Prophecy Productions

Dordeduh – Har Review

Dordeduh – Har Review

“Until a few months ago I was only peripherally aware of Dordeduh. I had heard their debut album, 2012’s Dar de duh, and thought it was “good” but not really worth revisiting. Similarly, I was aware of the apparent amazingness of Om, Negură Bunget’s 2006 opus, in which Edmond “Huppogrammos” Karban and Cristian “Sol Faur” Popescu played a pivotal role. While that album was stunning in scope, the black metal production values turned me off. Potential, yes: essential, no. Fast forward to 2021, and on a whim I clicked on the first track released from Har, entitled “Descânt.” It was then that I knew I had to not only hear this album, but bring it forth to the Angry Metal Guy faithful.” From Romania with love.

The Moon and the Nightspirit – Aether Review

The Moon and the Nightspirit – Aether Review

“I love receiving distinctly non-metal promos. I mean, it’s the name of the site, right? Angry ‘Metal’ Guy. Receiving folk, neo-folk, ambient, and similar musical styles feels like a statement from their artists: “no, it isn’t literally metal, but it’s metal in enough ways for you, ‘Guy.’” And I’m not complaining; from Winterfylleth’s The Hallowing of Heirdom to October Falls’s Kaarna to Forndom’s Faþir, some of my favorite musical discoveries have been metal “in all the right ways but one,” and all featured on this site. Since 2005, The Moon and the Nightspirit, a Hungarian duo featuring multi-instrumentalists Ágnes Tóth and Mihály Szabó, have been making traditional folk music; Aether is their seventh full-length album, and it feels like it belongs in all three of the above fields.” Aether realms?

Eye of Nix – Ligeia Review

Eye of Nix – Ligeia Review

“Pinpointing the core sound Eye of Nix conjures proved difficult this last week and change. On one hand, I recognize the elements that compose the content within Ligeia—black metal, doom metal, opera, post-metal, a twist of psychedelia—but I struggle to come to a concrete solution as to what this record is.” The naming game.

Drown – Subaqueous Review

Drown – Subaqueous Review

“Funeral doom was never a genre I willingly embraced or ever truly “got,” but as I grow older I seem to be finding more and more affinity for it. Perhaps that’s because I’m getting closer to picking out caskets for my own funeral, or maybe age has slowed me to the point where I can better appreciate other slow things, like turtles and the US legal system. Whatever the case may be, Subaqueous, the second album by Drown, is helping bring me around on this most niche of genres.” Death in the water.

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

Crowhurst and Gavin Bryars – Incoherent American Narrative Review

“Not knowing what to expect from Crowhurst and Gavin Bryars‘s new album Incoherent American Narrative, I snuggled into a corner of my couch with a piping hot mug of mint tea at my side and put on my Sennheisers. Now that I have experienced the album more than a handful of times, the idea that keeps coming to mind is that of a sound collage. Sound collages, like their visual counterparts, are compositions created from “gluing” together various, oftentimes disparate, sound pieces. Incoherent American Narrative fits that description to a T.” Art and crafts.

Novembers Doom – Nephilim Grove Review

Novembers Doom – Nephilim Grove Review

Novembers Doom has admirably avoided becoming a static recording act over its quarter of a century knocking around the metal scene. They started life as morose doom death but mutated into various permutations of doom and/or death over time. I don’t even think of them as a true doom death act these days, and lately they’ve been drifting toward the mellower side of Opeth and the glum mope rock territories trod by modern Katatonia. On their 10th album Nephilim Grove, they continue to carefully straddle several genres, doing their best to consolidate their influences.” Ennui for you and me.