Review

Iron Savior – Rise of the Hero Review

Iron Savior – Rise of the Hero Review

Iron Savior is one of those “comfortable old shoe” kind of bands. Every album is essentially the same and the quality ratio is generally respectable. They were never much for shifting stylistic paradigms and it’s fair to call them the AC/DC of overblown sci-fi power metal, but as long as the music was good, it was all fine. Sure, their recent output hasn’t exactly rivaled their classic early period stuff, but they never dropped a total dud either and 2011s The Landing was plenty of fun in all it’s overproduced, studio-abusing bombast.” Those crazy Germans are back with more Gamma Ray-meets-Judas Priest power metal for the masses. Will this be your new metal savior? Steel Druhm opines.

Profezia – Oracolo Suicida Review

Profezia – Oracolo Suicida Review

“It’s 2014, and bog standard black metal is alive and well! The Italian group Profezia (“masters of high drama”, if the promo hype is to be believed) play a kind of Burzum-esque minimalist black metal. Oracolo Suicida is their third full-length originally released late last year, but is now seeing release in the states through the grimmest of long-running black metal labels, Moribund Records. I probably don’t need to tell you that Profezia lives up to its promise of offering cold, grim black metal done in the old way, and for many, that will be good enough. But for those looking for a little more than “Old English font” black metal, a litany of concerns arise for Oracolo Suicida.” Please observe silence as JF williams begins the reading of the litany.

Conan – Blood Eagle Review

Conan – Blood Eagle Review

“”Redundant genre, you say? Sorry, can’t hear you over ALL THESE AMPS!” say Conan ever so confidently. Or at least, I imagine that’s what they would say a few moments before bashing your skull in. Yes sir, Conan’s brand of doom metal is ridiculously heavy and drony – to the point of almost seeming like a gimmick.” Crom laughs at your four winds, amps and droning! As Crom laughs, Noctus discusses Conan’s brand of stoner doom.

The Blight of Re-Recordings: Manowar, Flotsam & Jetsam, Do-Overs and Resting on One’s Laurels

The Blight of Re-Recordings: Manowar, Flotsam & Jetsam, Do-Overs and Resting on One’s Laurels

“I’m not much of trend follower or fad supporter (except that whole Pet Rock thing, which was mint). Contrarian nature aside, one trend invading the metalverse that really boils my lobster is the whole “re-recording of classic albums” thing. Ever since I paid $40 for an import of Sodom’s Obsessed by Cruelty on CD only to discover it was a completely different version than the one I grew up worshipping, my hatred of re-recordings has run strong and deep.” Steel Druhm has been stewing over the whole re-recording craze for a while and he’s finally snapped. In hindsight, assigning him both of these re-recordings seems dubious.

Crematory – Antiserum Review

Crematory – Antiserum Review

“Few bands have dipped their toes in more genre pools than Germany’s Crematory. Over the course of their career, they’ve cobbled elements of death metal, gothic rock, electronica, industrial and even club music into what could called the “Crematory sound.” As the years went by, certain elements would drift in and out of prominence, but in recent times, the sonic space between them and countrymen Rammstein has narrowed to a fine line. These guys are heavier and more death-oriented, but the basic sound is essentially the same. While I’ve followed them since 1997, I’ve always found them frustratingly inconsistent.” Do you like your death metal backed by throbbing club music? If so, Crematory is here to fill that specialized niche.

Will of the Ancients – To Our Glorious Dead Review

Will of the Ancients – To Our Glorious Dead Review

“There’s something to be said about wearing influences on your sleeves. I may hail from the blackest forests of Southern New Hampshire and primarily enjoy black metal, but I have a soft spot for well-played power metal, old-school thrash, and melodic death metal. I’m known to geek out at the sound of a well-crafted guitar melody, soaring vocals, and urgent drumming. But, never in a million years would I picture it all on one album.” Grymm gets a shock, and you just might too!

Adrenaline Mob – Men of Honor Review

Adrenaline Mob – Men of Honor Review

“Umm, I’ll be honest with you. I really wasn’t looking forward to this album. As much as I worship Sir Russell Allen (Symphony X, Allen/Lande) and his golden pipes of steel, I really hate this hard rock/nu-metal side project he has going on with friends. Their Omerta debut was a painfully shallow, cringe-inducing foray into Disturbed styled nu-metal mixed with grungy barroom rock and it really didn’t work, even with Allen on vocals and Little Lord Mike Portnoy (ex-Dream Theater, Liquid Tension Experiment) on drums.” The Mob is back again. Do they rule yet?

Kuolemanlaakso – Tulijoutsen Review

Kuolemanlaakso – Tulijoutsen Review

“The majesty and grandeur of the Finnish wilderness has been source material for a veritable fuckload of metal bands over the years, with Amorphis and Korpiklaani, being the better known examples. Those untamed forests and pristine lakes apparently beckoned to the folks in Kuolemanlaakso as well, since their sophomore album is a loose conceptual piece focused on the Finnish countryside and the national folklore that featured it so prominently.” Nature-themed doom death from Finland seems like an easy sell. Are you buying?

Hatriot – Dawn of the New Centurion Review

Hatriot – Dawn of the New Centurion Review

“In a time when thrash feels increasingly tired and done-to-death, I was happily surprised by Hatriot’s 2013 debut, Heroes of Origin. Helmed by semi-legendary thrash vocalist Steve “Zetro” Souza (ex-early Testament, ex-Exodus), the band strip mined the riff vaults of classic Exodus and spewed out a vicious, angry disc of poser killing speed with an enormous 80s feel and only the slightest of nods to the past 20 years in musical advancement.” And now they’re back with more 80s thrash! Is it another breath of fresh skull tank, or is something getting a bit stale? Steel Druhm reports, you decide.

The Wounded Kings – Consolamentum Review

The Wounded Kings – Consolamentum Review

“Supreme overlord and beloved Great Leader Angry Metal Guy recently suggested that we don’t lead into our reviews talking about genre, in the interest of avoiding redundancy. Moreover, I’d imagine that the average AMG listener doesn’t really need a lesson on thrash metal 101, right? That’s because, in many cases, it does a disservice to band’s artistic uniqueness – isn’t it better to discuss the band, rather than its relationship to the genre it would appear to work within? I wish I could say that was possible with The Wounded Kings, but this Dartmoor-based five piece do little if not play to a genre, which is that of Sabbath-ian Electric Wizard worship.” Now that we pigeonholed everything, JF Williams discusses the merits of the music itself.