Psychedelic Rock

Cracked Machine – The Call of the Void Review

Cracked Machine – The Call of the Void Review

“Back in the olde days, if a band took two years between releases they were considered to be “on sabbatical.” Nowadays, if a band puts out an album faster than every two years, we wonder why they’re rushing things. An album a year used to be the rule, and that’s a rule that Cracked Machine seem to be adhering to early in their career. The Call of the Void comes hot on the heels of the Wiltshire quartet’s 2018 debut, I, Cosmonaut. Maybe it’s easier to write post-rock songs with psychedelic overtones, or maybe these fellows just have a lot of ideas swimming around in their heads.” Grinders.

Deathchant – Deathchant Review

Deathchant – Deathchant Review

“Let’s ease into 2019, shall we? After a climactic December that saw about a million Things You Might have Missed posts, nearly two dozen Top Ten(ish) lists, and a few more outstanding releases, it’s time to let our collective breath out, sit back, and strap in for what we all hope will be a stellar year for metal. And while early January might not be blessing us with any albums that will stick around until list season, there are a few that are worth digging into. Is this shorty (a mere seven songs and 30 minutes) from Los Angeles’ Deathchant one of those? If you’re into psychedelic proto-rock, with all sorts of other spices added in, then this eponymous debut just might kick-start your year.” Death the halls.

New Light Choir – Torchlight Review

New Light Choir – Torchlight Review

“The occult/psychedelic movement has been quiet this year, and when it has made noise, that noise has been like bathwater: tepid and lukewarm. Aside from a small handful of notable exceptions, when you search the site for occult rock or psychedelic rock, you find a ton of 2.5s and 3.0s. Not the most fun in the world. But North Carolina duo New Light Choir aim to change that here with their third album, Torchlight. While their first two albums showed promise, there was obvious room for growth, both in production and songwriting. But as is the case with pretty much every genre, it is easy to take things into parody range. Worshiping too hard at the retro altar usually doesn’t work out.” Worship the olden riffs.

Black Space Riders – Amoretum Vol. 2 Review

Black Space Riders – Amoretum Vol. 2 Review

“And now for part two of my reviews of two-part albums, the follow-up to Black Space Riders’ January release, Amoretum Vol. 1. What hooked me into that first album (and has kept me coming back regularly to select songs) was the overall feel of the songs — groovy, psychedelic cuts with a tight focus on rhythm and plenty of David Bowie influence. What I didn’t like was the opening song, an out-of-place, messy garage-punk outlier, and the penchant for the band to identify themselves only with initials. My final words in that review were ‘I’m on board for Vol. 2. Hopefully, Black Space Riders keep it going.’ So… do they?” Space madness.

Fire Down Below – Hymn of the Cosmic Man Review

Fire Down Below – Hymn of the Cosmic Man Review

“I have two basic approaches when it comes to reviews. If the album is by a band whose discography I am familiar with, I’ll read the PR materials to learn more prior to listening. If it’s a band I haven’t heard of, but either grabbed off the promo list or was voluntold to take it by the inestimable Madam X, I won’t read anything about the band. I’ll dive right into the promo and form some unfettered opinions over a few listens before checking out the PR material. That’s how I did it with Belgian quartet Fire Down Below and their sophomore album, Hymn of the Cosmic Man.” Ignorance is bliss.

Boss Keloid – Melted on the Inch Review

Boss Keloid – Melted on the Inch Review

“At AMG Headquarters last week, as a number of us were gathered around the bench press station during our allocated one hour of yard time, discussions turned from who could bench the most, to personal tastes when it comes to genres to review. When I was finally allowed to talk, I said I like my dad metal, sure, but I also enjoy deeply of prog, doom, some stoner — and I like it all to be just a little off-kilter. Well, members of Boss Keloid must have been standing nearby, because Melted on the Inch, their third album, ticks all my non-dad-metal boxes.” Boss dad prison metal.

Ruff Majik – Seasons Review

Ruff Majik – Seasons Review

“Located at the very tip of the African continent, South Africa may win the prize for ‘Most Accurate Country Name,’ challenged only by the uniformly low and flat Netherlands. Metal, however, is not what the nation is generally known for (apartheid and the guy who directed District 9 both rank higher, for instance.) In our extensive archives, only 9 articles bear a ‘South African Metal’ tag. Until today, that is, because Ruff Majik come forth from the shadows of Pretoria, the South African capital.” South Africa rising.

Octopus – Supernatural Alliance Review

Octopus – Supernatural Alliance Review

“Here we are, once again, gathered together under the metaphoric roof of the Angry Metal Hall. Our ranks comprise fans of all walks of metal, no two tastes are identical and yet we all convene here to bang our heads as one. What joins us disparate degenerates as children of the Jørn? What fantastic force unites the photometers, hamsters, and screaming boxes that plague our comment section? The answer holds as trve now as in those dark days preceding the internet: it’s the riffs, stupid. This obvious answer in turn poses an obvious question: “What does this have to do with Octopus’ Supernatural Alliance?”” What a big tent you have.