Review

Spiritual Beggars – Return to Zero Review

A wise and Angry Metal Guy once said (earlier this week) that “retro is the new new,” and the trends in the angry metal world are surely proving those prophetic words true. We are up to our collective arses in retro thrash, retro power and retro retro. While new is always great, even the “new” new can be mighty fine, as with the latest release from Sahg and this wicked mother, Return to Zero from Sweden’s own Spiritual Beggars. This is the seventh full length from Michael Amott’s long running side project and respite from the melodic death metal world and although it’s as retro as retro gets, this is one slamming, jamming slab of heavy stoner/doom rock n roll.

InTensity – Times Review

InTensity – Times Review

You may have noticed that AMG doesn’t actually really do a lot of unsigned band reviews. Partially this is ’cause we don’t get a lot of unsigned demos, and partially it’s ’cause when we do they tend to be poorly delivered with little promo info and so forth. So I was pleased to get this promo from the Greek progressive modern rock band InTensity who delivered it to me via BandCamp, this is a highly recommended way of doing this, unsigned bands. Times is a four track EP that was self-produced by the vocalist/guitarist Ilias Iovis and is available digitally throughout the world today with future, physical versions to be announced.

Anathema – We’re Here Because We’re Here Review

Anathema – We’re Here Because We’re Here Review

Where the hell does one even start with Anathema. The band has been in a state of flux for quite a while. The last thing they put out was Hindsight which, quite obviously, was not technically considered a standard release (despite it being my top record of 2008, a very dry year for metal in this Angry Metal Guy’s opinion). That means it’s been five years since A Natural Disaster an album that I found to be remarkably underwhelming, as it followed up one of the finest albums of the entire 2000s: A Fine Day to Exit. But it has, indeed, been 9 years since Anathema released a new album that I was super excited about. Everyone keeps asking “was 7 years worth it?” Well, for me it’s more like “was 9 years worth it?”

Akerfeldt, Wilson and Portnoy

Akerfeldt, Wilson and Portnoy

So the question is whether or not I should be excited or worried… To be totally frank I’m not the biggest Porcupine Tree fan and I really have strong distaste for Dream Theater, so the only guy in the band that I really seem to enjoy consistently is Akerfeldt. But, this could be really good because they’re all great at what they do. Or, it could be really, really bad. In case you’re wondering what I’m talking about, Steve Wilson just said in an interview that was posted on the 3rd of May from Chordstruck Magazine that he’s started writing with Akerfeldt and Portnoy.

Pain of Salvation – Road Salt pt. 1 – Ivory – Review

Pain of Salvation – Road Salt pt. 1 – Ivory – Review

One would assume that an Angry Metal Guy wouldn’t be handing out high scores willy nilly, something I seriously try to avoid doing. But apparently 2010 is a year filled with really fantastic albums by bands doing the things that, as a reviewer, and more specifically, as a music-lover, I have trouble not totally falling for. Pain of Salvation has never been a band that I personally fell for. Scarsick, the band’s 2007 release, was a record that I had issues with and I’ve had some personal gripes about Daniel Gildenlöw’s vocals on the older material (specifically his wannabe Mike Patton rappy/talky vocals). But, that said, Pain of Salvation has long been the darling of the progressive rock and metal scene, with legions of fans who love their technical prowess and pop sensibility.

Bison B.C. – Dark Ages Review

Bison B.C. – Dark Ages Review

Another record from Metal Blade’s Canadian installation and the third record from Canadian 70s-metal-meets-hardcore band Bison BC. This record took me totally by surprise, as I’d never heard of this band before and wasn’t really sure of what to expect. Honestly, all I had to go with was the look of the record and it looked very 70s. That fact alone hasn’t been very reassuring, while there are some bands out there trying to push the sound a bit, it just feels like another nostalgia movement that isn’t going anywhere to me so I tend to be pretty skeptical of such records.