Review

Metal Church – XI Review

By Steel Druhm on March 24, 2016 in 2016, American Metal, Heavy Metal, Rat Pak Records, Heavy Metal, Thrash Metal, 53 comments

“Way back in 1984 I was pretty much blown away by the Metal Church debut. David Wayne’s (R.I.P.) air raid demon vocals were one-of-a-kind and the slick, hooky writing and quasi-thrash energy really won me over. While their follow up The Dark was widely panned, I loved it almost as much as the debut. When Wayne packed off for greener pastures, I was loathe to accept the band without him, until they wrangled Mike Howe from Heretic and made stellar use of his leather lunged roar on the amazing Blessing in Disguise. I went on to love all the Howe era albums and struggled mightily to get into subsequent platters with Ronny Munroe standing in his stead. Now 23 years after he left, Howe is back for their 11th album, the cleverly titled XI.” Is church back in session or should you get the flock away from this thing?

Amon Amarth – Jomsviking Review

By Angry Metal Guy on March 23, 2016 in 2016, Death Metal, Metal Blade, Reviews, Sony Music Entertainment, Swedish Metal, Viking Metal, 70 comments

“The first man I killed was the earl’s right-hand man / When he came to take her away / I ran his own sword straight through his throat / And then I stood there, watching him fall!” Amon Amarth’s Jomsviking wastes no time reminding you to whom you are listening. Of the Swedish metal scene of the 1990s—a scene so legendary and influential that it became almost cliché after incessant imitation—Amon Amarth is one of the very few who has continued strong. While not every record has been a Lindesfarne, their discography is like a series of profitable raids that have raised their profile so high that Jomsviking isn’t being released on Metal Blade in Europe. Amon Amarth is officially a major label band now, having signed to Sony in the three years since Deceiver of the Gods was released in 2013.

Rimfrost – Rimfrost Review

By Dr. A.N. Grier on March 22, 2016 in 2016, Black Metal, Non Serviam Records, Reviews, Swedish Metal, Black Metal, 53 comments

“Because the chances of getting another release worth a damn from Immortal are about as likely as my Writer o’ the Year award, I have no other choice but to look elsewhere for my Immortal Thirst Quencher. But where can I find that iciness that somehow defines Immortal but no one else? From whence shall I procure melodic black metal that taps into my heart and freezes my veins into blood Popsicles?” These are the kind of hard questions that get you a doctorate!

The Body & Full of Hell – One Day You Will Ache Like I Ache [Split] Review

By El Cuervo on March 22, 2016 in 2016, American Metal, Grind, Neurot Records, Sludge, Sludge Metal, 18 comments

“There are times when you don’t want music to be uplifting. When abject nihilism and despondency will match or elevate your mood and you just want to be subjected to someone else’s anger. Both Full of Hell and The Body understand that sentiment. One Day You Will Ache Like I Ache is their stark, raw scream into the abyss. It is a split born of noise, sludge and grind. It’s as unrelenting as it is devastating and those looking for ease of access need not apply.” Uncomfortable is the new comfortable.

Artillery – Penalty by Perception Review

By Steel Druhm on March 22, 2016 in 2016, Danish Metal, Metal Blade, Thrash Metal, Thrash Metal, 25 comments

“You gotta hand it to Artillery. They just keep firing away long after the original thrash wars faded into memory and many a speed détente was put in place. Longevity aside, it seems they’re taking their second (or third) run at metal immortality quite seriously. 2013s Legions was a solid dose of Danish steel with a more melodic bent courtesy of new voice Michael Bastholm Dahl.” And the cannons of wrath did thunder once more….

Demonstealer – This Burden Is Mine Review

By Grymm on March 21, 2016 in 2016, Death Metal, Demonstealer Records, Indian Metal, Metalcore, Reviews, Thrash Metal, Death Metal, Metalcore, Thrash Metal, 26 comments

“In my almost three years of reviewing for AngryMetalGuy.com, very few things surprise me anymore. Yet, while doing research for This Burden Is Mine, the second album by Indian one-man project Demonstealer, I hopped onto their Facebook page, and realized just how prolific one Sahil Makhija, aka The Demonstealer, is. Not only is he the guitarist and vocalist on here (as well as in his main band, Demonic Resurrection), but he also runs his own eponymous record label (which is also India’s first extreme metal label). He also has his own online cooking blog. In fact, the first thing I saw on Facebook was was a link to a YouTube video for making bacon cake. I didn’t know such a concoction of magnificence even existed on this lowly plane, proving that magic does indeed manifest on Earth.” Bacon cake impresses even the jaded staff of AMG.

Endless – The Truth, the Chaos, the Insanity Review

By El Cuervo on March 21, 2016 in 2016, Brazilian Metal, Power Metal, Power Prog, Progressive Metal, Reviews, Power Metal, 9 comments

“Latin American metal is cruelly under-represented on the world stage, lacking the major label support of their European and North American counterparts. The exception to this seems to be power metal, with figureheads such as Angra and Hibria having emerged from Brazil’s urban jungles. A compatriot to these names, Endless has been limited by a spotty output of only 2 albums in around 20 years but their third full-length is now due and calls itself The Truth, the Chaos, the Insanity. Power metal though it is, drawing on the Europower formula, the riffy rhythm guitars land it somewhere close to Symphony X’s prog-power.” Well, how could this be bad!?

Hammer Fight – Profound and Profane Review

By Diabolus in Muzaka on March 20, 2016 in 2016, American Metal, Hard Rock, Heavy Metal, Napalm Records, Reviews, Hard Rock, Heavy Metal, 9 comments

We can argue about what the dividing line between metal and hard rock is until the cows come home, involve the cows in the argument until we feel like steaks, and then argue over some rare 16 oz. deliciousness and a wonderful glass of Cornet. But a satisfying conclusion will never be reached. New Jersey’s Hammer Fight and their sophomore record Profound and Profane are intent on making this fight even more difficult by walking the dividing line with the precision of a man who’s just consumed fifteen beers and is intent on doing a balancing act using the lines in the dive bar parking lot. Regardless of genre tags, what we’re all concerned with here is whether or not Hammer Fight is the life of the party or the unfortunate soul who pukes in the punch bowl and falls asleep on the staircase.

Horrified – Of Despair Review

By Jean-Luc Ricard on March 20, 2016 in 2016, Death Metal, English Metal, Stormspell Records, Death Metal, 23 comments

“Newcastle (upon Tyne [UK]) based Horrified released their debut about a year and a half ago, and the AMG staff collectively shrugged. A throwback death metal record with some neat riffs and an authentic sound, it lacked in both originality and execution, and was summarily dismissed by yours truly. But wise old man of the AMG staff, Al Kikuras saw something in the band, a certain rough charm and attitude that’s missing in the majority of retro-death.” Al knows retro-death.

Izegrim – The Ferryman’s End Review

By Dr. A.N. Grier on March 19, 2016 in 2016, Death Metal, Dutch Metal, Listenable Records, Melodic Death Metal, Reviews, Thrash Metal, Death Metal, Melodic Death Metal, Thrash Metal, 10 comments

“For those new to Izegrim, it only takes a few descriptive words to describe these Dutch metallers. What if I described the vocalist as a blonde woman with raspy, deathy vox? What if I categorized their sound as melodeath with thrashy breakdowns? What if I described their mission as causing inner-ear damage and venue deconstruction?” I know what you’re thinking: NIGHTWISH!