“Between pillaging, plundering, and getting insanely hammered, Mark Z. interview’s Revocation’s Dan Gargiulo.” The first of several plunder publications from this year’s 70,000 Tons of Metal excursion.
Psycroptic
70000 Tons of Metal: One Man’s Journey
“My friends ask me what happened, but my ability to verbally communicate has been reduced to moaning and a weeping noise that sounds something like a baby panda crying for milk. I wonder how I’m going to make it through the final day of this floating festival. I wonder when the aching will subside. I wonder where my life went so wrong. How did I end up here, on the 7th annual 70000 Tons of Metal cruise, weak with exhaustion and feeling like my body has been bludgeoned with a sledgehammer? My mind drifts back…” Tales from a 70000 ton heavy thing.
The Furor – Cavalries of the Occult Review
“The patriot in me gets a little warm and fuzzy when contemplating the healthy state of the Australian metal scene. Whether it be divisive big guns Ne Obliviscaris and King Parrot, head-scratching experimental acts like Portal and Hope Drone, the thrashy old-school goodness of Hobbs’ Angel of Death and Deströyer 666, cutting edge modern tearaways Départe and Deadspace, or reliable tech death stalwarts Psycroptic, there’s a hugely satisfying selection of Aussie metal to satiate a wide variety of extreme tastes.” Is it just me or do Aussies like their D’s and P’s?
Infinite Earths – Into the Void Review
“In recent years I’ve shied away from tech death. Sure I loved Origin back in their Antithesis era, but these days if I want noodles I’ll just make some fucking pasta. That said, a band name as cool as Infinite Earths was tough to ignore, particularly in how it invoked notions of parallel universes and promises of sweet purple cover art with a cosmic beast devouring a planet or some shit.” Take all you can eat, but eat all you take.
![Abhorrent – Intransigence [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2016/01/Abhorrent-Transigence-01-1.jpg)
Abhorrent – Intransigence [Things You Might Have Missed 2015]
“Generally speaking, brutal and slam death are tough pills for me to swallow. It’s not that my ears are hyper sensitive to the trademark extremity of the style, but rather the cartoonish brutality, often amateurish musicianship and lack of song-writing smarts results in many bands dissolving into a forgettable slop of unrefined mediocrity. Inevitably there are exceptions, particularly when the slam grooves and relentless brutality are attached to memorable, catchy songs and top-notch musicianship.” It’s never too late to realize you missed something.
Foul Body Autopsy – Perpetuated by Greed EP Review
“It doesn’t take an encyclopedic knowledge of heavy metal to figure out where Foul Body Autopsy draw their name from. Which is good, because I certainly don’t have one. In fact, I didn’t even remember “Foul Body Autopsy” was a Necrophagist song until conducting research for this review, and the first time I actually sat down and listened to Muhammed Suicmez’s legendary tech death project was a few days ago when I found myself stuck in an airport terminal for five hours with a dead Kindle. Still, it only took a cursory listen of Onset of Putrefaction to reveal that FBA is far from mere Suicmez worship.” Does the apple fall far from the rotten tree?
Alustrium – A Tunnel to Eden Review
“For the past two years, my “Album of the Year” honor has gone to albums that clawed at the seams of extreme metal; while imperfect, they represented a rare glimpse at the technicolor darkness trapped perpetually beyond the horizon of the genre. It’s too early to call 2015, which I must say has piddled forth only a dilute stream of quality metal; but I can say without doubt that this album is a contender.” Color Kronos impressed…and burnt sienna.
Dawn of Azazel – The Tides of Damocles Review
“Readers already familiar with my preferences will recall that on multiple occasions I have referenced Ulcerate as both pioneers of the growing experimental and dissonant death metal trend and the most creative band since Meshuggah. Bold words indeed, (pun intended), but in truth, Ulcerate’s last three albums have been so excellent that I had to update the seal of approval I placed on them to a walrus.” Can Dawn of Azazel win such a prodigious stamp or do they earn the dreaded Frowny Face of Kronos.
Psycroptic – Psycroptic Review
“Well, would you look at this? The world’s second favorite population of satanic Tasmanians have produced a work about which they feel strongly enough to imbue it with their own name.” Ah, the late career eponymous album. We love those.
Things You Might Have Missed 2013: The Schoenberg Automaton – Vela
“The Schoenberg Automaton first caught my eye with their self-titled 2010 EP, which I probably found while browsing Bandcamp in a Meshuggah-induced stupor, keeping an eye out for anything promising that my penniless ass could download. The three-track tour de force immediately turned me on to the Brisbane based tech-death group and their jittering, atonal, and surprisingly refreshing style. Since that excellent EP, the Aussies have had three years to muster all of the necessary insanity for a full-length release that matches the intensity and freshness of those three songs which first put them on my radar. Vela had better damn well deliver.” Our man Kronos tells you about an Australian death crew you might have missed and probably shouldn’t have!
