“Many years ago now, I caught a gig by a personal favorite, The Mars Volta. They had just released Frances the Mute and were touring in support of that great record. Sadly, this ranks as among the worst gigs as I’ve ever been to. The band themselves appeared to be off their faces and played only one discernible song over an hour into the jam session, at which point I left. I have similar feelings about For the Masses.” Fit for mass consumption?
Sep19
Arallu – En Olam Review
“I now recognize AMG‘s Law ov Diminishing Albums as a cold and cruelly ironic constant, and subsequently I slowly shuffled up to Six’s successor, the septimal En Olam, with extreme arthritis and trepidation. By the time it was all over, I sighed wearily and shuffled even more gingerly back to my sleeping perch—for such was the extent of my physical capabilities in the wake of the ass beating that En Olam had just given me.” Desert for dinner.
Torpor – Rhetoric of the Image Review
“I have my own boxes to check as I look for the next Cherd friendly album, so when patterns emerge, I take note. Recent positive experiences with doomy, noise tinged post-metal from the United Kingdom packaged in black and white cover art, namely Sūrya and Bismuth, led me to take a chance on Torpor’s Rhetoric of the Image. Will the sophomore effort from this three-piece keep the hitting streak alive?” Post-gambling.
Bones – Diseased Review
“Everybody knows a local band like Chicago’s Bones. If you attend small scale metal shows in your vicinity with any sort of regularity, you know them well: a groove oriented death metal band, often fresh off work, that seems to open every show regardless of whether they fit the bill. This results in often hilarious pairings, including my recent bewilderment at Kansas City’s death/doomsters Pulchra Morte opening for Gloryhammer of all bands. Bones is the very embodiment of that same working class energy, but as they fall under the eclectic umbrella of Transcending Obscurity, curveballs are to be expected.” Boning it in.
Astrosaur – Obscuroscope Review
“Much like my need to take the infrequent day off from work, I occasionally require a break from the never-ending storm that is extreme metal. When I require such dalliances with lighter fare, I generally choose prog-metal or something bumping shoulders with post-whatever. Established bands like Voyager, Dreadnought or Fair to Midland are my go-to’s. Hailing from Norway, Astrosaur get their foot in the door with their sophomore full-length Obscuroscope, an instrumental post/prog/jazz album that promises to satisfy my Chillaxoproxin™ fix.” Relaxosaur.
Gemini One – Per Aspera EP Review
“How many funeral doom bands thrive on the chilling output of their vocalists? Needless to say, the answer is “it depends.” To each their own, and every band is different, right? Today I’m honing in my focus directly on Gemini One, a German duo with their fourth EP, Per Aspera. Doom? Check. Vocals? No. An enjoyable listen? Read on.” Horror-scopes.
Monolord – No Comfort Review
“No Comfort is an interesting name for a Monolord album, because every time I’ve played their records I’ve felt a great sense of comfort. I know what I’m in for, and each time the band delivers. Kind of like a lot of the fuzzy stoner metal bands out there. They will bestow upon us massive riffs that are fuzzier than a giant peach, drenching their Black Sabbath worship with Electric Wizard sauce. It is a recipe for short-lived success; while I enjoy drinking at this particular well, I can only do so for a short time before moving on.” Quick comfort.
Netherbird – Into the Vast Uncharted Review
“Netherbird too evolved up quite a bit since the rocky, raw days of their youth. They’ve gone from garish gothic to contemplative pseudo-meloblack and the maturity required to handle that respectfully. Into the Vast Uncharted, then, is apropos, as despite that growth, Netherbird is a band searching for more.” Free (Nether)bird.
Come Back from the Dead – The Rise of the Blind Ones Review
“Every Entombed clone thought of themselves as carrying on a lineage, writing riffs in the vein of their favorite albums—not being derivative or boring as we may find some of them. This disconnect is fascinating—an album we may hear and not give a second thought to afterward likely consumed weeks, months, years of every member of the band’s life. When this comes to mind, my chief question about middling releases is ‘why?'” Dead again.
Excalion – Emotions Review
“Once upon a time, your friendly neighborhood Steel Druhm was a big time power metal nerd. I loved nearly all of it, no matter how cheesy, poppy, dragon intensive or elf friendly it was. With advancing age and the inevitable cynicism that follows, my tolerance for saccharine-sweet Euro-pop-power diminished, and I’ve became increasingly judicious in what is deigned worthy for admittance in the ears ov Steel. One of the few power metal albums I still return to regularly is Excalion’s 2007 opus Waterlines. The Finnish act found a near-perfect blend of heaviness, accessibility and over-the-top fun on that platter and its withstood the test of time and shifts in listening habits.” Songs and Emotion.