Rhapsody of Fire

Kaledon – Altor: The King’s Blacksmith Review

Kaledon – Altor: The King’s Blacksmith Review

“This album has been giving me fits. I initially confused the band with a power-prog outfit and volunteered to review it. Well, it’s about as far from power prog as Earth is from the Sun. No, Kaledon is a super mega cheesy symphonic power metal ensemble from Italy and they desperately want to be the next Rhaposdy of Fire. To that end, they pile on the swords, sandals, Spartacus and silliness (and they even roped Fabio Lione into guest vocals somehow). Though this is their seventh album (most being part of concept series called Legends of the Forgotten Realm), I had somehow missed them all, which is fortuitous, because from my investigations, they aren’t very good. In fact, they assault the listener with some of the most generic, uninteresting power metal in recent memory. Altor: The King’s Blacksmith is a heaping helping of cheese coated fruit, unfit for consumption by all but the most ardent LARPer.” Steel Druhm doesn’t like LARPing, but he does like power metal, even cheesy power metal. Doesn’t seem as if he’s liking this slice of spoiled Rhapsody pie though….

Eternal Tears of Sorrow – Saivon Lapsi Review

Eternal Tears of Sorrow – Saivon Lapsi Review

Eternal Tears of Sorrow is an exceptionally fruity band name. The mere mention of it conjures images of a self-serious, black-garbed goth band (see photos) with a sultry, pouty femme fatale as front woman. If the name was keeping you away, you missed out on a quality band that blended black metal with melodic death, goth rock and symphonic power metal with good to great results. While I enjoyed all their albums, their crowning achievement was 2009’s Children of the Dark Water, which hit on the perfect combination of bombast, dark atmosphere, extremity, beauty and song writing that was shockingly good from stem to stern. At times it sounded like Cradle of Filth at their most symphonic mixed with early Cemetery, with traces of Kalmah, Insomnium and Amorphis added for good measure. After waiting over three years for a follow-up, we finally get Saivon Lapsi and with the long wait after such a great album, expectations were unavoidably high.” So… does this live up to those great expectations, or is it more of a bleak house? Get it? [YOU’RE FIRED!AMG]

Angry Metal Guy Speaks: On the Consequences of Copyright Fights and Ownership

Angry Metal Guy Speaks: On the Consequences of Copyright Fights and Ownership

Recently Steel Druhm outlined with some bittersweet memories the evolution of the music industry away from the prized formats of the CD and the LP (and cassette – but let’s not kid ourselves, liking cassettes is basically just proof that you’re trve ’cause you’re using the shittiest technology possible). But one of the things he didn’t touch on was the societal implications of the process he was talking about. Now I understand that this is a metal blog and that if I wanted to start AngrySociologyGuy.com I am free to do so; but bear with me, because I don’t feel like starting a new blog just to hash through the concept of ownership.

Vision Divine – Destination Set to Nowhere Review

Vision Divine – Destination Set to Nowhere Review

When I was an Angry Metal Lad I discovered what was then the burgeoning europower scene in the late 90s early aughts. Deeply influenced by the likes of Rage, Helloween, and Stratovarius I began to be taken in by any band that had a lot of double bass, virtuoso keyboard and guitar solos and a dude who sang moderately operatically but wasn’t too annoying. This held me over for a long time, discovering bands that still stick with me to today as some of my favorites including [Luca Turilli’s] Rhapsody [of Fire], Blind Guardian, Sonata Arctica and myriads of others (as well as their aforementioned influences). But like any scene, this one had its boundaries and excesses and after a while I started to get bored. In that process, I missed Vision Divine – an Italian power metal band that includes Rhapsody’s vocalist Fabio Lione who released their first record in 1999.

Record(s) o’ the Month – June 2012

Record(s) o’ the Month – June 2012

Last month I debuted a new Record o’ the Month format, and I thought it was pretty good. With a bit of input from the folks here who review at Angry Metal Guy, we were able to put together a good list of shit that was competing for the top position. While June is not as strong, there were still three records that tied for score and I, Angry Metal Guy, decided that a shared throne was necessary. So here it is, your Records o’ the Month!

Angry Metal Guy’s Best Heavy Metal Songs of All Time 10-1

Angry Metal Guy’s Best Heavy Metal Songs of All Time 10-1

Well, here it is folks. The final 10 [Here’s the first 40: 50-41, 40-31, 31-20, 20-11 and Steel Druhm’s: 50-41, 40-31, 30-21, 20-11, 10-1]. And this is going to ruffle a bunch of feathers, I guarantee it. These are, for the most part, not widely considered “favorites” and would never make fan-voted lists, but these tracks all got onto this list pretty easily. I’m not as angry about the whole Gibson list anymore, and I’ve lost a bit of steam because of that, but these tracks are all fucking fantastic, top-o’-the-line kind of shit. I hope you enjoy the list and I look forward trolling you soon. U MAD BRO!?

Symphony X – Iconoclast Review

Symphony X – Iconoclast Review

If you hadn’t figured this out yet, all of us over here at Angry Metal Guy, myself maybe most of all, are horrible Symphony X fanboys (and girls). It’s hard not to be fans of what are easily the best progressive power metal band of the modern era. So the coming of Iconoclast has been a so-called Big Fucking Deal, since it was first announced all those months ago. The record, which is another stab at a concept album, basically sounds like it borrows heavily from The Matrix and any other “The robots are coming!” kind of stories, you know the type. So, it was with genuine curiosity and fanboy-tinged apprehension that I first put on Iconoclast when I got it all those weeks ago.

Rhapsody of Fire – From Chaos to Eternity Review

Rhapsody of Fire – From Chaos to Eternity Review

Rhapsody of Fire is like the kyrptonite of Angry Metal Guy’s Law of Diminishing Recordings™. While they did have diminished recordings when they signed with Magic Circle Records (PRO-TIP: the “magic circle” in question is your anus… which will get fucked by Joey DeMaio), the last two years have been tremendously productive for these Italians. First, they came back with 2010’s The Frozen Tears of Angels which was an amazing success by all accounts and received a raving 5/5 review from me. Then they released The Cold Embrace of Fear which wasn’t exactly the greatest thing they ever did, but it was good and had some solid songs even if it contained far more voice acting than I’d’ve liked (“IT’S AN AVALANCHE!!”). And they managed to drop a guitarist and pick up another one (by the name of Tom Hess) on the way. But now this. From Chaos to Eternity.