“On their debut American Scrap, Chicago quartet Huntsmen blend Americana with a progressive take on searing sludge metal. But can they do justice to the self-proclaimed Greatest Country in the World?” Born in the U.S.A..
Prosthetic Records
The Atlas Moth – Coma Noir Review
“Shape-shifting Chicago act The Atlas Moth exorcised some particularly nasty personal demons on 2014’s bleak, The Old Believer album. Although failing to hit the glorious highs of predecessor An Ache for the Distance, it proved a mature, emotionally raw and harrowing chapter in the band’s career. Not content to repeat themselves, The Atlas Moth return in a decidedly more chipper mood, by their despondent standards, serving up an energetic and refreshingly upbeat collection of tunes that widens the scope considerably beyond the psychedelic sludge tag they are frequently saddled with.” Like an Atlas Moth to the flame of judgment.
Dawn Ray’d – The Unlawful Assembly [Things You Might Have Missed 2017]
“Dawn Ray’d’s black metal is dense and aggressive, often almost too brutal and hasty in its delivery, as if crumbling under the pressure of channeling the musicians’ revolt at the systemic inequality and oppression. Yet, at the same time, Dawn Ray’d deliver an incredibly melodic and tuneful sound.” OCCUPY!
Sorxe – Matter & Void Review
“But, the two biggest differences between Surrounded by Shadows and Matter & Void are the ones our beloved Brother Grymm had the biggest issues with—bass presence and song length. Justifiable complaints considering the band have two bass players and a nine-track sludge debut that carries on for almost an hour. But the band appears to have nipped these in the bud. Matter & Void is bassy, beefy, and its six tracks clock in at a mere thirty-five minutes. Not to mention, Sorxe has a label this time around. Time to find out what Matters and what’s Void.” Sludge matters.
All Hell – The Grave Alchemist Review
“Say what you will about Adam Clemans, but Skeletonwitch really lost something when they kicked Chance out, leaving me hungry for bands that captured the rowdiness of their early days. Enter All Hell.” Skeletons, witches and Hell, oh my!
Without Waves – Lunar Review
“Chicago has a busy music scene, and I can hardly be bothered to go to shows even when bands I already like are playing, so there are plenty of cool second city bands that I’ve always heard of but never checked out. One such familiar name is Without Waves, an experimental/prog metal/rock outfit set to release their third album, Lunar, into a crowded field of new music this March 17th.” In a crowded field, is this brutal enough?
Junius – Eternal Rituals for the Accretion of Light Review
“Here’s a little-known fact about Angry Metal Guy: we love triple LPs. There’s something to be said for the sheer audacity, the pretentiousness that goes into even thinking of releasing something so ludicrous. Such events, therefore, deserve our complete attention. This latest opus from Junius, Eternal Rituals for the Accretion of Light (or ERAL because I’m lazy), isn’t a triple LP, per se, but it is part three of a trilogy of conceptual albums, and that’s the next best thing.” Good things come in threes (every 2- years).
Weltesser – Crestfallen Review
“I listen to fast music; the rage-inflicted murder beast that lurks in my soul is never fussier than when stuck behind some jamoke doing 25 mph. Consequently, picking up Weltesser was a bit of a gamble, as doom has never been my speed. The right groove can rev my engine, but idle too long and I’ll go right to Sleep.” Doom to improve.
Hour of Penance – Cast The First Stone Review
“Some bands plug away releasing record after record of dry, digitized discipline that no one particularly cares to recall. And then there are those acts that manage to seamlessly meld technical proficiency, distinct brutality and that often evasive element of musicality that seasons the broth. Italy’s Hour of Penance have, for me, always been one of those bands.” Seasons in the broth.
Schammasch – Triangle [Things You Might Have Missed 2016]
“Based on vocalist and guitarist Chris S.R.’s amalgamation of a number of religions and philosophies, Triangle is a sprawling, grandiose effort that bridges progressive black metal, progressive rock, post-rock, and ambient music, while hinting towards a deeply personal struggle.” A triple album again? Why do we do this to AMG?