Sammath

Sicarius – God of Dead Roots Review

Sicarius – God of Dead Roots Review

“When we last saw Californian black metal band Sicarius, they were receiving high praise from yours truly for their outstanding debut Serenade of Slitting Throats. I returned to Serenade so its follow-up God of Dead Roots can be put in proper context for this review. This was beneficial, as the differences were in little things – at face value, God of Dead Roots certainly sounds like Sicarius, and Mick Kenney finds himself back behind the boards.” Roots and replanting.

Sammath – Across the Rhine Is Only Death Review

Sammath – Across the Rhine Is Only Death Review

“We see a lot expressed in a painting of shoes. Another artist could paint the shoes and using the same subject express a wholly different outlook. Metal has this habit with war⁠—myriad bands contemplate it and find wildly different elements to paint their sonic portrait, their own vision of the peasant shoes. Sammath sees war in an unforgiving light. Their death-tinged black metal sees war⁠—specifically World War II⁠—as human folly writ large, a senseless mess of faceless killing, death, and destruction with no real resolution.” The true face of war.

Slaughtbbath – Alchemical Warfare Review

Slaughtbbath – Alchemical Warfare Review

“Time to draw ourselves a Slaughtbbath, folks. What bathing in slaughtb feels like is known to those who heard 2013’s Hail to Fire, the predecessor of Alchemical Warfare and Slaughtbbath’s debut. I took a Slaughtbbath many times via Hail to Fire, which is the least important qualification I possess to review that record’s successor. My most important qualification? Look at my pen name, and then look at the title of this record; Slaughtbbath and I share an enjoyment of gratuitous Slayer puns.” Rub-a-drub-drub.