Revenant Marquis

Pa Vesh En – Maniac Manifest Review

Pa Vesh En – Maniac Manifest Review

“Another day, another raw black metal act. I was gonna go into the obligatory rant about how it’s the aural form of licorice, but suffice it to say: you either hate it or you love tolerate it. If you’re a masochist who likes to have your ears bleeding on the reg, dive in. If you prefer your music tasteful and somewhat reasonable, stay away. Unless it’s Pa Vesh En, who, along with acts like Black Cilice or Lamp of Murmuur, regularly provide tasteful interpretations of barbed wire tones.” Angry cargo.

Irae – Dangerovs Magick Zpells from the Mesziah of Death Review

Irae – Dangerovs Magick Zpells from the Mesziah of Death Review

“Getting dibs on albums is pretty rad when there’s a cool band with a new release I forgot about: a mini-Christmas in the otherwise lifeless dregs of the promo bin. That was my initial thought when I saw Portugal’s Irae new release. Last year’s Lurking in the Depths, while not terribly original, was a jolly fun batch o’ blackened tunes. It blended raw-ish tendencies with a healthy dose of groove for a subtle and consistent listen that perhaps held more promise than delivered but was good enough for my heart to leap at the newest installment. Does Dangerovs Magick Zpells from the Mesziah of Death┬ádeliver?” Dangerovs toyvs.

Revenant Marquis – Below the Landsker Line Review

Revenant Marquis – Below the Landsker Line Review

Revenant Marquis is a raw one-man black metal act from Wales, where the title of his latest album Below the Landsker Line originates. Sole member S offers a unique aesthetic: while older 2018-19 releases feature your typical kvlt “corpsepaint in the dark with fire or some shit” look, 2020’s Youth in Ribbons offered a black-and-white picture of a smiling young girl, a trend continuing into the fifth offering.” Innocence and wrath.