Schammasch

Sacrificial Vein – Black Terror Genesis Review

Sacrificial Vein – Black Terror Genesis Review

By Thus Spoke on March 16, 2024 in Reviews, Atmospheric Black Metal, Black Metal, 55 comments

“There’s that strain of black metal, straddling if not disregarding boundaries between atmospheric, post, melodic, dissonant, and second-wave, where the music, true to its occupying the less-mainstream corners of the genre, sits like a shadowy presence in peripheral vision—preoccupying itself not with Lovecraftian horrors, or overt, antagonistic portrayals of Satanism, but with terrors less far-fetched and obscure. An occultism of an introspective, existential bent, premised on the human mind. Sacrificial Vein, comprised of fragmented members of Nothingness, Aegaeon, and a mysterious JU, follow this dark trajectory.” Tapping some veins.

Saevus Finis – Facilis Descensus Averno Review

Saevus Finis – Facilis Descensus Averno Review

By Thus Spoke on January 10, 2024 in Reviews, Black Metal, Death Metal, 18 comments

“With a name that translates roughly to “The Savage End,” Saevus Finis aim to live up to their moniker with their equally-ominously-titled debut Facilis Descensus Averno (An Easy Descent into Hell). Exercising a particularly gnarly blend of dissonant death and black metal, this plays out in the expectedly extreme metal fashion, amelodious odes of cavernous, claustrophobic cacophony. And it’s pretty cool. In a funny coincidence, it turns out the vocalist of Saevus Finis—Mortvorvm— also provides pipes and guitars for Wells Valley, which received the TYMHM 2023 treatment from yours truly.” Black birds of a feather.

Neck of the Woods – The Annex of Ire Review

Neck of the Woods – The Annex of Ire Review

By Carcharodon on March 16, 2020 in 2020, Canadian Metal, Death Metal, Metalcore, Pelagic Records, Progressive Death, Progressive Metal, Reviews, Death Metal, Metalcore, 30 comments

“Do you ever have that feeling of listening to an album and feeling that it’s somehow better than you’re giving it credit for? Or, as GardensTale put it to me, the feeling that “I’m probably just not good enough for the album”? That’s how I felt about the second full-length from Vancouver’s Neck of the Woods, until about 4pm today.” You’re good enough and people like you.

Schammasch – Hearts of No Light Review

Schammasch – Hearts of No Light Review

By Grymm on November 7, 2019 in 2019, Avante Garde, Black Metal, Prosthetic Records, Reviews, Swiss Metal, Avante Garde, Black Metal, 52 comments

“There are two kinds of metal albums that tickle my fancy. The first kind takes a band’s trademark sound, alters it just enough to keep things fresh, but also retains everything that makes that artist or band unique, enjoyable, and otherwise impossible to do without. The other has mere glimpses of what made that band who they are, but throws so many curveballs, surprise left hooks, and a kitchen sink or twelve your way, and demands that you catch it all. Swiss avant garde spiritualists Schammasch most certainly fit into the latter with relative ease. Even after releasing a three-disc, exactly-100-minute monstrosity in the form of Triangle back in 2016, it still didn’t fully prepare me for what Hearts of No Light had in store for me.” That’s a big Schammasch!

Schammasch – Triangle [Things You Might Have Missed 2016]

Schammasch – Triangle [Things You Might Have Missed 2016]

By Roquentin on December 18, 2016 in 2016, Ambient Metal, Avante Garde, Black Metal, Doom Metal, Post-metal, Prosthetic Records, Reviews, Swiss Metal, Things You Might Have Missed 2016, Ambient, Black Metal, Post-Metal, 31 comments

“Based on vocalist and guitarist Chris S.R.’s amalgamation of a number of religions and philosophies, Triangle is a sprawling, grandiose effort that bridges progressive black metal, progressive rock, post-rock, and ambient music, while hinting towards a deeply personal struggle.” A triple album again? Why do we do this to AMG?