“Whichever the style, the quality of <'sb>Blut Aus Nord output never faltered. They could and have done whatever they wanted. Yet even in such a varied discography, their thirteenth LP Hallucinogen arrives as a sharp and expectedly unexpected detour. An ascendance to a higher celestial plane.” Black trip.
Psychedelia
Khôrada – Salt Review
“It’s probably fair to say that Agalloch and Giant Squid went out with differing degrees of success on the recording front. Both issued their final albums in 2014, with Agalloch’s The Serpent and the Sphere garnering mixed opinions, while Giant Squid’s Minoans opus was a fine conceptual piece that stands among their stronger releases. With the dust settled on two stellar careers, can the ex-Agalloch collective of Don Anderson, Jason Walton and prolific drummer Aesop Dekker combine successfully with former Giant Squid and current Squalus frontman/guitarist Aaron Gregory?” Salve for loss or salt in the wound?
YOB – Our Raw Heart Review
“YOB, Oregon’s modern purveyors of epic, cathartic doom, have crafted a unique and powerful body of work across a long career, solidifying their status as one of the genre’s great artistic forces. Long form doom songs with gradual builds and subtle shifts is generally not my cup of tea when seeking my doom fix, but there’s something profoundly special and intriguing about YOB’s crushingly intense yet beautiful music.” Yob’s yer uncle.
Queen Elephantine – Kala Review
“I’ve always thought that if there were to be a musical equivalent of abstract modern art then it would come in the form of eccentric, experimental prog or post-metal – music that requires patience and an open mind to appreciate and digest – and such a description could not be apter for Providence’s Queen Elephantine.” Horton hears some drone.