Rigor Mortis

Antipeewee – Infected by Evil Review

Antipeewee – Infected by Evil Review

“Our resident Gungan evangelist recently posited a view in the AMG Slack group that has had me thinking a lot about why I don’t listen to a lot of straight thrash metal anymore. His view that the genre feels invalidated by Metallica’s best records, though initially seeming blasphemous, eventually became gospel to my ears. I’d personally swap Metallica for Kreator, but in essence, I’m completely in agreement with this stance; beyond notable experimental exceptions like Skeletonwitch or Vektor, modern thrash metal in its base form is inherently shallow, with bands failing almost universally to validate their existence among the classic acts. But sometimes – sometimes – everything just falls into place.” Thrash infection.

Crucified Mortals – Psalms of the Dead Choir Review

Crucified Mortals – Psalms of the Dead Choir Review

“Choosing what to do for Halloween is, in some sense, a lot like choosing how to be a metal band. You can try to deliberately frighten people, like Portal, be as provocative as possible, like Anal Cunt, flaunt your good feminine looks like the one member of Amaranthe anyone cares about, do something wacky and out-of-the-box like Troldhaugen, or you can throw on some old goblin mask and just go get drunk, loud and rowdy.” The goblins and ghosts are at the door.

Mefisto – 2.0.1.6 Review

Mefisto – 2.0.1.6 Review

“What do you get when the length of time between a band’s demo and their first full-length debut is longer than the entire life of the guy writing about it? This review, that’s what. Next, what do you name your record when you release it sixteen years after we all drained our bathtubs because Y2K ended up not shutting down the municipal water supply? 2.0.1.6, if you’re kvlt Swedish band Mefisto.” Y2K was a ploy by the Illuminati!

Rigor Mortis – Slaves to the Grave Review

Rigor Mortis – Slaves to the Grave Review

Rigor Mortis is about as cult a name as there is in the annals of thrash. Unable to capitalize on the genre’s first wave in the mid 80s, the band’s 88′ debut was a wild, almost cartoonish dose of speed with death undertones that arrived just in time for the entire thrash genre to go over the proverbial cliff due to oversaturation.” This may be the surprise of the year right here.

Warbeast – Destroy Review

Warbeast – Destroy Review

Destroy is the second full-length record for Arlington, Texas-based thrash metal warriors Warbeast. It follows 2010’s promising debut Krush the Enemy, and a split, also released in 2013, with Philip H. Anselmo and the Illegals, entitled War of the Gargantuas.” Now they’re back with their second full length, and Natalie Zed is here to tell you whether it’s time to strap yourself into your skull tank or not!