“Bloodshot Dawn appeared in 2012 brandishing a sword whose fiery arc emblazoned their thrash-influenced melodic death metal into the skies. Their self-titled debut impressed many and was hailed as a unique and creative offering in a genre that’s been riddled with Soilwork clones for the last decade. Now, they’re returning with their second-most creatively named album Demons, and with a moniker that inventive, one has to wonder if they’re falling victim to the much maligned ‘sophomore slump.’” Well, that’s an original album title.
Revocation
Revocation – Deathless Review
“I was worried about this album. Revocation have had it too good for too long, releasing large quantities of absurdly excellent music with extreme consistency over a timespan that most other artists would take to write just one album. They’ve been cranking out yearly releases since their magnum opus Chaos of Forms in 2011. Yearly releases. For four years. The honeymoon has to end sometime, right?” Or does it?
Kronos Comments: On Sampling Bias and the Seedy Underbelly of the Australian Metal Scene
“Just about every day, Angry Metal Guy pushes out a review of an upcoming or recently released album, producing press for the album whether we love it or hate it. It exposes readers to a lot of material, but disadvantages artists who aren’t putting out music at any given time. Given a small temporal window, this creates a very biased sample of the music scene. I love reviewing albums, but a lot of great and criminally overlooked bands are in between releases right now, and it kills me to see their hard work go unseen. So in order to rectify their invisibility, they’re being talked about here, where my shitty opinions have the outsized soapbox needed to fling themselves out onto the populace like fetid water from a fire sprinkler.”
Origin – Omnipresent Review
“It’s entirely reasonable to say that Origin are the most important thing in the entire state of Kansas, but for anyone who has been to Kansas, the declaration isn’t all that that impressive. Their work, however, speaks for itself. Three years ago, Entity absolutely wiped the floor with some of the most abrasive, technical, and impressive music the group has ever produced, and expectations for Omnipresent are naturally quite high.” Does Origin deliver that punishing blow worthy of so much expectation? Read on and find out what Kronos has to say.
Revocation – Revocation Review
At this point in their career, Revocation should certainly know what they’re good at, and fans should know what to expect out of the group’s consistently inventive and engaging brand of thrashy tech-death. A self-titled album then seems an appropriate fourth release for Davidson and Co., but topping the perfection of previous albums, especially the most recent thriller Chaos of Forms, is a tall order. Revocation, for the most part, delivers exactly what fans look for in a Revocation album; exciting, technical and catchy songs with all the heft and energy of a freight train.” Ladies and gentlemen, today is Tech-Death Albums We Missed Reviewing Day!! First up on the tardy list is the thrashy goodness of Revocation and doing the honors is our brand new probationary scribe, Kronos! New writer, long awaited review, what more can you ask for, you divas!!
Revocation – Teratogenesis Review
Happy Metal Guy reviews the thrashy new Revocation EP while also revealing his love of naked and vulnerable things and his sadistic urge to torture insects. Lock up the cats and small animals and bring in the psycho-therapists.
Fastkill – Bestial Thrashing Bulldozer Review
F.A.G. isn’t too sure about the merits of the retro-thrash movement, so naturally, he invented a drinking game!